Showing posts with label bankshot. Show all posts
Showing posts with label bankshot. Show all posts

Saturday, May 23, 2020

Bankshot - "Angst For The Memories" CD Review!!

It's now time for our 131st monthly CD review at The Sault Metal Scene, and with things slow as usual during the pandemic, let's dive into the archives for an album I should have reviewed on here long ago, namely defunct local punk quintet Bankshot's only studio album "Angst For The Memories"! Independently released in 1999, this album was recorded that March at Full Scale Audio Productions with producer/Gsis Murphy alum Keith Davis, much like the previous year's "Local Steel" compilation. Bankshot are represented here by vocalist Ron Pelletier (ex-Ten Brick Limit), guitarists Christian Pasiak (Sleepy & The Noise) & Lucas Schmiedendorf (The Sick Sons), bassist Neil Vallee, and drummer Clint Wilson (ex-12 Gauge Ready). "Angst For The Memories" has been out of print for two decades, but there are no shortage of free uploads of this album on YouTube and elsewhere, such as this full video, and The Rad Zone has had CD copies in the past.

Myself, I own an original CD copy with liner notes, so I'll be getting as full of an experience as I can for this write-up. However, I was only 10 years old when "Angst For The Memories" was released, so if I miss any context from the lyrics or performers, I apologize, I truly wasn't there. With 15 songs running for 44 minutes or so, let's kick off this long overdue CD review!

The opening song is "Losing Face", which is about reflecting on a poor life choice, highly implied to be a former friendship. The opening noodly guitar riff is slightly odd, but when the song proper kicks into gear, it's full of classic skate punk action that's tightly played and to-the-point! Ron's youthful vocals don't really showcase the bitterness of the lyrics, and boosted backing vocals would have helped on the choruses but this is a nice showcase for Bankshot's collective talents to start! Second is the album's shortest track, "Planet Payback", where Ron sings about life not turning out how he expected, and how it's payback for his past decisions. After another guitar intro that doesn't sound like the song ahead, we get a faster paced attack complete with a nice solo from Christian! Solid drums from Clint as well, but this is a song that could have used a longer composition, as it feels like they dropped a few verses from this one. Fun track for punk diehards while it lasts though!

Third is the three+ minutes long "One Minute Alone", which is about still needing time alone to collect your thoughts, even when you're having fun with friends. The up-tempo composition and forceful drumming are welcomed, as is another lead guitar solo, and Neil's bass cuts through well on this track in particular! The verse singing is a little sleepy when the song doesn't call for it, but it could be an ironic choice given the lyrics. Solid early number all around! Next is the "Bobbing For Rotten Apples", which is about looking for a second chance from a loved one. This is technically the longest track on the CD, but that's due to a minute's worth of closing and opening samples taken from "There's A Lot Of Work Out There To Do" by Dennis Day, which I believe comes from a Disney vinyl record on Johnny Appleseed.

The title is otherwise metaphorical on this song, which has a nice composition, maintaining a fast pace while also giving a bit of a dramatic flair all at once! Ron sings with force at the expense of clarity here, which isn't ideal, but this is the best written song so far on the CD, and I like how it builds as it goes along! That said, I don't find the samples add anything to what Bankshot themselves wrote. Fifth on the album is "Long Days", a lament about the end of a relationship and what one would do to get their partner back. This song has more of a ska influence on the verses, which gives things some nice variety, but the choruses are fast and intense, and the vocals are a nice match throughout here! The bridge feels a little rushed, and the ending is too abrupt, but while I'm not a diehard ska punk fan, I can definitely appreciate this song's fun atmosphere! The drums and bass are particularly effective, and this is another early highlight!

Song #6 is "Think", which is about two women who have a lot of personal problems, despite Ron being too busy to give them willful attention. Clint's drumming is noticeably off in the introduction, but the song overall is quick and entertainingly direct, with a fun skate punk vibe. In this case, Christian's guitar solo feels tacked on and unnecessary to the song as a whole, but when everyone's focusing on the verses and choruses, this song is a firecracker, and well worth a listen! That's followed by "No Way Out", about a boy who murders his father, only or the act to haunt him into adulthood. A very straightforward modern punk number that is a massive contradiction from the dark lyrics, this track has solid energy and a nice bass track from Neil, and the vocals are well sung with the track, but if the lyrics were meant to be ironic given the music on hand, the impact was admittedly lost on me. Entertaining track overall, but don't let the break at 66 seconds fool you!

