ASDP - "Atom Bombs & Lemonade" EP Review!!

It's now time for our 206th monthly CD review at The Sault Metal Scene, and this month, we're continuing filing through our new album backlog in chronological release order via local ska punk band ASDP's debut EP "Atom Bombs & Lemonade"! Independently released exclusively to their Bandcamp page on December 17th, the "crackrocksteady" band is represented here by Agnosticism frontman/Apocalypse Afterparty bassist Mikhal "Châ" Muto on vocals & guitar, With Gunfire/ex-Stoned To Deaf bassist William "Glistening Williard" Wardlaw, and Spaceship Opening drummer "Just" Ralph Barber. This album was recorded before Tucker Lidstone joined on second guitar, but it does feature a number of guest musicians, including Golden Scoundrels/ex-Shit Liver frontman Josh Penno on backing vocals and a guest verse, Cole Speers as a backing vocalist on "Party Song", ...

...a lead guitarist credited as "Keagles", Mason Mahoney as a narrator, and Floor Between Us frontman Colin Gasparelli on trumpet. Aside from Ralph's Spaceship Opening bandmate Andrew MacDonald being credited for engineering, the band didn't give production details in the liner notes. Adam Smith Death Parade recorded 10 songs for this album last year, but three of the songs are covers that are only available on the paid download, and as they're sprinkled throughout the track order there, they are not considered to be bonus tracks. If you want to hear them, then buy "Atom Bombs & Lemonade" for $7 on Bandcamp in mp3 format! Otherwise, you can hear the album's seven songs as free streams there too, but those three covers eat up 11+ minutes of the 26 minute runtime.

Let's kick off this A.S.D.P. album review with its opening song, "Taller Ants"! Lyrically about still wanting to live the hard-drinking punk lifestyle despite the process getting harder with time, things open with a phone message from someone angry at "Andrew" about borrowed items still owed. The song itself (the only one here what William co-wrote) has a suitably bouncy ska punk riff. A fairly steady song without much in the way of tempo changes, there are no empty moments, and it interestingly ends with a guitar solo (if that's "Keagles", he did well!). The production wasn't crystal clear, but the ska action wasn't bad to start! Next is "Bay Of Pigs", which is the only one of the seven original songs here to crack 3 minutes in length. It is this song where ASDP got the name of the EP, and the lyrics speak to views of a bleak future, using the Bay of Pigs fiasco in a metaphorical sense.

Opening with a 30 seconds-long spoken word sample about fascism, this is a rougher edged song that, while still having a ska essence, feels more lo-fi and crust punk-influenced. To a point, I feel like Mikhal was over-exaggerating his singing for effect, and should have kept things simpler. This is the song with Josh Penno's guest verse, and it's cool hearing him scream on a new original song, if not for too long! Strong bass and drums here too, but the song got messier and noisier, so I did think the song started stronger than it finished. Third on paid copies is the first of the paid buyer-exclusive covers, namely "One Dead Cop" by the legendary New York crust punk band Leftover Crack. The ASDP version gets two spoken word sections (from someone who sounds jarringly like John Wayne), and is otherwise a shorter and tighter cover that keeps the same progression and style of the original.

Lo-fi production aside, you do get some context as to why Mikhal and crew have the sound that they do, so if you're not familiar with Leftover Crack, you will connect some dots here. The guitar riff is sure catchy, and the screaming is sure impassioned near the end, so this is a worthy incentive for the $7 price tag! Next on any version of the EP is "Prelude To The Sacred Rat", which is a 38 seconds-long intro to the following song "Rat Hymn", and honestly, I'd have just combined them as one (relatively) long song, as they clearly are meant to be heard back to back. The slower intro with screamed vocals leads into a wordy and politically charged song about how we are the metaphorical rats in the sewer fighting fascism, capitalism, and inequality (note the Shit Liver and "Booze N' Doobs" references!). More than any other so far, this song leans heavily into hardcore punk, so this will be an easy mosh pit instigator live.

