New Videos From Mike Haggith, Molly Escherich, And The Floor Between Us!!

As our slow clear-out of the backlog continues, here's a new news post on this Saturday afternoon that takes us from the EUP to Southern Ontario before finally coming home to Sault Ste. Marie, but we'll start in Michigan with another recent full set video, so here's what you should know!

In a follow-up from our coverage of last month's Superior Whitefish Festival battle of the bands in Brimley, Michigan, you may recall that there was a separate Music In The Park concert before the battle featuring acoustic-leaning performers. One was 8th Fire frontwoman Molly Escherich just hours before she led her new band to a second place finish, and like with the main band, her solo matinee set was shot in full for her YouTube channel! I have been more selective with acoustic singer/guitarists in our band links in recent years, as for metal, hard rock, and punk, it doesn't play in as well for song choices, and anyone with a guitar can play a set live and call it a day, but what does a 56 minute set of Molly's entail in 2026? In performance order, the 14 year old Dafter native covered Bob Seger & The Silver Bullet Band's "Still The Same", The Eagles' "Take It Easy", Tom Petty's "I Won't Back Down", ...

...The Doobie Brothers' "Listen To The Music" (which The 8th Fire covered in their battle set), Carole King's "It's Too Late", Creedence Clearwater Revival's "Proud Mary" (briefly), and "Have You Ever Seen The Rain", before playing the original song about the perfect boat day with her dad that led off The 8th Fire's battle set. Covers resume with Noah Kahan's "The Great Divide", The 4 Non Blondes' "What's Up", Bon Jovi's "Wanted Dead Or Alive" (also covered by The 8th Fire that night), another attempt at "Proud Mary" that was more successful than previously, Zach Bryan's "Something In The Orange", Coldplay's "Yellow", and Little Big Town's "Boondocks", before Molly ended her set with two more original songs named "Cheap Cologne" and "Always Known". Molly definitely has some other hard rock covers in her back pocket from past solo gigs that I want to look at in the future, but her solo set is definitely more varied.

Regardless, she is a very talented singer and guitarist who is still rapidly improving (being at Interlochen will help in that!), and for her age, she has an ease about her on stage and a good audience rapport already! If you saw her battle set with The 8th Fire, the three common songs from Molly's solo set (one being an acoustic solo performance too) will either be an interesting contrast or feel redundant, but remember that a lot of early festival attendees didn't stay for the battle, or vice versa. Good stuff, and with a dash of the hard rock to come that night, so give Molly's Music In The Park set in Brimley a watch below, and we'll have more from her soon!

Next up, let's head north of the border (and yet still south) to Barrie, Ontario, where local/Barrie alt-hard rock musician Mike Haggith returned to Athletic Kulture Stadium there on July 4th to sing "O Canada" at a Barrie Baycats baseball game! Now competing in the renamed Canadian Baseball League, the Baycats welcomed Mike to sing the anthem at games in each of the past two seasons, though rain delays got in the road of his original 2024 bookings. For Mike's game this season, he sang before Barrie's clash with the Hamilton Cardinals on the Fourth of July, and regrettably for the home team and fans, the Baycats lost 8-1. As always though, the game was live-streamed on Barrie's YouTube channel, and if you want to just check out Mike's performance, he is introduced by the PA announcer at the 7:42 mark. Mike sings well, as you'd expect given his talents and pedigree!

I just wish the game went better for the Baycats, but they are in fourth place in the nine-team league, which would guarantee them a playoff spot if the season ended today, so best of luck for a strong run over the rest of the CBL season. Give Mike's performance (and the game) a watch below!

Finally for today, I wanted to mention the local comedy/art rock band The Floor Between Us, who have came up sparingly in our coverage in recent years. If you're not familiar with them, their lineup features one-time Soo's Got Talent finalist Colin Gasparelli on vocals & guitar alongside singer Ivy-Rose Morrison, Stones & Crows bassist Nicholas Gingras, and Spaceship Opening/ASDP drummer Ralph Barber (an "Andrew M." played keyboards for them once too). Their music is very eclectic, experimental, and has more in common with a lot of 1960s pop rock and bands like They Might Be Giants than heavier styles, but there's a joie de vivre and clear sense of humour across their original music, so I do recommend checking out their material on maior streaming platforms to see what you think! However, they do occasionally cover some songs that cross the SMS' radar in concert.

The Floor Between Us are fans of the English anarcho-punk band Chumbawamba, best known for their one mainstream hit "Tubthumping", which they have covered live (here they are playing it unplugged at a Korah talent show featuring Ralph's ASDP bandmate Mikhal Muto on cajon). However, they haven't just gotten up again after being knocked down, as they covered their 1994 b-side "The Day The Nazi Died") at one of their Sault Theatre Workshop fundraiser concerts in November. More of a politically charged folk song that would definitely fit an English pub (complete with Nicholas on added percussion), this is well performed with sharp lyrics, so give it a watch for yourselves below!

That's all for now, but stay tuned for more news and notes on the SMS shortly! Thanks everyone!

LOCAL CONCERT ALERT (Downtown Street Party #2) & A Video From Last Month's Sandman Show!!

For our ninth post already this month, this is a two topic post, starting with a big LOCAL CONCERT ALERT for later this month, and ending with a video from a recent tribute band concert here. Let's get things rolling!