Eighth is "Thanks For The Bruise", which is directed at a woman who left an abusive relationship, though it starts with a 30 second intro of an angry old man threatening someone (if it's sampled from something, I couldn't place it.) Arguably the heaviest song yet on "Angst For The Memories", Christian and Sal deliver my favourite guitar performances yet here, and Ron's singing has the right melodic touch to go with the song! Again, this intro adds nothing, but the music comes together just right across the board, and it's my favourite track so far! Next is "Buying The Flag", which is a criticism of an unnamed political candidate, though the lyrics heavily imply that it's the late Ross Perot, who ran for U.S. president as a third party candidate in 1992 & 1996. Given that 1999 wasn't an election year, the lyrics don't cut as deep as they may have had this song been written about a 2000 candidate, but it is what it is. The full punk action ramps up after a soft 25 second intro.

This song sounds rougher than a lot of it's predecessors, especially the bridge between the first two verses, but the raw nature suits their punk genre, and Christian gets another brief guitar solo to shine late. I like the song, but it's not as polished as others on the CD, and the political commentary is easy to miss from how the song is performed. The tenth track is "Fall From Grace", about a woman who leaves a dysfunctional home for a new city, only to find that the grass isn't always greener on the other side. Despite the somewhat melancholy lyrics, they contrast well with the upbeat skate sound here, and I like the upbeat guitar work, as well as Ron's higher register vocals. It's a fun song, but it ends super abruptly after just 2:19, which is a shame, as it's another album highlight! It could have at least used one more verse and maybe even a solo to help put it over the top.

Next up is "Consolation Prize", a motivational song about persevering when things don't go your way. The second of two songs here to exceed 4 minutes in length, this gives Neil his best showcase on the CD during the opening bass/drum-centric verse, but the song dives into a standard punk vibe afterwards. This song feels like a few different songs stitched together, so some extra editing may have tightened things up a bit, but everyone performs well, and the vocals match up consistently as it goes along! Track #12 is "Bottled Love", a lament to an ex-girlfriend that one wishes would return. Musically, this song cuts to the chase with more punk intensity, though like with prior personal songs, the message may be lost unless you look at it ironically.  The mid-song ska break adds some nice variance, but the hard hitting skate attack around it works on it's own merits, especially with Clint's drumming and the extra oomph from the backing vocals, so there's a lot to like here!

After that, we have "Marathon", which seems to allude to a getting revenge on a bully or tormentor now that they have no one on their side. I was getting a Bad Religion vibe from this one, if that's a fair comparison, and that definitely is a plus in my book! Ron has good vocal control as this one rolls along, the melodies are really solid, and while it's not an overly aggressive song, it's nicely paced and well performed. Another album highlight for me! The penultimate track is "Little Morning Pick-Me-Up", which alludes to coffee (Folgers, specifically), albeit in the context of someone who would rather write songs, drink coffee and relax in bed than be traditionally productive. After a 54 seconds long intro (which is softer than anything else on the CD), we get into Bankshot's fast paced punk wheelhouse with solid riffing, though the actual meat of the song is over real quick. It's solid while it lasts, but I wish this song was more substantial, as the intro didn't need to be that long.

"Angst For The Memories" closes with "Friendly Foe", about changing your tune over a supposed "friend" who has taken advantage of you for far too long. More of a drawn out number comparaitvely speaking, the lyrics are arguably the easiest to make out on the whole album, the quick musicianship and rapid drumming contrasts well with Ron's deliberate narrative vocals, and it's a solid way to put a bow on the CD! So, what are my final thoughts on Bankshot's only album? Overall, this is a raw but energetic and very promising album from a band too good to have only lived for two years, and it's easy to see why it's gotten so much underground attention in the punk community since their 2000 breakup! Fans of 1990s skate punk will be right at home with these songs, which mostly stay on that trajectory with verve and attitude, and while there are things they could have addressed, it was clearly the right album for the moment!