The sing-along choruses are honestly the song's low point, as they feel low energy and melancholy compared to the ferocity around them, but largely, this song is among my highlights for the punk intensity and driving guitar work, even if the prelude was separate! Song #5 (free)/#6 (paid) is "Grunt", which is another anti-capitalist song, with lyrics about the class divide and the perceived aims for the higher income bracket to get rid of those with a lower income. While it starts with a "ska break", it rolls along well from "Rat Hymn" as another hardcore punk-influenced song with a crust influence, with Mikhal unleashing some of his heaviest and most aggressive vocals yet here, and he and William play off each other nicely. The darker breakdown with guttural vocals late is well done here too, and for my metalhead sensibilities, this is easily a highlight of this EP! Is that Keagles on the ending solo again? 

Paid buyers of "Atom Bombs & Lemonade" get the second cover next, that being "Kill Yer Parents" by the Pennsylvania ska-core band No Cash. This cover is fairly identical to the original, if played slightly slower, though the instrumentation does feel more filled out. As a pure song, I prefer this to the first cover, and it has more of a varied structure and dynamic guitar playing while still delivering the ska goods and some suitable crust punk anger, and the performances under the production quality are sound! We next get to "Party Song", which is basically a retreat into community and singing revolutionary and folk songs that talk back/down to one's oppressors. If any song here feels like it probably should have been written for Mikhal's dormant folk punk solo project Agnosticism, it's this one, as it's a blistering 100 seconds-long acoustic number featuring guest performer Cole Speers.

Mikhal plays banjo, washboard, and cajon on this largely solo track, and while I do prefer ASDP's full-band, aggressive songs, this gets the job done for Agnosticism fans, and Mikhal doesn't let his foot off the gas musically or lyrically despite the short length! Free copies of the EP end with its last original and shortest song "Pantry Fiends", a 33 seconds-long number that appears to be a brief memorial to the musician Sam Sadowski of the San Francisco folk punk project Closet Fiends. A bass-heavy number while it lasts, it had potential as a fuller song had they chose to expand it (especially thanks to Ralph's drumming), but it serves its intended purpose! If you paid the $7, "Atom Bombs & Lemonade" ends with a cover of "Wait Around" by the Chicago crust folk band The Suburbanists, which is the only 4+ minute song on the full album. The ASDP cover has a fuller sound than the original, and has the most of Colin's trumpet work.

The more collaborative sound helps add more of a ska punk flavour here, and it strikes me as something that would go over well live for singing along while also having some faster moshing potential. Maybe a little over-long compared to prior songs here, but it's a faithful cover when compared to the original. Fun closer regardless! Overall, what are my final thoughts on ASDP's debut EP? If you can get past the lo-fi production quality, you'll find a solid collection of varying punk subgenres here! This feels more like the fully realized band that I think Agnosticism was hinting at, but with more of a ska punk influence, if not as much as one as some of their branding would suggest. The "crackrocksteady" descriptor is not new to ASDP, and while their take seems to favour the noise and crust punk angle more often than not, the ska bounce and liveliness is definitely there when called upon. 

Mikhal let his emotions and frustrations out strongly on vocals, William's bass work did exactly what it needed to do, and Ralph's drumming was a steady highlight. For the guest performances, they could sometimes be hard to identify, but the collaborative nature is nothing new if you're familiar with ASDP live. The biggest issue for me was the rough production quality, but I do understand that Mikhal likes the lo-fi DIY folk punk aesthetic, and I know they weren't going for pristine here. Your mileage may vary, of course! Beyond that, I did prefer the heavier, hardcore punk-leaning songs, the guitar solos should have been placed earlier in songs when utilized, and the lackadaisical choruses on "Rat Hymn" weren't ideal, If you are more right-leaning politically, you may want to tread lightly for some of these lyrics too, but folk punk and crust punk aren't subgenres known for holding back.

ASDP's first studio EP is a good debut that leans well into Mikhal's prior output as a singer/guitarist, and while I do wish that they had a stronger social media presence beyond Instagram (how are they not on Facebook yet?), there's some solid music to be had for crust and ska punk fans, so buy/stream the EP at the above links! I hope you guys liked this month's album review, and after a two month spell in Sault Ontario, we're returning to the EUP next month when we kick off the fall with a look at St. Ignace, Michigan deathcore band Heavy Lies The Crown's most recent EP "Notions", as we finally begin reviewing local metal, hard rock, and punk albums from 2026! Thanks everyone, and look for more news this week!