Over one month after the City of Sault Ste. Marie's second Downtown Street Party on Thursday, July 16th was cancelled due to that day's severely poor air quality, they will host the planned third (now second) one on Thursday, August 20th! Originally scheduled to take place on a closed stretch of Queen Street East from Elgin to Dennis Street, they're basically doubling the size of this one to include the Brock-Elgin stretch that was gypped out of last month's street party, so this will virtually take place from the former BMO building all the way down to the bus terminal. Going along with this, they will try again for the Downtown Plaza aspects of last month's cancelled street party, including re-booking Nicole Does Trivia and the live screening of Jaws 1 there. Click here for full details on non-musical activities to expect on Queen Street two weeks from tomorrow (even a rock climbing wall!)

Musically speaking, there will actually be three "stages" for Street Party #2, but sadly, none of the acts on the 20th are ones who were scheduled for the cancelled street party last month (nor were any of them scheduled for Stage 1 at Rotaryfest that same day). One stage will be up... way up atop Village Media headquarters (a space they call "The Canopy"), which has sparingly hosted live bands in recent years, and this is where SMS readers will likely be most interested, as punk/alternative cover sextet BookcluB and local/Barrie alt-hard rock musician Mike Haggith (presumably with The Big Finish Band) will be playing on the roof at 9:30 & 8:15 PM respectively! Opening on The Canopy is Dustcovers frontman "Just" Tom Peer with an acoustic set at 7:00 PM. This should be a fun and unique experience, Mike's high elevation day job acknowledged, so don't bypass this action in just over two weeks!

As for the other stages, they will try again re: having bands at the corner of Queen & March Streets (the cancelled Brock-Elgin street party would actually have been from March-Elgin), and that stage will be headlined by prolific local folk/blues musician Jay Case with support sets from blues singer/guitarist Josh "The Preacher" McNally and his Jackleg Band, as well as folk singer/guitarist Matthew James. The bonus third stage will basically be a reprise of Stage 3 from Rotaryfest, in that it will feature EDM artists/DJs, including Skeletune, Hippie Business, and Flummoxx (all set times are identical to The Canopy's). The EDM party goes down outside of Outspoken Brewing between Elgin and Bruce Street. Downtown Street Party #3 #2 runs from 6:30-11:00 PM on Thursday the 20th, and it is FREE & ALL AGES! The third and final Downtown Street Party for 2026 goes down on September 17th from Dennis-Gore Street, as the parties move west down Queen Street.

Unhealthy levels of forest fire smoke was an unexpected wrench in last month's plans that hopefully won't rear its ugly head again in two weeks, for Northwestern Ontario's sake, let alone wherever that air drifts! Otherwise, these street parties go ahead rain or shine, but still, I do hope that there's no rain to worry about after the two month wait for another one of these! With BookcluB and Mike Haggith's rooftop involvement, this is the most SMS-friendly of the three street party lineups too, so keep everything in mind in two weeks, and visit You Belong SSM's Facebook page for more details!

To close this post, let's look back at a video from one of the concerts that we are backlogged alone in terms of just covering videos from, namely the Sandman concert at The Full Throttle Saloon! The former Primavera Hall have been oddly quiet on social media since this show took place on July 25th, but Mike Blair's 705Live Sound Co. were on hand to man the soundboard for this hard-touring Toronto-based Metallica tribute band, and he did get a video for the 705Live Facebook page! FYI, despite running sound for Rotaryfest Stage 2, Mike didn't post any videos from Clergue Park. The Sandman video runs for 71 seconds of them playing "Enter Sandman" (complete with Rick jokingly mispronouncing "Sault"), and Mike makes effective use of the zoom lens to let us "walk up" to the stage from the soundboard!

It's always fun to see Sandman's faithful take on 1980s and early 1990s Metallica on a local stage, even if this concert's ticket prices were noticeably higher than past shows here, and the crowd looks decent from what is visible. Give Mike's Sandman video a watch below, and hopefully the Saloon proper shot something to upload when their social media break ends!

That's all for now, but stay tuned for weekend concert previews on the SMS next! Thanks everyone!

Mike Haggith - "Under A Moonlit Sky" Album Review!!

It's now time for our 205th monthly CD review at The Sault Metal Scene, and as we continue slowly mowing through our new album release backlog, we'll head back to Sault Ontario this month to look at prolific local/Barrie alternative/hard rock musician Mike Haggith's new live album "Under A Moonlit Sky"! In a brief detour from his studio album catalogue, this is his first solo live album since 2018's acoustic "From The Nickel Stage" and his first full-band live album since The Din's "Technically Live" in 2021. This was recorded during Mike's headlining concert with his Big Finish Band at The Downtown Plaza on September 25th, 2025, which was originally planned as a battle of the bands before being cancelled due to "unforeseen circumstances". Now a rare Mike Haggith headlining concert in the Soo, it was recorded for posterity from the soundboard, with Mike Blair's 705Live Sound Co. running things.

Mike Haggith produced and enhanced the raw audio for the album proper, which was released by his own MorningStar Records on November 30th. Mike is on lead vocals and rhythm guitar here, and The Big Finish Band (in their album debut) were represented by their current lineup, including A Dire Setback/With Gunfire guitarist Chris Nielsen, ex-Gnaeus bassist Matt Fronzi, Mike's old Din bandmate Brandan Glew on drums, and Drifters/ex-Re:Born frontwoman Elly McWatters on backing vocals and tambourine (she didn't play rhythm guitar here due to her then-recovery from rotator cuff surgery). You can stream "Under A Moonlit Sky" on Bandcamp, Spotify, Apple Music, Amazon Music, YouTube Music, Tidal, Deezer, Anghami, and (of course) Boomplay, while you can buy the album in mp3 download format on Bandcamp and iTunes for $10, give or take a cent. You can also watch the whole unedited concert from multiple pro-shot camera angles at this link!