Christian and Lucas' twin guitar attack was great throughout, as were Christian's occasional guitar solos, Neil and Clint provided the right rhythm across the board, and while Ron's vocals weren't always the clearest to hear, his attitude and tone fit, especially given their ages at the time. That said, some songs could have been lengthened, had less abrupt endings, or had their introductions cut down or removed entirely, especially the two with samples. Songs like "Thanks For The Bruise", "Marathon", and "Long Days" proved what Bankshot were capable of, and while they disbanded just a year after this CD came out, it holds up well for genre fans. Give "Angst For The Memories" a listen at the above links, but what are we reviewing on the site in June? I don't yet know, but if no major new releases come out, I will dive into the archives once again.  Our anti-bias buffer rule limits us from a new (Mike) Haggith album review next month, but other than that, it's wide open.

Time will tell what is next, but stay tuned for our next CD review next month, and for more news and notes on the site next week! Thanks everyone!

Friday, December 29, 2017

The 2nd Annual Guy Thiffault Memorial Concert Review!!

Hey everyone, it's finally time for our review of Wednesday night's second annual Guy Thiffault Memorial Concert! Moving to The Canadian Nightclub this year after rocking The Rockstar Bar last year, I am pleased to report that parking lot renovations aren't as widespread as they were a few months ago, as patrons could get through the normal entrance to the downstairs venue, though actual parking space was still limited. Solid turnout, especially in time for the final 2 or 3 bands, with loads of familiar faces seen for both recent local music fans and veterans alike, and it's great to see that over the holiday season! This is also the first time I've been at The Canadian for a show with Northern Axperts' ax throwing cage open for business concurrently, and while it does eat up floor space, there wasn't any massive distraction from hearing axes hitting their target, so that worked out in and of itself! Live705 were on hand to provide sound, and like last year, Slumshine frontman Brenton Ellis raffled off another original painting for the cause.

Jack Spades frontman J.D. Pearce even brought an SNES Classic and TV for people to play, which was a nice touch during breaks! And before we get into the bands, just a note that advertised DJs The Dub Selectah and Manskirt solely provided the house music beside the stage and did not have a Seith-esque formal DJ set during the night. I'm not a massive reggae fan, but the jams seemed to go over well in between bands!

Opening Wednesday night's festivities were local punk cover quartet Talk Shit in their first public concert set since last year's Guy memorial, and while I don't know where they've been in 2017, they kicked things into gear with a solid set to start the night off! Covering a range of punk bands like NOFX, SNFU, and Teenage Bottlerocket, this online page-less band seemed as energetic and carefree as they did last year, and despite their recent dormancy, I think they may have been a little tighter than before, with Marc Lafrance and Steve Shaw especially rocking out well on guitar! The biggest difference was that bassist Ian Robinson was back in the Talk Shit fold after missing last year's memorial (Mark Rand filled in that night), and he slid in nicely with some solid grooves! This time around, the guys roughly divided up lead vocal duties between the entire band, and while everyone sounded good, Ian had a welcome ferocious bite that metalheads would appreciate! Solid return for Talk Shit, and hopefully we see them more often in the new year!

Next was local punk trio Stegadeth in their first public concert appearance since Bear Hunters drummer Johnny Belanger took over for the departed Daniel MacDonald, so how did he fit in with his new band?  Well, if you're familiar with his and guitarist Tiffany Stocco's prior (and beyond...) chemistry in Jack Spades, plus his existing skill level, you'll know he fit in nicely! If anything has been added, it's increased backing vocals, as Johnny helped give some extra vocal harmonies that didn't hurt the proceedings at all! Playing originals like "Kingdom of Ashes" and covers of everyone from Bad Religion to The Ramones to GG Allin, Stegadeth were on point from where I saw them last year, and while Tiffany still needs to seem more confident in her vocal delivery, Bill Bennett's snarl and aggression were in full force! Their set was poignantly capped off (post-delay) by a cover of SNFU's "Fate" in Guy's memory, as Stegadeth had done last winter as well, and hopefully we'll see much more from Stegadeth in 2018!

