Showing posts with label apocalyptic. Show all posts
Showing posts with label apocalyptic. Show all posts

Saturday, December 11, 2021

Defunct Local Band Profile Series: ApocalyptiCDistroyeR

It's now time for our last Defunct Local Band Profile of 2021, wrapping up another year of spotlighting local metal, hard rock, and/or punk bands from our inactive links, in order to feature their run and accomplishments for current readers! I had originally went with two bands this month due to a forecasted lack of information on the first randomly selected group, but as has happened before, I underestimated how much was online, so they're getting a solo profile this month. The planned second band (RXN) will lead off a split band profile next month, but here's what you should know!

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ApocalyptiCDistroyer

Hometown: Sault Ste. Marie/London, Ontario

Genre: Hard Rock/Metal

Lineup: (This information is incomplete, and may not reflect one complete lineup of this band. As of their last known public update, they had never confirmed a permanent bass player. Message us at this link if you can fill in any blanks!)

Kory Middaugh, vocals
Jesse Middaugh, guitar/vocals
Brach Middaugh, guitar
John Peters, guitar
Ben Woodhouse, drums

Audio/Video: ApocalyptiCDistroyer (sic) have a lot of surviving media to check out via over 100 videos on their YouTube channel and five demos on Reverbnation, including original songs, ideas for future compositions, and covers alike, the vast majority featuring Jesse solo, though then-guitarist John Peters is featured in many from 2010-2011, such as this rough draft clip with Jesse. The band had planned a self-titled album in 2009 and an album named "The Devil Doesn't Influence Me, I Influence The Devil" in 2010, but I don't believe either was ever released on sale, an on-request demo in 2011 aside. Here's Jesse playing a then-new song of theirs from 2011!


Info/Analysis: Originally named "Apocalyptic desrtroyA", this group was active in name from 2008-2012, but despite early listings of a multi-member band including Jesse's cousins, only Jesse & John are tagged in YouTube videos, though primarily Jesse alone. Surviving band information is mostly limited to YouTube comments cross-posted on the band's Facebook page, which ceased by the end of 2011, though the band was referenced on YouTube into 2012, and Jesse sporadically posted videos not tied to that project name through 2017. Recording and video quality was often mixed, but ApocalyptiCDistroyeR had promise with solid guitar work and some good original ideas, and it's a shame that most of their videos are solo, and that Jesse never got them to a live concert run at the very least. Give their extensive array of videos a look above to see what you think!

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I hope you guys liked this month's YouTube Channel Profile! This series will return on or around January 10th when we finally look at 2009-2010 hard rock band RXN,  but to round things out, I picked a second act with minimal surviving information, namely Sault Michigan hard rock solo project Hubbard! Look for these then, and for more news next week! Thanks everyone!

Tuesday, December 25, 2012

Merry Christmas From The Sault Metal Scene!!

Merry Christmas, everyone! I hope you guys got lots of presents and are enjoying the holiday season, and as  one last present for you guys, we have a very seasonal post today full of Christmas surprises and holiday-referencing videos from recent years, including info on a Christmas album you guys should get, a Christmas-draped performance from a couple of years ago, and our last surprise audio uploads for the year, but first, here's this week's classic video (and our final one of 2012!)

Knowing that the last full week of 2012 would fall over Christmas, a seasonal metal video would work here if it was able to find, and we found one, as this is of defunct Sault Ontario metal quartet Fountain of Betrayal covering "The 12 Days of Christmas" at a Case's Music event on December 21st, 2008! We already uploaded one Facebook video of F.O.B.'s set that day onto our YouTube channel (a Beastie Boys cover), but this one fully embraces the Christmas spirit, with the 2008 Case's Battle of the Bands winners putting a hard rock spin on this classic carol! Now, it is differently arranged and shortened, but the members do show their talents for their young ages, including March Into Regression bassist Tyler St. Amour on bass & vocals, his brother/bandmate Travis on drums, and guitarists Chris West and Ryan (last name unknown, any help?) If anything, the shortening of the song doesn't work to it's advantage as it's too obvious for the cuts, but it's well performed, especially knowing that the members were preteens at the time! This was originally uploaded to Facebook by attendee Kelly Godson the day of the show, and you can view the original video at http://facebook.com/photo.php?v=105145970261.

