It's now time for our 194th monthly CD review at The Sault Metal Scene, and as our current backlog of new local metal/hard rock albums plods into a new month, we're actually jumping a couple months back in the timeline to look at local industrial metal solo act The Realignment Project's sophomore EP "The Frustration Sessions"! Independently released to major streaming services on April 28th, the four month delay for our review was due to it coming out just three months after their debut EP "Afterthought", which we reviewed in February. I have long had a self-imposed buffer period of six months between album reviews from the same project (to avoid showing a bias), hence why we didn't look at this EP in the spring. The Realignment Project is still led by former Dirty Virgin drummer/Riverin frontman Matt Hicks without extra credited performers. You can buy this EP on mp3 format on Bandcamp on a "name your price" model or on iTunes for $5.94.
Meanwhile, it can be streamed on Bandcamp, YouTube Music, Amazon Music, Spotify, Apple Music, and KKBox, but consider buying it to support Matt's work! Song titles are linked to their Bandcamp copies. With six songs running for about 25 minutes, let's begin our look at "The Frustration Sessions"!
The EP leads off with "Rocketship", which is about taking off on a rocket to live on a new world after humanity stripped Earth of its resources. This song definitely leans way more to industrial than metal, with a steady percussion beat, synth instrumentation, and a melancholy pace that rarely deviates from the initial trajectory. Matt's low melancholy singing does get across the bleakness of the song's message, but it's just not that varied and lively for my preferences, and definitely not a rocker. Interesting change of pace to start though! Next up is "Minor Outburst", which contrasts kinda dance rock verses with intense hardcore screaming on the choruses, at a level of aggression that I don't remember "Afterthought" having! The pointed lyrics feel like this might as well be the title track for the EP given the varying frustrations on display, but the techno beat on the verses is too much of a contrast, and the whispered bridge was hard to discern words in.
Still a big improvement for metal content, and it'd be neat to hear Matt scream like this more in T.R.P. originals! Third here is "Static", with the title referencing static in outside pressures, hatred, and distractions in life. A little more aggressive and pointed then the opener, but this is definitely more reserved and ominous as a constant whole than on "Minor Outburst". Not a bad composition, and it has an eerie ambiance a little more vocal diversity, but the lyrics are very repetitive, especially given its runtime. I didn't mind it though! The second half of the EP begins with "Fireside", which has more pointed commentary and anger to it, with screamed choruses and more of a traditional rock song structure while still having an electronic ambience. Again, this song has repetitive lyrics, but I like the pacing, the bass line, and intensity that contrasts well with the industrial effects, so it's a welcome diversion for fans of the project's heavier side!
The longest song on offer is the penultimate cut, namely the 6+ minutes long "Stupid", which is basically about how humanity is stupid for letting corporations and personal jealousy and greed get in the way of improving our world. In tonal structure, this feels like "Rocketship" with the choruses of "Minor Outburst" for the first half, but there is an extended bridge that feels very Rage Against The Machiney, albeit with industrial instrumentation laid in. While a little too long, the verses are more substantial here, and there's good aggression where needed here, so this is a late highlight! The final song is its shortest, the 2+ minute "Medicated (A Spade Is A Spade)", which calls out the perceived over-medication, brainwashing, and control over the populace. This is basically one lengthy extended verse with lots of rhyming before the subtitle is invoked when shouting the chorus over and over. I appreciate the direct messaging, but this song doesn't feel finished.
Making this basically a poetic rant didn't leave a lot of room to make a standalone song beyond having a dark industrial essence, but it fits in line with other Realignment Project offerings on this EP, and it was well put together despite being so cramped! So, how is Matt's second solo outing? Similarly inconsistent for my preferences, but the songs have definitely evolved, and you do get a sense that Matt was in a different place when writing these songs, with a darker feeling and more social commentary about society's ills, as opposed to the more personal material on "Afterthought". While the songs are not uniformly heavy, he puts aggressive screamed vocals to more effect on choruses here, and is making more of an effort to sing on verses. Everything is well composed, and Matt has a good ear for techno and industrial effects, so fans of his solo work dating back to the Riverin days will like how things are coming out!
Is it better than "Afterthought"? I think that EP was a little more lively as music, and had less repetitive lyrics, but Matt did expand his range as a singer here, and it is heavier at its peaks (especially on "Minor Outburst" and "Fireside"). I think I like it a smidge more, but industrial fans should be eager to check both out at the above links! I hope you guys liked this month's album review, and we get back to our chronological timeframe for new reviews next month when we look at local emo/folk punk solo project Agnosticism's June 2025 EP "Atticcore Fornication". Watch for that in September, and for more news and notes this week! Thanks everyone!
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