Now, I have to address a shocking incident that took place late in Stegadeth's set, as an attendee abruptly decided to leap into the drumkit during their version of "She Banged The Mayor". As a result, Stegadeth's set was cut short by 3 songs, and there was a 20+ minute delay for repairs to the kit (owned & provided by A Dire Setback's Nick Kainula), while the attendee was removed by security and the police were called down over the incident. I won't go deeper here, but there is a video and lots of discussion on social media if you know where to look. Unfortunate and needless all around, but at least the show was able to go on, and hopefully everything is resolved!

Once Nick's drumkit was operational again, his band A Dire Setback took the stage for their first set since the departure of original singer Larry Babic this fall, so how did the alt-punk band sound in their first outing as a trio? As I surmised at the time, guitarist Chris Nielsen is now A.D.S.' lead singer, and given his prior work as their backing vocalist, he was a fine choice to take over the role! He has a good punk tone to his singing, and while more reserved than his scream-peppered backing vocals may lead you to think, he should grow into the role in the ensuing months! Bassist Matt Quinn took over backing vocals, and while he needs to bump up the energy a little bit, is it off base to note that I was reminded of Serj Tankian when he projected his voice? Aside from their opening song (labelled as "Endless" on their setlist), A Dire Setback stuck to established originals like "Forget This Memory" & "Kicking & Screaming", and the music held up nicely, but there is room to develop the band's new vocal attack when we see them live next!

Local punk/metal quintet Jack Spades took the stage next, and as previously teased in Christmas photos on their Facebook page, they had two lineup reversions to reveal on Wednesday, as they have welcomed back Stegadeth's Tiffany Stocco & Johnny Belanger on rhythm guitar & drums, replacing their initial replacements, Anthony Orazietti and Chris Thompson. Reasons for Tony and Chris' departures have not been publically announced, but hopefully nothing bad happened, and don't miss Chris with Eclipse! This brings Johnny and founding member Tiffany back to the band for the first time since their departures last year, and it's great to see them back in the fold! As for the set proper, it went over very well for fans of any Jack Spades lineup permutation, with originals like "Rise", "Crossroads", and their newest "Cenobites" on full display alongside covers of bands like Turbonegro and The Ripcordz, and everyone held up their end of the bargain!

Daniel Horton shone on lead guitar in particular, bassist Rob Speers (in repurposed Frightlight vest) is coming into his own, and J.D. Pearce remains a commanding presence on vocals, be it on stage or mingling with fans on the floor! In a lineup that's now a hybrid of their classic era and late 2017 manifestation, it'll be interesting to see how Jack Spades does in the coming months! After Jack Spades' set, fans were surprised to see former Bankshot guitarist Christian Pasiak take the stage for an unadvertised solo set. This lined up with some personal Facebook plugs that implied that his Ottawa-based indie/pop rock trio Sleepy & The Noise would be making their local debut on Wednesday, so I presume this mini-set was what was being alluded to. I'm not highly familiar with Sleepy & The Noise, so I don't know if the songs he played were from that band, but he has a good voice for the softer music on display! All I'll add is that I think an acoustic guitar would have meshed with the songs better.

The advertised headline act was next, that being a one-off reunion of Guy Thiffault's old indie punk band Nebraska Arms, though playing a full 7 song set rather than their brief 2 song turn last year! As you may recall, the band played with guest bassist Mark Rand last year while guitarist Wayne Watkins handled lead vocals, but both roles went to Wayne's former Northwest bandmate Clint Wilson (recently of Late Shift) this time around, though Wayne did sing lead on their penultimate track. Clint's bass ability is no secret, but this was the first time that I can recall him fronting a band, and he was more than capable in this guest appearance, even seeming to channel Guy at times vocally! Playing familiar songs like "New Jersey Kneecap" and "Art of Science" plus a Hot Water Music cover, it was great to see Wayne, Dave, and Adam back together again for the occasion, and they hadn't lost the energetic spark that radiated through Nebraska Arms shows circa 2009!