CD copies were teased for "early 2026", but have not arrived at press time. Just to clarify how this review will be formatted... as this is a live album primarily comprised of re-recordings, I will only formally "review" tracks that were never previously included on a (Mike) Haggith or Din album that I have previously looked at. As was the case when I reviewed The Din's three live albums on the SMS, I will compare the performances of established songs to their studio version where possible, but if you want to read my thoughts of the songs in their original form, my reviews of those albums will be linked below. Also note that the full video of this concert is about 6 minutes longer than the album, thanks to closing credits and some minor clean-up of between-song breaks. Unlike on "Technically Live" (which omitted "Of Cars & Criminals"), no full songs from the proper concert were cut from the album.

With 19 tracks running for about 69 minutes, let's begin this review! The opening song for the album and concert was its shortest proper song "Brand New Day", which led off Mike's 2025 mailing list subscriber-exclusive album "Frequent Flyer". Aside from a slightly extended drum intro by Brandan and an adlibbed remark about the nice weather that evening, this is pretty faithful to the original song, retaining its upbeat power pop nature, but I do prefer the backing vocals on the live version, which feel more naturally included. This bleeds right into "Missing", which Mike and Brandan originally recorded for The Din's second and final studio album, 2017's "Suburban Dream". The live concert energy and Mike's improved vocal range give this some some more life and energy while still harbouring a melancholy mid-tempo vibe.

Structurally, some notes are held extra for effect, but the song is basically the same as what The Din recorded originally. I prefer more fully upbeat hard rock-leaning compositions, but it's still a good track! Third up is (technically) the shortest track here, namely "Guitar Adlib", which is literally just 40 seconds of Mike improvising on his acoustic guitar while offering some sung filler vocals and banter with his bandmates. Amusing for what it is, but this really could (and should) have been tacked on to the next proper song, "MorningStar", which was first heard on 2020's "If Ever Comes The Day". I did find that this song felt a little empty as originally presented, so filling it out with a live band,and more electric instrumentation does help it! Otherwise, the song is structured the same, aside from being played a little faster, and it's still a pleasant reflection on a lost love that fans of the original will still enjoy!

After plugging his merchandise table, Mike next plays "Carousel" (from his most recent proper "mainline" studio album, 2023's "All The Best In All You Do"), but here, the addition of a live backing band actually doesn't lead to complimentary backing vocals, which fit prior songs better here. Chris' lead guitar work has more flourish than the studio version had, but this live take is otherwise structurally similar, and it still has a soaring emotional quality that suits Mike's modern catalogue! Mike next introduces Matt on bass, crediting him for helping write their next song, "You Are The Sun" (from "Frequent Flyer"). The live version drastically shortens Matt's opening bass intro, but for the bulk of it, the composition is similar, but with extra jangly percussion. While not Mike's most "rocking" song, the live atmosphere does give it an energy boost, and it remains one of his more upbeat, casual recent songs!

The next two songs are Mike's newest originals (as of 2025), and have yet to make a studio album of any kind, so consider these full reviews. The first is "I Really Hope This Gets To You", which is basically a message to an ex-romantic partner explaining why one had to leave the relationship. A driving rocker with direct yet melodic lyrics, this will definitely appeal to fans of Mike's hard rock-leaning material, and Elly's backing vocals are a nice compliment in this setting! Brandan's drumming is a strong compliment, and while not short, it blows by at a good pace right into the other new song, "No Love", which feels like a sequel to the prior track in which Mike/the narrator gets a letter back from their ex, and stands firm about not having feelings for them anymore despite their implied remorse. Of the two, I prefer "I Really Hope This Gets To You" for its melody and edge, as the main riff on "No Love" is too relentlessly pulsating, and I think they over-harmonized the choruses.

It's not a bad song, and it compliments the preceding cut well for lyrical content and overall tone, but it doesn't feel as loose yet direct all at once. The last song of the first half of the album/concert is "Hot & Cold", as first heard on "All The Best In All You Do". This live version cuts 2 minutes from the studio copy's 6+ minute runtime, primarily extended instrumental sections, while Mike and The Big Finish Band do play it faster. As I noted in the "All The Best..." album review, I was familiar with live versions of this song before that review was written, and at the time, I preferred this song live, as the studio copy felt overproduced with added synths and keys that took away from the rocking edge. Three years later, I still feel the same way, as this live take is one of the highlights of the album, and Mike's knee held up throughout!  Next is the album's title track "Under A Moonlit Sky", which is one of three filler spoken word tracks here.

This just serves as the extended intro to the next two songs, both from "If Ever Comes The Day". Personally, I'd have just rolled this intro into the start of "Back Away Slowly" (whose lyrics contain the album name), but this is hardly the first time that Mike has included spoken word banter or setups as their own track on a live album. "Back Away Slowly" comes across as shorter and tighter than the studio version, with the full band input livening up what was already a solid song (note Chris having extra room to show off on lead guitar). Still an upbeat power pop song with personal lyrics that is complimentary of a full band, keys/synths-devoid setup! That's followed by "The Best You Never Had", which actually opened "If Ever Comes The Day". The live version here is similarly paced and structured to the studio version, but without the piano parts, it does come off more like a rock song, which is to its benefit again.