NO COPYRIGHT INFRINGEMENT IS INTENDED!! All credit for this video goes to Fountain of Betrayal and Kelly, I'm just trying to share it with a deserving wider audience! For seasonal local metal, this video should work well, so check it out below, and stay tuned for news on the St. Amour brothers' next band projects when/if I hear of them!



Next up, here's our final surprise Christmas audio uploads of the year, and it's a full CD, that being defunct Sault Michigan metal band Integrated System of Machines' only album "Apocalyptic Vision"! One of the most prominent original metal acts in the area in the mid-late 2000s, I.S.O.M. independently released this album on March 6th, 2008, with it being available at the band's later concerts, as well as online through various sites for a couple years afterward. As best as I can tell, the band's lineup on this album featured Powerslug drummer Bob "Orb Hearthstone" Helsten on vocals, along with Chris Sevens on guitar, J. Rizzo on bass, former Dust N' Bones drummer Bart "Black Trab" Rennels, End of Existence/Theater of Night keyboardist Craig "Tubesock" Harrison, and Rachel Mender on operatic & backing vocals. Some of the lineup information is incomplete, but if you can fill in any blanks, let me know! Little else is publically known on the album through surviving online pages, but it's definitely out of print now, and I don't believe it's even on sale digitally on any active music websites.

NO COPYRIGHT INFRINGEMENT IS INTENDED!! All 10 of these songs deserve a wider audience, especially to introduce I.S.O.M. to newer fans, though partial successors End of Existence's first album does share many sound similarities. I won't individually credit every song from this album on here just to save space, but click here to see each YouTube upload, and of course, you can stream the album through I.S.O.M.'s Reverbnation page. It's a solid quality album of epic death metal, with nice heavy riffs and brutal vocal work (as alluded to in my review of this album), despite some production flaws, so check out the album's title track below, and more at the above links!



We'll close our Christmas Day post with just some light seasonal fare, starting with I.S.O.M. keyboard slayer Craig Harrison's current work, including the classical metal band Theatre of Night, who are hard at work once again on their ever-evolving debut CD "Christmas Night"! Originally released in the fall of 2010, the album has been re-released once already, and while a planned 2012 re-release with new downloadable tracks hasn't came out (from what I've seen), the best is yet to come next year, as they're overhauling the album with new arrangements and material featuring German soprano vocalist Gaby Koss! The first samples with her on vocals came out a couple weeks ago, and you can of course search the SMS using the form in the upper left for detailed coverage of their recent activity and 2013 plans. For today, enjoy the band's most recent video, which features Theater of Night's rendition of "What Child Is This?" with Gaby's very impressive singing, and keep an eye out for more big news from the Theatre of Night camp in the coming months!



Lastly, here's a video from December 27th, 2010, when three local bands descended upon Foggy Notions (now Coch's Corner) for The Nightmare After Christmas Party! Despite numerous pre-show lineup changes and a visit by the police over a noise complaint, the concert was a hit, from RedD Monkey's entertaining headlining set to the impromptu return of Reagle Beagle, but the video we're focusing on is from Frightlight, who added a belated festive spin to their set by having the members & stage decked out in Christmas attire (with a horror flair, of course!) Featuring the band's late 2010-early 2011 lineup (singer Johnny Pints, guitarist Rick Styles, bassist Eddie Fright, and ex-drummer Jeff "The Count" De Rose), this video is of their song "C.H.U.D.", which definitely isn't seasonal, but it's a cool song all the while! Apologies for the quality, I believe I used a borrowed camera that night. Quite possibly the last Christmas themed concert at Foggy's before it's name & owner changes, this was a solid show from what I remember (I still have the band-autographed bloody Santa shirt), and you can catch a glimpse of what went down 2 years ago below!