Nebraska Arms' set closed with a rendition of "I Was A Writer" where they were joined by Clint's HTs bandmate (and this concert's promoter) Lucas "Sal Velinus" Schmiedendorf on vocals, foreshadowing their upcoming set together. Lucas was relying on a lyric sheet, so his performance wasn't as loose as it may have otherwise been, but he acquitted himself well to help close out their set, and kudos to him for putting this show on!

Surprisingly, the show closed with Lucas & Clint's new local punk band The HTs in just their second live concert appearance, but before their set proper could begin.... remember how event advertising listed an act named "BS" as special guests? My educated guess going in was that they meant Guy's last major band The Business Suit Trappers, who also played two songs last year, but I should have been thinking over a decade earlier, as "BS" stood for Bankshot, the acclaimed late 1990s local punk band! Yes, we got a partial Bankshot reunion to kick off The HTs set, with Lucas and Clint joined by the aforementioned Christian Pasiak, though unfortunately, neither singer Ron Pelletier or bassist Neil Vallee were able to participate. In their place, Christian took over lead vocals, while HTs bassist Ryan Disano filled in for their songs. Bankshot's run was before my time locally (I was 11 when they disbanded), but you can tell that it was a thrill for fans to see them live again, and for the guys to play their songs again, if only for a few minutes!

Outside of the "Angst For The Memories" CD, I don't have any memories of Bankshot as they were in their heyday, but their performance was fun, and Christian's vocals suited what they played! Ryan was tucked in the back a little too much and didn't seem to show a lot of energy, but as a passive younger observer, it looked like the reunion delivered, and if only Guy could be here to see it! When their mini-set ended, Christian traded places with regular HTs guitarist Andre LeBlanc, so what can be said about The HTs for our first time seeing them in a non-tribute band setting? There's room for some polish, but they are a new band, and they delivered a fun selection of punk classics and local throwbacks to close the night! Alongside renditions of NOFX and Rancid songs, they threw in some renditions of old Hangdowns classics like "Self Bortrait", "Bunch of Jerks", and (of course) "Fire Ban", which is a great gesture to Guy's memory for his family & friends!

Lucas sang lead capably and with attitude during their set, as fans of his old bands will expect, Andre's guitar work was a solid compliment, and Ryan showed more life and enthusiasm for the HTs set proper, and while they can tighten things up a little and engage the crowd a little more, you couldn't ask for a bigger first show (not counting Halloween), and hopefully we hear much more from The HTs in the new year! Overall, while there were some hang-ups during the night (the drumkit incident primary among them), this was a fun show and a great way to remember Guy and help raise funds for the Tracy's Dream charity, and hopefully everyone had a great time! It's interesting to note that every band that played on Wednesday (besides The HTs) was playing with a different lineup than when we last saw them, so for me at least, an intriguing hook was how each band would sound, and everyone delivered in different ways, be it permanent or with guests!

Hopefully plans remain in place to hold a third memorial show for Guy in 2018, and while I didn't know him that well, I hope he'd have enjoyed and been honoured by Wednesday night's entertainment! You can check out our photos and videos from the show at this link or at our Facebook page, but just as a disclaimer, I was forced to film every band after Stegadeth with my tablet's camera due to my normal concert camera having very untimely SD card read errors prior to A Dire Setback's set. Any connection to the drumkit incident is coincidental, I was as shocked as everyone else! This was my first time ever extensively using my tablet for photography or concert videos (I brought it to take notes with), so I apologize if the quality is inferior to our usual work, this will not become a common occurrence. I have already discarded the faulty camera, and have better cameras here to use next time! As for our videos, here's Talk Shit covering Bigwig's "Flavor Ice", Stegadeth playing "The Wire",...

...A Dire Setback playing "Faded", Jack Spades covering The Inner City Surfers' "Ten Commandments", Christian Pasiak playing a song whose name I didn't get (can you help title it?), Nebraska Arms playing "Lighthouses", Bankshot playing "Friendly Foe", and The HTs covering Cat Stevens' "Wild World"! No, Christian's video isn't sideways, that's a thumbnail error.






That's all for today, but stay tuned for more news and our 2017 retrospective post soon! Thanks everyone!