I prefer songs where Mike uses his voice moreso than the low, affecting, and almost-spoken word verses here, but it's a good song with weighty lyrics in any format! The live version is a little longer thanks to post-song banter to promote their merchandise on sale. Next up is the second of three filler spoken word banter tracks, namely "Moving West", where Mike addresses the ongoing recording of the live album from the 705Live soundboard, and then talks about his move from the Soo to Thompson, Manitoba to further his ambitions of becoming a commercial pilot, and what awaited him when he lived there and to continue striving for his ultimate goal. Again, I'd have just rolled this into the opening of the next song ("An Act Of Strength" from his 2021 studio album "Bridges"), especially as the live track is a minute shorter thanks to the intro being absorbed into "Moving West".

"Bridges" was the most synth-heavy of Mike's post-pandemic solo albums, so stripping that away for the live concert version does give it a more direct focus, but I did find the percussion to be too constant. Not my favourite of the live staples here, as it's more along one or two tracks throughout without ever kicking into a high gear, but it's well performed! The final spoken word track is next, and on "The Power Of Community", Mike explains how this show came together on relatively short notice (Mike does not directly address the planned battle of the bands), and how the community came together to make this special headlining concert come together. Mike also introduces The Big Finish Band here, with Elly doing the honours to introduce Mike (who flew in from Barrie the previous night!). They play another "Bridges" cut next, namely its first single "The Nature Of The Times", which is actually longer than the studio version is.

Despite the intro being absorbed by the prior spoken word intro, The Big Finish Band add an extended outro rather than the fade-out on the studio album. This song comes out similarly otherwise to the original, but with more of the full band oomph and less harmonic elements, but it will still appeal to fans of Mike's more indie rock-inspired material, and the band gets room to show off! Matt's bass is particularly solid here. The last two songs from Mike's solo catalogue on the setlist are played next, both courtesy of "All The Best In All You Do". Of those, first is "All The Best", which is similarly composed but longer thanks to an extended outro to replace the fade-out, and there's no synth here, so the full rock potential of the song is met. I'd still have more varied chorus vocals, but it's a solid track that capped off regular versions of the original CD in style, and it suits a full band approach!

The penultimate song here was "Twist Of Fate", which is played very similarly to the studio version aside from crowd banter & having a definite ending. The backing vocals could be somewhat overdone on the choruses, but as one of Mike's heaviest and fastest original songs of his post-move era, this is a definite highlight that largely translates well to the stage! Mike & crew return for an encore of "75", which began life when his old grunge band Haggith recorded it for "Deuce" in 2013, but The Din's cover on 2016's "Give In To The Din" shares more in common with the 2025 live take. In any form, this is a very punk-inspired track with a power pop influence, and its chorus remains as catchy as ever! The backing vocals are implemented better than they were in 2013, but it's the same song and that's not a bad thing. It's a perfect capper to the set that fans of Mike at his heaviest will enjoy, and Chris shines on the solos!

How do I grade Mike's first solo live album with a full backing band? Overall, it's a strong window into Mike Haggith's modern local concerts with The Big Finish Band, and given as high quality of a recording and post-production as they can muster, and it shows! The soundboard recording (while muting fan levels somewhat) is crystal clear, and while the presence of a backing vocalist and two guitarists does pump up the sound, things do come off bigger and better for recording quality here than on The Din's live albums. Yes, the idea of Mike and the gang playing a headlining concert rather than a short battle of the bands set was short notice, but they made the most of the challenge and opportunity, and I did find that many of the songs (for what I go for in rock) were improved via the immediacy, crowd engagement, and lack of synth backing, so Din fans will like those aspects.

Of course, I go for Mike's hard rock and power pop-tinged stuff like "Twist Of Fate", "Hot & Cold", and "75" the most from what was played live at the Downtown Plaza here, but he picked a good cross-section of his recent solo catalogue, and The Big Finish Band were collectively up to the task (see most of them in the country rock cover band Elly McWatters & The Drifters when Mike isn't in town!). I wouldn't have bothered segmenting the spoken word intros and the guitar adlib into their own individual tracks, backing vocals were inconsistently applied, and there are songs of Mike's that I'd be interested to see played live, here or in general (like "If Ever Comes The Day", "Over Indecision", and "Miles & Memories"). This is an ideal way to experience the Mike Haggith live concert experience in the mid-2020s, and don't miss him and The Big Finish Band next month at the next Downtown Street Party and the Northern Vibe Festival!

Buy or stream "Under A Moonlit Sky" at the above links, and I hope you guys liked this month's CD review! Next month, we'll stay in Sault Ontario for a look at local ska punk band ASDP's debut album "Atom Bombs & Lemonade" from December, as we continue hollowing out our new album backlog. Look for that by month's end, and stay tuned for the rest of this weekend's hard rock concert previews next! Thanks everyone!

Initial Lineup Details For This Year's Northern Vibe Festival!!

