It's now time for our 207th monthly CD review at The Sault Metal Scene, and we have finally entered this calendar year as our dig through our new album release backlog continues! This month, we're taking a look at the first local metal album of 2026, namely St. Ignace, Michigan metalcore band Heavy Lies The Crown's second EP and fourth paid album "Notions", which was independently released to major streaming services on January 30th. "Notions" compiles five of the six one-off studio singles that Heavy Lies The Crown released after April 2024. Lead singer Brandon West and guitarist/ex-drummer Jaxon Massaway are credited on streaming for production and mixing the EP at North Shore Audio, but I have not seen any firm credits as to who played on what song. During the timeline of these songs' recording, they were joined by guitarist Nathan Switzer, guitarist/drummer Kaycee Mason, bassist Christian Cook, and drummer Blaze Beairl.
All but Blaze have since left HLTC, though note that Brandon has reportedly drummed on some prior studio material despite not being explicitly credited as such. Also, note that the cover artwork for the EP was designed by Christian before he left the band. "Notions" is available on multiple streaming services, including the big four (Spotify, Apple Music, Amazon Music, and YouTube Music), and you can buy it in mp3 format via iTunes for $4.95, though like their prior releases, it isn't available on physical formats. Note that the formal EP was never uploaded to Spotify, but all five songs are individually streamable there. This is a short EP, as its five songs only clock in at 12 minutes, so let's begin this review!
First up is the title track "Notions", which has a suitably djenty opening riff, but feels more industrial and processed, with Brandon's vocals less raw and more layered. The song is very heavy, but it kinda feels like it's not really going anywhere, and the sludgy breakdown late (while likely a mosh pit starter live) ends the song on a bit of an anticlimax. Honestly, "Notions" comes off like it's a heavy stylistic change but without the freewheeling spark and variance in styles that I was hoping for. Next is "Shame", which is an instant improvement from its cleaner, less processed sound, including Brandon screaming in full voice overtop of the music. It's just a shame (natch) that it's an EP-low 80 seconds long! This feels extremely unfinished, like it's all verses and choruses with no instrumental time to breathe. A crushing song while it lasts, and fans of their earlier material should take to it!
Another sub-2 minute song caps off the EP's first half, namely "Marble Skin". which shares more in common with the title track, if not as mechanical sounding. Riff is punishing, the drums are the best that we've had yet, but it again has the vocals in a more processed, layered-in-the-mix state, and I'm not sure that ending songs with breakdowns is ideal. If anything, they should be a bridge to a final chorus, but given the length, I guess it had to go somewhere? Not a bad song but the deathcore influence, vocal processing, and brevity don't help it. The longest song here is next, namely "Road To Detroit" (inspired Heavy's road trips downstate), and the softer intro does help set the tone, as does the return of Brandon singing clean on verses! This feels more introspective than other songs on offer, and harsh vocals are more accent items than a focus, and this honestly gives me Deftones vibes, which isn't something I can say often about a local band!
While not their heaviest song by any stretch, it drives along well with an effective atmospheric vibe, and while their recent music has otherwise trended more extreme, it would be interesting to see Brandon, Jaxon, and crew do more stuff like this! The curiously titled "Happy Fun Fun" closes the EP, and things end on a heavy note, with djenty riffs, aggressive vocals, and more of a deathcore essence again, though like on too many songs here, the vocals come off too processed and layered, rather than letting Brandon let loose at the forefront. Suitably creepy spoken word and piano work fitting the title is also included here (it makes sense if you've seen the music video), and while the song is an effective closer that improves on some things, it still ends somewhat abruptly, and could have done more with the vibe of innocent childhood items in an unsettling horror setting like this.
So, what are my final thoughts on Heavy Lies The Crown's new EP? It's not their peak for my preferences, but if you're more into modern deathcore, you'll like how things have drifted! This is a short listen (probably too short), though the guys did say upon release that "Notions" was "a glued version of what we have to offer at this moment", and if that's the case, I'd have glued more on. I do miss the guitar solos that have largely been absent since the self-titled album (a.k.a. "Knucklebutter"), the drift towards deathcore and end-of-song breakdowns isn't necessarily for me compared to their earlier stuff, and I would really prefer Brandon's singing to be clear and audible and not so processed. Musically, everyone performs well with strong riffs, but when the best song ("Shame") doesn't even clear 90 seconds, it just left me wondering why they didn't fill these songs out moreso.
Deftones fans will like "Road To Detroit", and recent fans will like these songs, but I really would have included their mid-2024 single "These Walls". I don't know if it was omitted due to being co-written by Nathan before he left the band, or if the clearer metalcore structure, 4+ minute length, and clean choruses didn't fit where Heavy were at last year, but it would have been a highlight for me. What we do get is solid enough, just not at their peak for my preferences, but buy/stream "Notions" above and see what you think! I hope you guys liked this month's album review, and next month, we're staying in Michigan for a look at local metal solo project X's & Y's' new EP "Face The Moon, Forgive The Stars"! Thanks everyone!





