Once again, merry Christmas from the SMS, and here's to an even better holiday season in 2013! We'll be back to normal news and posts tomorrow, including this month's Saultites In Out Of Town Bands Profile on The Dyadics in the next few days! (Maybe tomorrow, but it depends on personal timing.) That and more are coming though, so stay tuned!

Wednesday, September 21, 2011

A New Local Band, Plus Some Newly Discovered Videos!!

Hey guys, I have some more news today before we focus on weekend concert previews and our next YouTube Channel Profile tomorrow, so here's what's on tap for today! Mostly, we have a few videos, including an old discovery of a cool cover from a local band, another Hempfest concert video, and leading things off, everything you should know concerning a newly discovered band, so here's what you need to know!

I'm actually fairly surprised I haven't featured this band on here yet, given their output, but this new band is a Sault Ontario metal project named ApocalyptiCDistroyeR! The band has actually been active under slightly altered names since 2008, but with a low profile and some pages indicating they're from London as well, they've passed under our radar. Their lineup features singer Kory Middaugh and (I believe) his cousins Jesse & Brach Middaugh on guitar, with bass and drum positions to be filled (though Ben Woodhouse was listed as their drummer at one point.) I'm not familiar with any of them from other local bands, but it's nice to see such a family-linked band locally! ApocalyptiCDestroyeR launched in 2008 with a Reverbnation page, then gaining their current form and name spelling in 2009, with band pages on Facebook, MySpace, YouTube, SoundClick, and more being created. Apparently, the band has worked on at least two demos, a self-titled release in 2008/2009 and "The Devil Doesnt Influence Me, I Influence The Devil" last year, though none appear to have been officially released as an actual "album". There's ambition to be seen here, but as far as I can gather, ApocalyptiCDistroyeR have not played live yet, nor have band pages (YouTube aside) been updated since February.

How does ApocalyptiCDistroyeR sound? Sort of a straightforward metal style, with a good amount of originals in the works, but they need work on song structures. They have a ton of demos and song parts posted on their pages (including 44 individual tracks on SoundClick), and though the guitar work is generally solid throughout, the other instruments need work. The vocals that I've heard usually sound distorted or too low, and the programmed drums are often out of time and sound too artificial (even making cracking sounds sometimes), but Jesse and Brach have definite guitar skill! If they can build around that with some similarly talented musicians and more developed song structures, they could definitely be able to carve a larger name locally! I'll link a video below, but if you check out their YouTube channel linked above, you'll notice that most of the posted videos are of just Jesse Middaugh playing original demos and some covers, but there is a couple of ApocalyptiCDistroyeR audio tracks to "see"! One is for their song "Vlad The Impaler" (sans programmed drums) as synched up to clips from the anime series "Hellsing", and check it out below to hear some of the Middaugh brothers original guitar skill!



We'll close with a couple more videos I recently came across, and first, here's one more video from Half Past's set at Hempfest last month! Like the one we shared on Thursday, this comes from drummer Chris Thompson's YouTube channel, and it's of their cover of Rage Against The Machine's "Killing In The Name" that night! Again, this was taken from a previously posted Facebook video and edited afterwards to give it various filters, effects, and colours, though unlike their Silverchair cover, the video doesn't spin. I do like how he framed Alain Fletcher's guitar solo though, nice touch! Good stuff, check it out below, and stay tuned for more Half Past news as it comes in!