The lineup for the band-centric Forest Stage at the eleventh annual Northern Vibe Festival was announced via their Facebook page yesterday, so what should you know there? While not announced in official promotion, this year will mark a change for Forest Stage promotion, as former Jack Spades/Frightlight frontman J.D. Pearce has stepped down as the curator of the lineup, after handling things there since the Ophir-based festival returned from their pandemic hiatus in 2021. As you may recall, last year's Forest Stage lineups were severely impaired by a Friday night rainstorm, which ultimately caused heavy damage to the stage overnight that left it unusable on the Saturday, with six band withdrawals. That alone isn't an ideal foot to leave off on, especially if this ends up being J.D.'s last turn as a local concert promoter, but kudos to him for booking and curating at Northern Vibe for the past five years despite his move to the GTA! Hopefully we hear more from him soon!

For 2026, Golden Scoundrels/ex-Shit Liver frontman Josh Penno has taken over curation duties on the Forest Stage, and this isn't an isolated happening, as he booked the Dopethrone concert at Jay's Piston Broke Pub last month. The Northern Vibe Festival will return to the former Hempfest stomping grounds on Poplardale Road in Ophir from Friday, August 28th-Sunday, August 30th (rebuilt Forest Stage in tow), and 15 acts are currently listed on the above promotional poster. If that holds steady, it will be the biggest Forest Stage lineup since the pandemic, and likely ever given how infrequently lineup details were published in the 2010s. However, it remains to be seen what days everyone is playing on, which lines up with the J.D. era, as a full daily schedule was generally only made public the week of the festival, if at all. I do get that this encourages people to buy full weekend passes, but still.

If scheduled similarly to past years, no bands will be playing on the Sunday. Four of the acts this year are out-of-town touring artists, with the nominal headliners being Flint, Michigan-based ska punk band The Write-Ups (the first American band ever booked for Northern Vibe), who headlined at The Speak Easy early last month. Good to see them back in our area so soon, and they're a fun band for ska fans! Two touring bands will be making their local debuts here in August, and both are relatively new acts, including Sudbury hard rock quartet Pressure Event and Timmins all-female pop punk quartet Saving Bambi, whose own advertising indicates that they'll be playing on Saturday the 29th (though Northern Vibe isn't technically in Leeburn). As well, Sudbury rapper Ronin705 will return to Ophir that weekend, five years after serving as a late replacement performer at Northern Vibe in 2021.

Of the eleven local acts, only three are returnees from Northern Vibes past, and they include the aforementioned folk/bluegrass quartet The Golden Scoundrels (who played the last two years), local/Barrie alt-hard rock musician Mike Haggith for a fourth straight year (presumably with The Big Finish Band in tow again), and local rap supergroup Soundsxvad (members of Sound Syndrome + Fvcksxvad) in an encore from their Ophir debut in 2025. This year has more ties with recent Rotaryfest lineups, with debutantes including funk rock cover quartet The Rhythm Junction, blues rockers Sunday & The Broken Hearts, former Way Backs frontman Jeffrey Wright in a solo country set, and blues musician Josh "The Preacher" McNally and his Jackleg Band, fresh off of their Stage 2 set next month. Other acts at Northern Vibe XI include new local alternative hard rock quintet Riverside Stasis ...

...ska punk quartet A.S.D.P., local/Peterborough folk/country musician Michelle Moran, and curator/Scoundrels frontman Josh Penno in a solo set curiously branded as "Pen Pen Happy Fun Time". Is "Quarter Scoundies" too obvious? Meanwhile, the EDM/DJ-centric Roost River Stage lineup has also been revealed, so click here to see who will be spinning tunes there. As usual at Northern Vibe, you can expect vendors and on-site camping all weekend long to cap off the summer with, though detailed specifics are to be announced on what to expect. In 2025, the daily schedules were expected to run from 6:00 PM-11:00 PM on the Friday and 12:00 PM-11:00 PM on the Saturday, the storm and this year's larger lineup acknowledged. This is a 19+ event, and tickets are currently on sale at this link in the "early bird" tier 1 phase, going for $125 for the full weekend.

No word on if the price will go up once "early bird" sales end, but if you're holding out for single day passes or other tiers, stay tuned to Northern Vibe social media accounts for updates. Definitely a more varied lineup for musical styles, leaning more into blues and country while still harbouring alternative and rap from past years, which is a testament to Josh's aims as a curator, and hopefully things go smoothly with much better weather in a couple of months! Visit the above links for more on this year's Northern Vibe Festival, but we'll let you know when daily schedules and timeslots are announced, and look for more news soon! Thanks everyone!

LOCAL CONCERT ALERT (A.S.D.P.), A New Album Release, and Much More!!

As the long weekend continues, we have a stacked all-Sault Ontario post on this wet Sunday evening, including a new album release, a surprise concert of sorts from a very prominent artist, and more recent updates, but first, here's a LOCAL CONCERT ALERT for next month!

Local promoters Underground Events SSM are hosting a rare all-local concert at Blaster Powerhouse (the newly renamed Soo Blaster, more on that in a bit) on Saturday, June 27th that will be headlined by ska-punk trio (quartet?) A.S.D.P.! Last seen opening for The Write-Ups at The Speak Easy, it will be good to see them in a higher profile headlining spotlight! Co-headlining are metal trio The BAG in their first show since their "Sacculus" album release party at the same venue last month (which A.S.D.P. opened), and one hopes that they'll have CDs on sale next month if you don't have one yet! In a big surprise, local alt-punk trio A Dire Setback will also play their first concert since opening for Selias in March of last year (also at Soo Blaster). I was honestly planning to move A Dire Setback to our inactive band links very shortly, so it's great to see that they're still alive, and hopefully their teased recording sessions from last year have progressed!