Tuesday, January 10, 2017

Defunct Local Band Profile Series: Bankshot

It's time for our first Defunct Local Band Profile of 2017! Our monthly look at one or two inactive local metal, hard rock, or punk bands is back for another year of randomly selected goodness from the scene's past, and we're starting the year with a bang, especially for you fans of late 1990s punk rock in the Soo! Here's what you should know on this month's chosen band!
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Bankshot

Genre: Punk

Hometown: Sault Ste. Marie, Ontario

Members:

Ron Pelletier (Ten Brick Limit), vocals
Christian Pasiak (Sleepy & The Noise), guitar
Lucas Schmiedendorf (Bin Hawdon & The Taliband), guitar
Neil Vallee, bass
Clint Wilson (Late Shift, Northwest), drums

Audio/Video: Bankshot released one CD, 1999's "Angst For The Memories", which is long since out of print, but is easy to find online via YouTube and download sites (the former has at least three separate postings of the full album, one linked below.) Given Bankshot's relatively brief lifespan and inactivity for the past 16+ years, live videos are not readily available nowadays, but given their prominence at the time, hopefully something turns up at some point!



Info/Analysis: Active from 1998-2000, Bankshot were formed by alumni of bands like Ten Brick Limit and Morning Wood (no relation), and quickly became a fixture of the regional punk scene in the late 1990s, debuting as openers for Our Lady Peace, and later opening for bands like Treble Charger, Strung Out, and Choke at well received shows. Bankshot also found wider attention performing on the CBC talk show Jonovision, and by a YTV Achievement Award nomination, though they broke up in the late 2000s due to members' out-of-town work commitments. Now hailed by many punk fans as a rare gem, "Angst For The Memories" showcases Bankshot's melodic skate punk sound with enthusiasm and suitable attitude, with Ron's singing a nice match for Christian and Luc's solid guitar riffs, and it's easy to see why Bankshot were a fan favourite band in their day! Though a teased 10 year reunion never visibly happened, hopefully we see Bankshot back down the road!
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I hope you guys liked this month's Defunct Local Band Profile! As for next month in this series, our random selection will take us back to Sault Michigan, but as this band doesn't have enough surviving information, we are filling things out with a Sault Ontario band in a similar state. With that said, look for our profiles of Eckerman, Michigan hard rock quintet Moss (featuring Werehold Records artists) and Sault Ontario solo guitarist Neno Jovanovic (a.k.a. Metallurgy) on or around February 10th! That's all for today, but stay tuned for more news and updates in the coming days! Thanks everyone!

Wednesday, November 19, 2014

Local Punk Video Showcase (Part 5)

It's been far too long since our last one of these, so let's finally get a new local punk video showcase up on the site, our fifth in total! Like before, this will take a look at four punk videos from local artists and concerts, and though we're sticking with similar bands from past installments to balance things out, there's some very solid videos to share today! Including live concert footage, studio material, and a jam session clip, read on below for this newest showcase!

We'll start with a trio of videos from veteran local punk musician Mikey Hawdon's YouTube channel, specifically of his very successful punk quartet The Inner City Surfers! Though two of them (both uploaded in August 2006) are credited to this band, they're just of Mikey jokingly singing along with The Fresh Prince of Bel Air's theme song and Paul Simon's "You Can Call Me Al", and they're a fun light view from this channel's early days! Featured below though is (surprisingly) the only Surfers concert video that I could find on Mikey's channel, which comes from their last headlining gig at Foggy Notions (now Coch's Corner) on March 15th, 2008. The show was notable as one of the last concerts held at Foggy's during it's original run (then-owner Patrick Casey closed shop at month's end), and though the venue returned the next year under it's first of three new owners, the Surfers never returned for a show there to my knowledge.

The video itself is of The Inner City Surfers playing their song "Never Ender Bender" as filmed on a tape camcorder from a high side-stage angle, and though the video quality isn't fantastic, it does capture a great crowd and a nice energetic rendition of one of their classic originals! The Surfers were a frequent band at Foggy's on both Bay & Queen Street through 2008, and though I was 2 months away from legal drinking age when the original era ended, you can feel the energy of the old run even here, and I bet fans miss those days! Give this video a look below!



