We've fallen very behind on recapping episodes of Metal Morpheus on local internet radio station The Borderline, so let's dive into some more back catalog episodes! I was originally going to look at episode #17 from October 24th, which was all about local metal bands, including a few from Sault Michigan, but that episode was quietly taken down for unannounced reasons and re-aired as
last night's episode with a heavily altered track listing. I have no idea why Josh overhauled it like this, but we will look at it on the site when we catch up to December in the timeline! Instead, let's stay chronological with
the October 31st episode, which began a new theme for the series, as host Josh Amendola is starting to spotlight metal bands from around the world with country-specific episodes, weekly local bands aside! Rather than starting with prominent national scenes, it looks like he's going in alphabetical order.
Josh started this theme with a 64 minute episode all about metal bands from Afghanistan, and if you've ever seen Sam Dunn's excellent documentary Global Metal, you'll know about the cultural differences and persecution that metal bands can have in the Middle East, so it's nice to see Josh putting a deserved spotlight on bands from that region! The first half of the episode is entirely devoted to the same band, namely Kabul-based atmospheric black metal band Almach, who get four songs played on air, including "Battle of Tours" (1:00), "Dream Elegy" (10:00), "Sons of Umayya" (19:20), and "Kandahar" (25:45). The second half starts with New Jersey-based Afghani death metal project Strains of Bellum with their 2020 songs "Alive" (35:20) and "Children of Isis" (40:35), before closing the themed portion of the episode with masked groove/progressive metal band District Unknown.
That band is heard via two songs of their own, namely "64" (44:50) and "Portraits" (52:40), before Josh acknowledges the loss of two local soldiers from the Soo fighting in the war in Afghanistan. Nice of him to pay respect in this way! He wraps things up with that week's local pick, namely hard rock guitarist
Tym Morrison's non-album original song "Mystical" (1:00:35), so picked due to its Middle Eastern themes. Solid episode to take us through three promising metal bands whose Afghani roots definitely impacted their music, and I especially liked Strains of Bellum, so give the whole thing a listen above! As for
the following episode on November 7th, the 67 run time belies the fact that it's topic (music from Albania) doesn't really have a huge recorded metal output, but Josh does make up for that by starting the episode with a historical lesson on Albanian music and its cultural origins.
Kudos to him for sticking with alphabetical order despite the obvious challenges for certain countries, but he clearly has his limits, given that some countries were skipped before his Austria episode on Nocvember 28th (was there not enough bands from Australia? Parkway Drive would fit!). Unlike the vast majority of recent episodes, a song list is
not given on the episode's page, but the first song played is by Albanian progressive death metal band Gverr, entitled "Fail Philosophy" (4:15), followed by speed metal band Thunder Way's song "The Order Executors" (9:50). Black metal band Nihil (
not Nile, different band) follow with their entire 2014 EP "Nën thundrën e dhunës", featuring the songs "The Majestic Word of Darkness" (16:30), "The Dark Side of Lust" (19:50), and "Macabre Ruins" (22:55), though Josh doesn't credit any of those songs by name. Death metal solo project Ethernil are played next via the song "Age of Awakening" (26:50).
The first half of the episode ends with the ambient/black metal project Cryptorsatan via their song "Hymn Ov Sathanaa (Weapons Ov Death)" (31:25), while Josh jumps back to death metal to end the Albanian portion of the episode with the band Aten's "I Call Upon Thy Name" (37:40). Possibly as a consequence of a lack of Albanian metal songs, Josh spotlights
five acts with local talent to end the episode, starting with his old extreme metal band
Winkstinger, via an Alan Wells-era live recording of their original song "Sadist" (44:45) from 2011, though Josh doesn't credit then-rhythm guitarist Jason Ladouceur by name in the intro. Josh does allude to recording an album that was never put out during his stint with the band, but I never heard pray tell of that outside of this episode. The deleted October 24th local-only episode aside, the first ever Sault Michigan band on Metal Morpheus is next!
Specifically, Josh went with alt-metal trio Weed via their 2007 song "4:20" (50:55), but I think he got his wires crossed keeping all these band bios straight, as he credits Papa Fogals Chair's Andy Chillman as being in the band (they were definitely from Sault Michigan, featuring ex-Clownsack bandmates). Josh next plays a song by defunct local punk band Proposition 86, namely "Scapegoat" (55:40) from their self-titled 1998 cassette tape, though I'm surprised he never mentioned that their drummer was late Woods of Ypres founder David Gold! Soo native
Jeff Nisbet's old Kitchener-based solo project is next via the instrumental "The Juice" (1:00:55), and the episode ends with inactive local/Toronto hardcore punk quartet
Detroit with their quick original "Spiritual Warfare" (1:04:30), specifically the "Brace For Impact" re-recording from 2009. Well, that was a lot to take in, but this was also an entertaining episode!
While the Albanian bands are definitely more obscure as a rule with not a lot of back story to draw from, I applaud Josh for trying to put the spotlight on the ones that he could, and it will be interesting to see what he can wring out of other perhaps unlikely countries! Just needs to pin down correct details moreso, especially on some of the local bands. Listen to both of these episodes at the above links, and stay tuned for more from Metal Morpheus as the month rolls along, including the next live episode this Sunday at 9:00 PM on The Borderline! Thanks everyone!