The opening band here is the debuting Riverside Stasis, which is the new group from former Handsome Sandwich frontwoman Taylor Emlaw and Headfirst guitarist Raine Rancourt, but we await more public information about this band (a jam video featuring the full group was briefly online last week but I can't find it now). Stay tuned! This all ages concert has an 8:00 PM start time, and advance tickets will be $15 once they go on sale (the price will jump to $20 at the door). Looks like a fun night of all-local punk and hard rock is in store, so visit the official Facebook event page for updates!

Next up, let's stick with A.S.D.P. frontman Mikhal "Cha" Muto, as his hardcore punk/extreme metal solo project Choking On Appendages is back, and they released their second album onto their Bandcamp page on April 29th! Coming almost two years after the release of their debut EP "Macabre" (and until now, their only other public act, as they're not on social media otherwise), this album is named "Galactic Acid", and while it only has two more songs than "Macabre", it is over double the length. Mikhal again independently recorded the new C.O.A. album, but this time, he has three special guests. "Bilge" features Golden Scoundrels/ex-Shit Liver frontman Josh Penno on vocals (don't miss the latter band's one-off reunion at Jay's one week from tomorrow!), "The Almost People" features Mikhal's cousin/ex-Hails bandmate Carmen Muto on guitar, and "Teeth" features prolific local folk punk/extreme metal singer/guitarist Chase Wigmore.

You can buy "Galactic Acid" on Bandcamp for $9, or stream all eight songs for free there as well as on Mikhal's YouTube channel, with the description of that single-video upload confirming that the album was recorded last year. I do wish that Choking On Appendages (hell, all of Mikhal's bands) had more of a social media presence, but it's good to see his heaviest project back after almost two years of public silence! Alas, our lengthy album review backlog means that "Galactic Acid" isn't tapped for a review until February, but give the new Choking On Appendages album a listen above and below!

Also, here's the latest from a musician who's been quiet in recent months, namely local/Barrie alt-hard rock musician Mike Haggith, who re-emerged in surprising fashion on Saturday, May 9th. As you may know, most members of his local supporting band The Big Finish Band play shows in town as the country rock cover band Elly McWatters & The Drifters (just with A Dire Setback bassist Matt Quinn instead of Matt Fronzi, plus ex-Jack Spades guitarist Jesse Cook), and they were booked to play at Jay's Piston Broke Pub this past weekend. As it turns out, Mike was planning a trip to the Soo then, and after some prior personal teasers, Jay's let the cat out of the bag 90 minutes prior to showtime that he'd be making "a special appearance". I don't know how much of the night was taken over by Mike & The Big Finish Band, but he and Matt F. were on hand for their first public performance together in eight months!

A (sadly) vertical video, complete with an unnecessary text caption, was shared from Mike's personal Facebook page the following day, and while lively, it runs for only 15 seconds and has very loud and distorted audio. I guess you had to be there! Notably, Elly was playing guitar that night after only doing backing vocals for Big Finish Band shows last year following rotator cuff surgery (though this won't be a surprise if you've seen recent Drifters concerts/videos). Mike also hung around to join bandmates as guest judges at Shooters Downstairs Lounge's Talent Quest karaoke competition last week, which Elly won a few years back. Awesome to see Mike back in town for a surprise, so give the video a watch below!

Finally for today, here's three assorted shorter news items from the last while, and as usual, these are in alphabetical order by artist or venue name:

 

• The Dive Gastro Pub (which may be rebranding as The Dive On Queen) debuted a new "Metal Mondays" theme night this past week, as per this AI-generated poster on their Facebook page. They don't go into much detail about what to expect beyond "heavy riffs, cold drinks, (and) good people every Monday night", and "no cover, just metal", but seeing as the former Low & Slow only hosts intimate acoustic artists and DJs, this reads to me like they're just playing metal as the house background music on Mondays now. We'll let you know if things are more involved beyond that, but if you're a metalhead and can swing coming out on a work/school night, maybe The Dive is the place to be tomorrow evening?
• The aforementioned Soo Blaster has indeed rebranded as Blaster Powerhouse, as per their online marketing in recent weeks (though the name has surfaced in some local concert marketing since at least March). As explained in this SooToday article by Darren Taylor, the name change coincides with the completion of the 345 Queen Steet East entertainment venue's recent expansion and upgrades, including a larger arcade, laser tag, bowling lanes, extra family entertainment options, and a video screen on the concert stage, among other new updates. I think a lot of folks will still call it Soo Blaster(s), but a lot of work has been put in, so see above for all that the Powerhouse has to offer!
• Facebook users may have seen a "Story" video recently from local classic/hard rock cover quartet Separate Wayz of their sister band Soundcheck covering Aerosmith's "Sweet Emotion" at Reggie's Place this weekend, with the twist of Separate Wayz singer Nicole Thibodeau guesting from the audience (she was holding a microphone brought from the stage). Allegedly, Nicole had FOMO (fear of missing out) despite this not being an "epic crossover" of the two bands. What I saw and heard was good, but alas, "Story" videos vanish forever after one or two viewings, and the video was not permanently uploaded otherwise, so if it pops up in your "Stories" strip, watch it A.S.A.P.!

That's all for now, but stay tuned for more news and notes this week! Thanks everyone!

Our Recap Of Mike Haggith's Community Pulse Video Interview From Last Month!!

