Full information on physical releases is forthcoming, but copies of "Bufflesnort" were first released on Thursday, and if last fall's projections line up, they will be available on USB thumb drives and old cell phones (no CD copies are planned), and albums notably have four different cover photos. Copies can be bought at public and private concerts from them and sister band The Noochin' Lanterns, and at venues to be clarified, prices not yet publically stated either, though you can also download it free at this link and stream it on Paul's YouTube channel. If they update fans soon on missing details, we'll update this, but for now, let's begin our review! Running for 14 minutes across 4 songs (all in the 3-4 minute range), let's start with the first song, "4th Liner", which is is the first song on the advance copy that I received last fall, your mileage may vary if streaming the EP.
Right away showcasing a bass & drum style with aggressive rapping by Z, this later does include some soulful singing, and while they lack a guitarist (like predecessor local band The Fury), the double bass work is melodic and funky underneath the vocals, and there is definitely a harsh tone at times during the rapping. "4th Liner" is a lively yet minimalistic opener overall, with fun lyrics and the first glimpse of the hockey theme that permeates most of the EP! Second is The Apocalypse Afterparty's cover of Saul Williams' "List of Demands (Reparations)", a prior Fury cover favourite that The Double Eh have re-titled "Better Than The Hives Did It", referencing the Swedish garage rock band's earlier cover of the song. Arguably a fuller track overall than "4th Liner", this has more of a grinding bass riff, fuller drumming, and more sung vocals, and it suits The Apocalypse Afterparty's established sound! The MPC also comes a little more into use here from z, and this is a fun and upbeat rendition with extra live familiarity for long-time fans!
Third is "Lace 'Em Up", which uses extra sampling and backing audio compared to prior tracks (including what sounds like sonar in a submarine), and it's more of a fully realized song than "4th Liner", with a very fast pace and quickly rapped rhymes from Z, though at the sacrifice of far less sung vocals. Is it wrong to say that the bass riff sounds a bit like "Do I Wanna Know?" by The Arctic Monkeys at times? Z and x handle the strings just fine on this rapid-fire original, a definite highlight on "Bufflesnort" so far! The EP closes with "Stanley Cup (Top Dogs)", which was originally titled ".500 Hockey" in advance copies. Harbouring a bouncy riff with catchy rapping until the masks come off (lyrically), then it takes on more of a melodic alt-rock sound for choruses, which actually sounds very out of place when you consider the rest of the EP. If you didn't know better, you'd think it was a clip from a side project! The verses are nice and energetic though, and this is a solid closer to the EP, if a little short compared to prior tracks!
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As well, the lack of older Fury-imported originals like "The Crowd" and "Rebel Scum" was disappointing, especially given that a studio version of the former was recorded early in this EP's recording stages, but I can appreciate the emphasis on brand new originals. If you're up for some creative rap/metal fusion tracks from this unique local group, then "Bufflesnort" is worth a listen, so do so above, and hopefully The A.A. end their 2 year+ hiatus from public concerts soon!
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