LOCAL CONCERT ALERTS (Hellrager & Krash), A New Local Band, And More News & Notes!!

Another packed news post is ready to check out for this Tuesday night, and it includes some recent shorter updates, two LOCAL CONCERT ALERTS for later this summer with a common band, and first, a new addition to our links & coverage, so here's what you should know!

We have a new-ish local band to add to our active links, and they are local alt-rock quartet The Reeves! You may recognize this band from their debut set at Toystock in November, but at the time, I wasn't sure of their general sound, aside from what their predecessor bands played. The Reeves are basically the successors to 2023-2025 alternative band The Haze (f.k.a. Skinbox), with singer/guitarist/synth player Brad Irwin (ex-Gnaeus) and guitarist Steve Edwards (ex-Pixo Control/Vol.) returning from that group. The rhythm section here is filled out by former Long Shot bandmates Adam Dawe and Jeremy Ganuelas on bass and drums, and it is good to see them back in a new project! While sound descriptions of Skinbox/The Haze pointed to them playing alternative/indie rock and Arctic Monkeys covers, the write-up on Rotaryfest's website says that The Reeves "combine elements of hard rock/blues and other genres to create their own unique vibe".

No word on if the name is an allusion to small town mayors, celebrities named Reeve/Reeves, or some other reference, but their second public concert will see them as the first scheduled band at Rotaryfest Stage 2 on Saturday, July 18th, and their set will reportedly feature "a collection of songs that will become their debut EP". No media of The Reeves is publically streamable yet, but this is a talented group on paper, and they do have descriptions pointing to a heavier sound than The Haze/Skinbox had, though be advised that Steve or Brad took down The Haze's social media pages when that band broke up. Stay tuned for more from them when things go public!

Next up, relaunched local death metal quartet Eden Plague have announced two upcoming indoor concerts that they'll be rocking out at, so besides Rotaryfest, when can you see the former Bear Hunters next? The first of the two will be on Tuesday, July 28th, when they make their debut appearance at Beck's Bar, and the headliners will be Cornwall hardcore metal band Hellrager in their first regional concert since playing at the Northern Vibe Festival in 2023! That's not for a lack of trying, as they dropped out of the last two Northern Vibes, but it will be good to see Hellrager in city limits for a change! Nice punishing sound that is reminiscent of bands like Clutch and Motorhead, and remember that guitarist Jay "Beard" Sarrazin was a member of Spades GT from 2022-2023 (playing with them at Northern Vibe 2022 as a fill-in bassist). He previously came to the Soo with his old band Caym twice in the mid-2010s.

Joining Eden Plague as openers are local metal quintet With Gunfire (the former Sault Side Squad) in their first concert of 2026 and first since finally launching their own Facebook page. Hopefully their recent break has been fruitful towards their promising original slate! Promoted by Eden Plague drummer Johnny Belanger, this stop on Hellrager's Jurassic Punk tour will have a 19+ age limit, no cover charge(!), and an early runtime of 6:00-10:00 PM, which is just as well given that it's a work/school night. This should be a fun one for metalheads across the board, with lots of familiar faces, so visit the official Facebook event page for more details!

The other new Eden Plague show ahead will be at Blaster Powerhouse on Sunday, August 16th, and apologies for the almost month-long delay in this making the site. Compared to the metal show three weeks prior, this is more of a genre hybrid event as put on by promoters Underground Events SSM, and it will be headlined by Saskatoon "D-beat hardcore punk" band Krash in their local debut. If you like down and dirty hardcore punk with aggressive vocals, Krash will deliver the goods, and they should take names when they rock the former Soo Blaster in two months! Note that the Facebook event page claim that "we're getting our first Saskatchewan band in the Sault!" clearly only refers to Underground Events SSM bookings, as The Sheepdogs played here in April, among other bands from there in the past. Promoter Mikhal Muto's ska punk/"crackrocksteady" band A.S.D.P. are slotted ahead of Eden Plague in the band order here, and may be the last band if you believe the poster.

While not a hardcore punk act, it's only natural that Adam Smith Death Parade get in on this one! A 7:00 PM start time is advertised on the Facebook event page for this all ages concert, and tickets cost $10 in advance (I presume at the venue and through the local openers, as I haven't seen an online ticket sale page). The door charge will jump to $15, and given that this too is on a work/school night, Mikhal pledged that the show will end early due to that. Add another intriguing concert to the pile for your summer plans, just don't krash when driving to Blaster! Visit the above links for more details on both upcoming Eden Plague shows!

Finally for today, here's three assorted shorter news items from the last while, and as usual, these are in alphabetical order by artist or show name:

 