Today's single-topic post takes us back to the Scarborough-based independent music webseries The Community Pulse, who interviewed local/Barrie alt-hard rock musician Mike Haggith for a second time on December 22nd! You may remember when Mike was interviewed (alongside HeadF1rst frontman Red Jettison) in episode #67 back in June, and he was invited back for another remote interview for episode #94. Now, this is their Christmas episode, and we're obviously almost a month removed from it, so make note of the belated seasonality before watching, but given holiday commitments, the odds that I would have been able to make time to watch and cover this before Boxing Day were slim. The two hour episode begins with audio recordings of "Li'l Miss Blu" playing "We Three Kings" on piano, followed by host Frank Terzo's orchestral version of "This Christmas", so if you want to skip straight to the interview, head to the 8:35 mark.

Frank (who is not from the Soo despite his fitting name) starts by setting up the episode and The Community Pulse's official Christmas playlist, as well as bantering with this episode's co-host, a Racine, Wisconsin indie musician only known as J.J., a.k.a. Mr. Folkpunk. Laurie Pepi Igo (the Massachusetts-based pianist who hosts Laurie's Mishmosh) also pops up 13:45 in for her regular guest spot, this time before Mike joined in the chat. Shout-outs after Laurie entered suggest that former Inner City Surfers bassist Brad Example was watching, which is neat! After addressing why Mike is in this episode, Frank plays two more songs on air, including Laurie's own version of "It's Beginning To Look A Lot Like Christmas" alongside Hugh Caldwell, plus "Joy Throughout The World" by the British pop rock musician P.A.L. (pronounced "Paul"). The hosts and Laurie return on camera at 29:45.

Once credits and comments are made on those two songs, Laurie signs out of the episode (after a brief false start), and Mike first appears on camera at 31:45, sticking around for the remaining 90 minutes, song and video breaks aside. Apologies to Detroit Lions fans reading this over Mike's Green Bay Packers sweater! We get around 20 minutes of unbroken interview time to start, with Mike leading off by addressing the cancelled battle of the bands at the Downtown Plaza in September and how he & his Big Finish Band rushed to turn the 15 minute battle set into an 80 minute headlining performance in just 48 hours, how well the concert went over, the lucky strike that led to this concert getting the high quality recordings needed to release a proper live album, and why Mike opted to release "Under A Moonlit Sky" in conjunction with their Toystock set at the end of November for Christmas Cheer.

Sensing a chance to support a great local cause at the holidays, Mike opted to launch a fundraiser related to buys and streams of both the album and the YouTube video of the concert through the end of December, and he got in contact with Frank and The Community Pulse to get the word out for the charity drive, which he hoped would generate $1,000 in donations. J.J. next asks how much practice time that Mike gets with The Big Finish Band (answer: not a lot, he lives in Barrie), with Mike outlining how much pre-planning goes into their sets. He next gives credit to everyone in the band, and even acknowledges former Din guitarist Tammy Hill here, plus why ex-bassist Jacob Quarrell left in 2024. He also confirmed that Elly McWatters didn't play guitar at all last year due to recovery from rotator cuff surgery, but she may pick the guitar back up in 2026.

In the follow-up discussion on their setlist, Mike confirmed that his newer solo song "No Love" has had a studio demo recording and will be on his next album (presumably alongside "I Really Hope This Gets To You"), and the working title for the album is currently "Was It Just A Dream?". At the 52:30 mark, two consecutive songs from the "Under A Moonlit Sky" video are played on air, specifically "No Love" and "Hot & Cold". While the second half of the episode begins 1:00:15 into the livestream, we don't stay in the proper interview for long, as Frank sets up two more songs by indie musicians in their community next, including Hamilton folk duo Jo & Barrie Glenn playing "In The Bleak Midwinter" and British singer-songwrtier Harriet B. playing "In Time For Christmas". Mike, Frank, and J.J. return at 1:10:25 with some light discussion, and the introduction for Mike & the band's next on-air song.

From "Under A Moonlit Sky", we next see the live performance of "An Act Of Strength", which Mike talks about in regards to how different the live version is from the piano-heavy studio version from "Bridges".  That song is played at 1:16:15 with the interview resuming at 1:20:10, after which Mike addresses a young fan up front of the stage having a blast and the gear he was using that night. We next get two more Christmas songs from community members, including "Incarnation" by New York pop rock duo Mike & Dawn Ginese, and Christian musician DLynn's cover of "A Holly Jolly Christmas", and the guys return to the interview at 1:35:20. When the interview resumes, Mike discusses living in the Soo and his run with The Din here, which lead directly into Mike's last video from The Downtown Plaza show here, namely their cover of The Din's "Missing". That plays at 1:38:30 and ends at 1:42:30.

After plugging that performance and the (as of December 22nd) Christmas Cheer proceeds from streams/buys of the album and video, the last song/video of the episode is played, namely an "adult version" of the novelty song "Nuttin' For Christmas" by Denver rock musician Chris Lane Sr., which is a clear tonal jump (if an amusing one) from some of the earlier, more sincere carols! The interview returns for good at 1:50:40 for its final stretch, with final plugs and thanks, where the saying "All Hail Haggith" came from, Mike's positive perceptions of the music scene in the Soo, and the connectivity and relationships fostered here (Laurie even returns at the very end), before closing with Lou Monte's novelty song "Dominick The Donkey". A lot to pack in here, especially given that it dragged me back into Christmas mode in mid-January, but it's an effective interview that lets Mike expand on his career, good nature, and musicianship to good effect, and it's clear that Frank and J.J. appreciate his work and musical talents!

