The change in genre and style from "The End of Life" is apparent quickly on this song, as the "Ethereal" EP puts black metal aside for a dark, ambient, droning, and yes, ethereal sound. This track is fairly monotonous, but it has an eerie calm to it that one could imagine being the background noise in a horror movie's graveyard scene, fittingly enough given the album art. The song doesn't get off course at all, and the ominous overtones work well, but the droning monotone won't be for everyone. Second is "Ghosts", which is the EP's shortest song, but in spite of that, this song has some more sonic variance, with effects giving the impression of spirits moving about over top of the low ominous instrumentation. Assuming this was what Wyrn was going for, I appreciate that it comes across like it could be real and not a bad B-movie, if that makes any sense! Again, this won't be everyone's cup of tea, but it shakes things up enough to keep things interesting.
The next track is "Serpent Lair", and like on "Ghosts", the title seems to be alluded to in the song via some instrumentation that does indeed sound like hissing snakes! This song has an emptier ambiance and keeps the music, as it were, to a minimum for effects, including a high pitched siren-esque tone, and what sounds like waves or perhaps slowed down cymbals. If you ask me, this comes across more like the lair of serpent ghosts! Like on the opener, this song runs for 7 minutes, and you'll have heard everything sooner than that, but it's effective for what it is! That's followed by "The Crying Angel", which is reminiscent of "Halls of the Awaken" but with a louder and not quite as subtle in how it's performed, if that makes any sense. There seems to be some ethereal vocal effects layered in that could be construed as an angel crying, and it has a fuller sound than "Serpent Lair", but there's not a whole lot to add that wasn't heard on the opening songs.
The EP closes with "Torment", which runs for an EP-long 13:13 (that can't be on purpose, can it?) Related in name only to the non-album Gates of Winter original, this song is another lengthy ambient instrumental, which is quieter and more drawn out than anything except "Serpent Lair", though it does feel like a compliment to the opening song as a way to come full circle. The song does break in tone for the final 3 minutes to go even lower and more ominous before building up for a dramatic finale, which works well, but for fans who found the 7 minute songs to be too long... prepare yourself!
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And yes, The Din's final studio album "Suburban Dream" is being reviewed on the site, but as we just reviewed "The Din Does Laundry" in June (not expecting the second album being released so suddenly), I have to hold our review of the new album until next month, but I will review it as early in the month as I can manage! That's all for today, but stay tuned for more news and updates on the site soon! Thanks everyone!
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