And finally, here's a cool metal-relevant video I came across on YouTube the other day. Punk fans in town may be familiar with the local punk supergroup Bin Hawdon & The Taliband, who you often see in recent years at reunion concerts around Christmas time, but have made waves at punk shows since the early 2000s. With Lion Ride's own Mikey Hawdon and Mark Rand in The Taliband, you know some heavier stuff would leak out of their sets occasionally, and in the case of this video from an August 2006 concert at Foggy Notions, they covered The Misfits' "Dig Up Her Bones"! Uploaded onto Mikey's YouTube channel only a couple of days later, I only just saw it now, and it's a good video! The vocals are way too quiet, and the audio quality is slightly scratchy, but it's awesome to see this video! I need to check out Mikey's videos more often, I'm surprised this passed me by for so long! Check out Bin Hawdon & The Taliband getting their horror punk on below, and if I find any more old school heavier covers from Mikey's bands, I'll let you guys know!



That's probably all for today, but stay tuned at midnight sharp for our latest YouTube Channel Profile, as we take a look at Garden of Bedlam's YouTube channel and the videos that lie within! Then, stay tuned likely Thursday afternoon for weekend concert previews! Thanks everyone!

Thursday, April 8, 2010

Integrated System Of Machines - "Apocalyptic Vision" Review!!

It's that time again, for another local metal CD review! It's my 10th since I started this monthly feature, and we're heading back to Sault Michigan this time around, as this month's review is of the only released album from defunct local epic death metal band Integrated System of Machines, entitled "Apocalyptic Vision"! Released n March 6th, 2008, it was available at the band's concerts, but is now out of print. Lineup information concerning I.S.O.M. is not easy to verify, so if there's a mistake in the band's lineup on this album, or an incomplete spelling, let me know! I believe the lineup that recorded "Apocalyptic Vision" included frontman Bob "Orb Hearthstone" Helsten (now of Powerslug), Chris Sevens on guitar, J. Rizzo on bass, End of Existence/Theater of Night keyboardist Craig "Tubesock" Harrison, Rachel Mender on operatic vocals, and Bart "Black Trab" Rennels on drums.

Currently, "Apocalyptic Vision" is available for free streaming on I.S.O.M.'s Reverbnation page, while I don't believe it's available for purchase on any major music download websites at present. Physical copies may be floating around at local merchants, so keep your eyes peeled! With 10 songs clocking in at over 45 minutes worth of metal, let us begin the review with the album's first song and title track! And remember, I'm not a professional reviewer, these are my impressions and thoughts as I hear each song in order on the album, if something's wrong, misstated, or lacking info, let me know! (Updated on November 6th, 2012)

"Apocalyptic Vision" kicks off the album with a 45 second slow dirge-like keyboard intro from Craig Harrison, which seems to set the tone for the song. Then the heaviness kicks in, and here's my first complaint: It sounds muffled. Nothing's badly played, it just lacks the punch and volume to pull me in because of the production. I imagine these songs would sound much clearer and be harder hitting live! That's not a critique towards the band though, they're certainly not at fault! Orb Hearthstone shows off his death metal vocals very well here, he has an awesome death metal voice that suits the band extremely well, it's too bad he and the band parted ways! Clear too, you can make out words unlike some death metal singers, and I always welcome that! Everything's very nicely mixed, each instrument's easy to make out! Craig Harrison's keyboards don't sound forced, Chris Sevens has some great riffing (though I would have liked a guitar solo), and J. Rizzo's not a bad bassist either, he has some good lines! Honestly, vocals aside, this song doesn't have a real "death metal" sound, the vocals are from where I get that comparison, the song itself has more of a progressive/power feel at points! Great opener, very headbangable, it gives you a good glimpse about what to expect in future songs!

"Road To Valhalla" is second on the album, and the first to feature operatic backing vocals from Rachel Mender. It's shorter and more to the point than "Apocalyptic Vision" was, though not as fast. It has more of a conventional song structure too, but it's still a good song! Orb still sounds great vocally, though the combination of Orb and Rachel singing the chorus simultaneously actually doesn't totally work, they're too different in style for it to really "mesh". Rachel has a good voice that harmonizes well, and aside from the chorus, she totally fits! My other major complaints: The chorus is more repetitive than it could be, and again, no guitar solo. But it is still a catchy song, I like the guitar work from Chris especially! Slower and shorter, yes, but still lively and despite my complaints, it's definitely not a bad song, I just expected more out of it.