While the July interview was entertaining as well, it was heavily about HeadF1rst too given Red's involvement, so if you want to focus on Mike & The Big Finish Band, you may want to watch this one first, and depending on your tolerance of Christmas music out of season, navigate those songs as your preferences dictate (or wait until the end of the year). Give episode #97 of The Community Pulse a watch below, and stay tuned for more from Mike as 2026 continues! Thanks everyone! 

LOCAL CONCERT ALERT (Pop Evil), A New Christmas Album, And Mike Haggith Updates!!

We're back after a quiet weekend with a stacked post on this Monday night, including a big LOCAL CONCERT ALERT, a brand new album release, and a new concert video & related updates, so here's what you should know!

Muskegon, Michigan hard rock quintet Pop Evil will return to our area on Sunday, April 12th, but this time, they'll be making their debut in Sault Ontario at The Machine Shop! Yes, it is 100% the local Machine Shop, not the one in Flint. Fans have seen these Rock 101 mainstays seven times in Sault Michigan over the years (all but one at their Kewadin Casino), including their most recent date here in March 2023, but if you Canadian readers were previously unable or unwilling to cross the border, then you'll want to circle this date on your calendar! Like last time, Pop Evil are touring in support of their new album, so expect to hear cuts from "What Remains", plus existing hits like "Skeletons", "Trenches", and "Breathe Again" in the spring! This will also be their first local stop since Blake Allison replaced Hayley Cramer on drums. No word on potential openers yet, but this show will not feature Sabaton, who Pop Evil are opening for on much of their early 2026 tour run.

Tickets for this all ages and 8:00 PM concert run for $40 + additional processing fees at this link at presumably at the door. We've been getting a good run of big new rock concert announcements in Sault Ontario for early 2026 so far, and this will absolutely help in that, so visit the official Facebook event page for more details!

Next up, here's a new-ish album release from Sault Michigan classical metal band Theatre of Night! On Friday, they released "Christmas Night 3" to their Reverbnation page for $7.99, and it's not on other paid or subscription streaming services beyond their YouTube channel. If you're not familiar, the original "Christmas Night" came out as an instrumental album in 2011, before they re-recorded and expanded it with then-singer Rachel Mender in 2022 as "Dreams Of Winter" (I assume they're considering that to be "Christmas Night 2"). For this third go-around with a seasonal album, Theatre of Night are collaborating again with German soprano singer Gaby Koss, who was once an official (if remote) band member in the early-mid 2010s, and worked with Craig, Steve, and crew again last year for a free  "Celtic Christmas metal EP", but there were teasers at the time that Gaby would be working on more material with them.

The five songs from last year's batch are included on "Christmas Night 3" along with five new additions, and note that of the 10 songs, "The First Noel", "O Come Emmanuel", "Let All Mortal Flesh", and "Good King Wenceslas" are all brand new to Theatre Of Night's paid studio output and did not feature on the two prior albums. How do these sound, and how do the other six compare to prior versions? I think we'll find out this month, as I'm going to bump our album review queue all up a month so this can be reviewed in a timely fashion! Otherwise, it'll be blocked for mid-2026 at the earliest, nowhere near Christmas (No Arrow will 100% come next month). Stream "Christmas Night 3" for yourselves below!

Finally, let's head back to Sault Ontario for the long awaited full concert video from Mike Haggith & The Big Finish Band's outdoor-ish headlining show at the Downtown Plaza in September! Of course, this concert was released as a live album named "Under A Moonlit Sky" late last month, but Mike promised right along that the the full video would be posted to his YouTube channel, and that went live on Thursday. 705Live Sound Co. were on hand to provide sound for the concert and this album, while videography was credited to Big Finish Band backing vocalist Elly McWatters (who must have set up one of the stationary cameras), guitarist Chris Nielsen's A Dire Setback bandmate Matt Quinn, and Celeste Maurer. There's at least three stationary cameras on hand here (one pointing directly at the stage, one at a corner angle, and a drumcam for Brandan Glew's sake), while Matt and/or Celeste was roaming to capture various close-up angles. 

For what it's worth, the last two songs are solely featured via the main stationary camera with no switches to other views. Of note, the stage was tarped on three of four sides with a forest/sky motif, but the material wasn't opaque, so natural lighting is reflected in the skyline, and as the show took place during sunset and dusk, things do darken naturally. It is a neat visual! The concert proper is longer than the album, so more of the between-song banter and gaps are left in, but in tagging each individual song in the YouTube description, Mike opted not to credit the guitar adlib or the separated introductions (aside from "The Power of Community") for the video proper. As you may be aware, Mike pledged proceeds from streams of "Under A Moonlit Sky" to Christmas Cheer this month, and that includes 10¢ from every view of the concert video.

Mike was interviewed by SooToday's Darren Taylor for this article about the live album and charity drive, where Mike talks about getting the idea to support his old hometown (remember, he lives in Barrie now), where he focuses his attention for gigs when he comes back north, and the change of plans from the battle of the bands to the full concert on September 25th, apparently on just two days notice! Solidly informative article, even if The Big Finish Band name wasn't given, so read it above! I'll hold my thoughts on the concert proper for our review of "Under A Moonlit Sky" next year, but it's very well shot and edited with some neat views of the plaza stage, so give it a watch below and support Christmas Cheer in the process!

That's all for now, but stay tuned for more on the SMS this week! Thanks everyone!