Next for this all-video post, we'll take a look at Mikey and Surfers bandmate Dustin Jones' current band, the Celtic punk favourites Dustin Jones & The Rising Tide! Uploaded by YouTube user KelFable on November 3rd, 2011, these are presumably from the Maritimes leg of their tour dates that fall (if these were uploaded shortly after the show), though I can't verify the exact location. Her videos are mostly of covers, including The Tide putting their own spin on The White Stripes' "Seven Nation Army" & House of Pain's "Jump Around", plus a snippet of their own self-titled original "Rising Tide", though all of these videos are incomplete (the latter running at just 23 seconds.) Embedded below though is Kel's longest video, a cover of Ben E. King's "Stand By Me", and while these covers are all against type for their genres, they're well done and effectively converted to their existing sound without much issue!

Aside from being mostly incomplete, these videos suffer most visually, as the lighting is poor and honestly makes it hard to make out the guys at points, but it's definitely Dustin and The Tide. The audio's solid though, so give these D.J.R.T. videos a look above and below, and remember not to miss their local return next month!



Third for this video showcase is a jam session clip from YouTube user Jamie Penno's channel, and this will be of particular note for fans of the defunct local punk band Bankshot, as it features that band's guitarists Christian Pasiak & Lucas Schmiedendorf! Uploaded in January 2007 and apparently filmed in a church, this features the guys jamming an acoustic punk song that appears to be an original song about a girlfriend always on one's mind, but I can't place the name or original band. The lighting is awful, but the audio quality is good, if you can get past the background talking, so give this solid jam clip from Bankshot's guitarists a look below!



We'll close this post with local/Toronto indie punk favourites Treble Charger, and I knew when we started these punk showcases that we'd have to at least address YouTube copies of their studio albums. I won't ignite any debates about buying music here, but fans should know that all of Treble Charger's albums are easily available online, and pretty much all of their studio albums can be streamed on YouTube, so if you're on the free side of the issue, you're covered! If you actively stream songs there, the best channel for Treble Charger albums is that of Fletcher Holland, who has uploaded four of their five studio albums (1995's "Self Title", 1997's "Maybe It's Me", 2000's "Wide Awake Bored", and 2002's "Detox") there, though their 1994 debut "nc17" isn't featured, and none of the albums there are grouped into playlists. I highly encourage buying these albums to support Treble Charger's work, but give YouTube a whirl if you want a free stream, and here's the first song from "Self Title", that being "Morale"!



That's all for now, but stay tuned for weekend concert previews on the site tomorrow! Thanks everyone!

Wednesday, August 27, 2014

Meet The (Inactive) Local Punk Bands!! Part 7

Today, we likely conclude our roll-in process of defunct and inactive punk bands from the Sault Ste. Marie area into our band links on the SMS, as it's getting far harder to find distinct surviving pages for local punk bands now, so I can't promise we'll have enough to populate their own post in the near future. That said, our seventh and presumably last of these defunct punk band "introductions" do feature some strong notable names from the scene's past, so let's take a look at our remaining additions to our links, in alphabetical order!

We'll start with defunct skate punk quintet Bankshot, who were among the most prominent local punk bands in the Sault area at the turn of the millennium! Though only active from 1998-2000, the guys accomplished quite a lot during their run, which saw them share the stage with the likes of Strung Out, Treble Charger, and (in their very first show) Our Lady Peace, releasing their only CD "Angst For The Memories" in 1999, while also being semifinalists at the YTV Achievement Awards (or YAA!) and playing live on the old CBC talk show Jonovision during their height. Bankshot's lineup included Ten Brick Limit alums Ron Pelletier & Christian Pasiak on vocals & guitar alongside rhythm guitarist Lucas Schmiedendorf (a.k.a. Dr. Sal Velinus), bassist Neil Vallee, and drummer Clint Wilson (currently of Northwest & Late Shift.) I own a hard copy of Bankshot's CD, and I enjoy their fast paced modern punk sound, which had a solid spark and clear talent from the guys, and it's a little surprising that such an accomplished band didn't last for more than 3 years!