Next is the band's self titled song, "I.S.O.M.", which is definitely the album's most commercial track. It's one of two on the disc that go under 4 minutes, it has a typical song structure, and Orb's not growling! He sings with a normal hard rock voice, and honestly, he should use it more, it'd give some extra variety to the other songs, as long as he doesn't overdo it. The chorus is great to sing along with: "Oh noooo, they try to integrate meeeeee!" Listen for yourself and you'll see what I mean. I like the drum intro too, though it would benefit from improved production! Amazingly, it's the album's radio-friendliest song that has the first solo, and though it's short and not mindblowing, it is still well performed, I wanna see more! The song also seems to end abruptly too. Though not their best or most original, it shows some diversity that the first two songs didn't show, and the band could integrate that into future songs! I can picture this making it onto radio if it had better production!

Fourth is "DaVinci's Code", and this is where the band starts to pull together all their best elements into a standout song! The opening builds in a way with some weird backing vocal chanting and instrumental work to a very catchy main riff! Here, Rachel's operatic singing completely works, it flows with the song and doesn't sound forced! Black Trab's drumming is really good, and Craig's keyboards add a nice atmosphere to the background! 3:10 in, the main vocals finally get more diverse, nice to see Orb throw in his clean voice to the heavier songs! And yes, we have a guitar solo! It's slow to pick up, but near the end, it really gets going! It's good, I just wish there was more! But like with the last song, it has an abrupt ending which I didn't see coming. It's fast and heavy and really well played, the band really is hitting their stride after some mixed results on the last couple songs. Definitely my favourite song so far!

After that, we get "Stays The Same", which has the most reserved start to any song so far, a very melodic softer opening with completely clean vocals from Orb, who really impresses me here, he has a pretty good range that I'd like to see him use more! A lot of these songs could work equally well, or better, with the normal singing in place of the death growling! After about a minute though, things pick up, with some awesome keyboard work and some good harmonizing between Orb's death growls and Rachel's operatic vocals, they definitely work better here! The song alternates between "soft and heavy" twice before we end with a guitar-driven section that sounds good, though an actual solo would have been a great capper! This song is one of the best examples of their varying styles, showing the lighter and heavier sides equally, I really like this song too! "Screams" begins the album's second half with a drum-driven opener and a cool chugging riff that comes about as close to typical death metal as you'll see on "Apocalyptic Vision"! There's even breakdowns past the halfway point! Despite the name though, there isn't a lot of screaming as much as just death metal vocals. Nice harsh ones too! This time, Rachel's singing is slightly drowned out, but it's not bad for accompaniment! The ending really works too, it has a lot of energy Black Trab's drums are really good! Excellent song, especially if you want something more "death metal"!

...OK, I change my mind, THIS is the most "death metal" song! "Words To Say" is absolutely the heaviest thing on this album, the riffs are brutal and Orb sounds especially fierce! It's also the shortest song, at 3:36, and they pack this song full! The backing vocals from Rachel Mender are really out of place in the chorus, which is not a critique of her abilties, she's really good, but it just doesn't fit. That aside, I'm really impressed with this song, this WILL get a mosh pit going at a live concert! The ending is especially fast, the guitar work has some good harmonics, I'm just missing a solo, the song could use a nice fast blazing solo! Great great song, this might just be my favourite! Track 8 is "March of the Norsemen", which is also the album's longest and it has an absolute epic of an opening, perfect for a march or entrance, almost sounds like it came from a video game! Not the heaviest or fastest song, but it's well crafted, possibly the best musically on the album! Awesome lyrics about vikings, and some excellent guitar work and bass lines! The best solo on the album is on this song too, they put all their talent into making this song the album's best, and it shows! It's not my personal favourite, but it's right up there, and you'll wanna check it out! Also, the ending is extra-fast, but also ends a bit abruptly....what's with that?

The penultimate song is "Last Time", which has a softer opening much like "Stays The Same", soft guitars and clean singing, but if you're expecting a ballad, think again! Nice , heavy, and relatively short, it gets the job done pretty nicely! Drums are well played, and for the first time, Rachel gets some extended solo singing passages rather than serving as a backup or additional singer! I know she's not with I.S.O.M. anymore, but it would have been cool to see her get more solo time on some new material! It's more of the same from older tracks, nothing mindlbowingly different, and no solo, but here's what surprised me: After about 3:08, the song switches to an acoustic guitar ending, Chris plays this well, this would fit especially well if this was the album's last song, but there's still one more to go! "Hunt For The Beast" is the album's closer, and it brings an awesome heavy onslaught to end "Apocalyptic Vision" on a high note! Not as heavy as "Words To Say" to be sure, but still quite a good song! The guitars and bass chug along in a very heavy fashion, the vocals harmonize well, and like I said with other songs, the drums are solid! Great closer in itself, but it ends in a way like "Last Time" did, with a slow section featuring one band member, in this case, Craig on the keyboards! Kind of a depressing slow end, but it completely fits, and makes you want more! Great closer, another highlight!

Overall, "Apocalyptic Vision" is a solid debut album from Integrated System of Machines! The band at the time had good chemistry, supported by some awesome death metal vocals from Orb Hearthstone, gome good guitar work from Chris Sevens, and consistently great keyboard playing from Craig Harrison! J. Rizzo's good on bass throughout too, no complaints there, and Black Trab keeps a good pace on the drums throughout! Rachel Mender sometimes got lost amongst Orb's growling, but she shone bright when the moment was right! For a first effort, you can't expect the world, and I didn't, but there is things to complain about, largest of which isn't the band's fault. The production isn't very good, every song on "Apocalyptic Vision" sounds muffled, and compared to other local bands' albums I have, it plays very quietly and the instruments, though mixed well, seem way too reserved than how the band's collective talent would show, especially the bass. But when I review albums, I review on their musical ability and my own enjoyment of their skill, talent, and writing, not production deficiencies. Maybe that's why I like "Born Again" by Black Sabbath so much even though the production's bad on that, I look for the talent, and I.S.O.M. have it!

I'd also have liked to have seen more solo work, Chris has talent but his solos could stand to be more varied, most of them sounded pretty much the same. He's a great guitarist, he just needs to work on his solos a bit. I'd, again, have loved to see more solo time for Rachel as a singer, hopefully Mara Raven (her replacement) gets some more solo passages on their next album! The production also gets in the way of otherwise-good drumming from Black Trab, and Orb's singing, though 100% awesome, could use some variance on some songs (for example, growled verses, clean choruses.) Maybe the new singer will be more varied? Still, complaints aside, remember this was their debut, and for an independent debut, I couldn't have asked for more! There's some real ambitious songs, a lot of headbangers, and great music all around! I heard that I.S.O.M.'s next album is going to be a concept album based around Hansel & Gretel, and if handled correctly with some better production, it will be something special! Pick up "Apocalyptic Vision" today, look past the muffled sound, and get your horns ready!

So that's this month's review! My next review will be in the second full week of May, and barring the release of a new album from a local metal band (you never know!), my review will be my long-planned re-review of Garden of Bedlam's debut EP! I've been unhappy with my original review of it for months now, so I plan to revisit it to give it a look more akin to my last 10 album reviews, and after that, we'll dip back into the archives this summer, with new releases dotted into the schedule where needed! Lots of albums to get to in the future, but let's not spoil anything I have planned, I want things to be surprises! But don't worry, there will be no skipped months, I have reviews lined up to cover over two years, and counting! And of course, if you have an album I don't (e.g. As It Stands, Infrastrate, Harsh Heads, old cassettes, etc.), LET ME KNOW!

News shall return soon, so stay tuned for all the local metal updates you can handle very soon! Thanks everyone, hope you enjoyed the review!