It should be noted that their online biographies (which look written by a band member) teased a potential 10 year reunion, but I don't recall a Bankshot return in 2010, so fans are still waiting. Check out some rare photos and four songs on their MySpace page, and here's Bankshot's full "Angst For The Memories" album to stream for free!



Next to add (finally) is Bin Hawdon & The Taliband, the notorious local punk supergroup that have made occasional well recieved concert appearances since from (at least) 2003-2008! Often timing their shows with the Christmas holidays, you may best remember the guys from headlining shows at The Oddfellows Hall and at the former Foggy Notions. Despite the Middle Eastern links with the name, The Taliband didn't play that up live that I've seen, though they did generally wear irreverent costumes at their shows, which were all 100% cover-centric. Fronted by band namesake Mikey Hawdon on vocals & guitar (just like his current role with Toronto bands like The Fairmounts), their lineups tended to also feature his Lion Ride bandmate Mark Rand on bass, and while I believe there was some fluidity to their lineups, the only full online lineup that I've read also featured the aforementioned Lucas Schmiedendorf on guitar and Aaron Mooney on drums, I think. The Taliband have a ton of videos on YouTube via three different channels (here, here, and here), and therein, you can see a fun, carefree, and intense take on punk classics!

While not as refined as Mikey's other bands generally are, Bin Hawdon & The Taliband were there for fun and just a straight up punk show, and it shows nicely in their videos (despite many being very dark.) Check out more at the above links (their MySpace page has some audio recordings too), and here are the guys covering The Misfits in August 2006!



Also today is Busted, a short lived local punk band from the mid-2000s that didn't accomplish much, but they have a fairly extensive biography on their Tripod page! It just needed a lot of proofreading. Formed by then Bawating Collegiate classmates (all of whom I remember from going there at the same time), their lineup featured singer/guitarist Ben Crackel, lead guitarist Ryan Poluck, and current Asylum Country drummer T.J. Case (pictured), with a bassist not acquired at last update. According to their page, Busted played live at a Bawating talent show where they covered Blink-182, and got a positive reception despite not being very loud. I was on friendly terms with all 3 guys (I was once a classmate of Ben's at River View too), but I admit not remembering Busted at the time, which might be due to a short runtime as a band or just a lack of expansion beyond school events, which paled in prominence compared to the Dunnplugged gigs at Sir James Dunn. Note that I can't date Busted's run either, but it was at some point between 2003 & 2007. It'd be interesting to find media of Busted, and we'll let you know if anything ever turns up!

Lastly for our defunct punk band additions (that I know of) are The Hangdowns, a Sault Ontario punk quartet that fans may remember from their own local run from 2003-2006! Essentially the predecessors to local indie punk band Bondar, their lineup featured future Nebraska Arms singer/bassist Guy Thiffault alongside Gutwrench alums Jordan Cumming and Marc Muto on guitar & drums, while the band briefly enlisted Bondar's Mark Rand (later Marc's Lion Ride bandmate) after a return from hiatus. Recording a debut album in 2004 (that I'm unsure on if it ever came out), The Hangdowns had a faster and more aggressive skate punk sound than the guys' later bands tended to have, which fans got a good glimpse of at shows everywhere from The Oddfellows Hall to the old Foggy Notions, along with being one of the last bands to play at the Club Princess in January 2005.Compared to Nebraska Arms, The Hangdowns will be a more intense sounding band, with solid levels of humour and aggression throughout, and fans of the members' other bands will definitely want to give them a look for their strongly written original material!

The Hangdowns have some solid original songs on their MySpace page (I really like "Separation Anxiety"), and there's a handful of YouTube videos making the rounds as well, including this Oddfellows concert clip of their original trio lineup, courtesy of The 705 Video Magazine! Check out more from The Hangdowns above!



I hope you guys liked our "introductory" posts to defunct local punk bands, and while I'm fully aware that I'm missing plenty from back in the day, these posts were strictly to add punk bands with surviving online pages, as I wouldn't want to clutter our site links with dead, non-informative, or fake links. We'll be sure to touch on many punk bands not featured in our inactive punk roll-in posts when we start featuring archived punk videos on the site next month as we continue to get caught up, so watch for those in the coming weeks, and stay tuned for concert previews tomorrow! Thanks everyone!