• While not yet confirmed by name within the band's slim social media presence, it looks like former One Shot guitarist Tucker Lidstone has joined the aforementioned A.S.D.P., making them a quartet. Tucker had previously performed at common folk punk-leaning events with frontman Mikhal Muto, and has been pictured in recent photos with the band, including at the Write-Ups show at The Speak Easy in May (source here). No word on if he is the guest guitarist "Keagles" from their debut album "Atom Bombs & Lemonade", but hopefully Tucker is a solid addition to their live roster! 
• Remember when a mystery act named "Benny's Acoustic Thing" was booked to open the Saturday bill at The Northern Vibe Festival last year? Well, that was supposed to be Ben "Boom" Poitras, the singer/bassist for the aforementioned Hellrager, but he and the band both dropped out of last year's festival after the heavy rainstorm severely damaged the Forest Stage overnight. It would have been interesting to hear how his acoustic thing sounded, but alas, blame Mother Nature! Thanks to former Forest Stage curator J.D. Pearce for confirming who Benny was.
• This is old news now, but it looks like the Sunday Night Vinyl Series ended on 104.3 The Fox and their sister Rogers Radio rock stations at the end of 2025, as did the conceit of on-air theme weeks (which always tied in with that week's album of choice). The 8:00 PM series featured Howard Mandshein from 92.1 CITI in Winnipeg spinning a classic rock album from front to back while discussing its backstory and legacy. While inconsistent depending on musical preferences, the Sunday Night Vinyl Series was an informative listen during The Fox's first year! I would have liked to seen newer bands/albums selected though, as well as more Canadian content.

 

That's all for now, but stay tuned for more news and updates on the SMS soon! Thanks everyone!

YouTube Channel Profile Series: Craig Harrison

It's finally time for this month's YouTube Channel Profile, as again shine a light on a YouTube channel whose content is at least half devoted to local metal, hard rock, and/or punk concerts/artists, as randomly chosen from our YouTube subscriptions! This month's selection takes us to Sault Michigan (well, by way of the Lower Peninsula) for a look at a prominent local musician's YouTube output from the late 2000s through the ensuing decade, so here's what you should know!

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Craig Harrison (http://youtube.com/craigharrisonshortdog24)

Owner: Theatre Of Night keyboardist Craig Harrison, also known from past local/Grand Rapids bands like Integrated System Of Machines, End Of Existence, and Dust N' Bones

Channel Timeline: Launched on February 11th, 2008; Videos uploaded from April 2010 through September 2020

Channel Summary: A personal use channel, Craig noted in the description that, as he is "a composer, singer, songwriter, adventurer, etc..., my channel has a bit of weird variety". Most of his 34 videos include in-studio performances, either jams/rehearsals with bandmates or solo performances on keyboard and sometimes vocals. Craig's channel also includes two live concert videos (one of him on stage, one of the mosh pit at a 3 Inches Of Blood show in Detroit), some studio samplers and introductions for Theatre Of Night, and non-musical videos ranging from a comedic rap song to outdoor sports-centric to a timelapse drawing of a zombie to one featuring corrections officers from over 25 years ago.

Why You Should Watch: This channel will primarily be of interest to fans of Craig's 2010s work in Theatre Of Night, giving a bit of a behind the scenes look that is especially notable, as not all of their official content and pages from this era is still online in 2026. The existence of an even rarer I.S.O.M. live video shouldn't be overlooked either! The rest of the videos will have a mixed appeal for most, but Craig wasn't lying about this channel having "a weird variety"! For more recent official Theatre of Night videos, visit that band's active YouTube channel and their social media accounts.

 Our Recommended Videos To Check Out:

 

Integrated System Of Machines- I.S.O.M. live: While outviewed by the aforementioned rap song and corrections video, Craig's most popular video otherwise is also his first, which sees his old local epic metal band Integrated System Of Machines playing their self-titled song on the Ozzfest Stage at the annual Carnival Of Chaos Festival in Stanton (four hours south of the Soo) on June 27th, 2009. Joining many other bands as openers for Taproot that day, their exact lineup here isn't 100% obvious, but it is good seeing Craig and singer Bob "Orb Hearthstone" Helsten on stage again, and while the video is shaky, you can't be too harsh for an almost 17 year old concert video, and it sounds good for its age. Strong charging song with a catchy chorus and good aggression without getting too extreme! Yes, that does appear to be Craig's future Theatre of Night bandmate Rachel Mender on backing vocals.

 

 

Darkness Falls Within: A good array of solo performance videos by Craig made their way to his channel, mostly of him on the keys (though Dust N' Bones fans won't want to bypass his singing on some clips), while some of these have extraneous video filters added in post-production. Despite being the primary leader of Theatre Of Night, you don't often see videos that really show off his keyboard skills, and this April 2014 performance of their original "Darkness Falls Within" is as good as any for that. The filter is completely unnecessary, but this is a fine showcase of their epic symphonic qualities with a dark ambiance, so if you're not familiar with their non-Christmas material, this is a good introduction! Hear the full version at this link.

 

 

Late night jam session with Theatre of Night and Flesh for the Beast members: In his final channel uploads aside from a shred video in 2020, Craig Harrison posted videos from an April 2018 jam session featuring Theatre Of Night bandmates Steve Giles (guitar) and Erik Sales (drums) plus guest musicians from their friends in Grand Rapids death metal band Flesh For The Beast, who Steve was an alum of. Both videos (including this 13 seconds-long one) feature different F.F.T.B. members on bass, one presumably being Craig Riley, but Craig H. didn't specify names in the descriptions. There are some odd reflections, as if Craig H. was filming behind glass or plastic, but the performances here are sound, and it'd be neat to see Theatre of Night do more with Flesh Of The Beast, live or in studio! Just a shame that Erik was largely obscured behind that pole from this vantage point.

 

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I hope you guys liked this month's YouTube Channel Profile! This series will be back on or around April 26th, while our next monthly feature post will be our next "Where Are The New Albums?" post tentatively scheduled for Thursday, pending how weekend concert previews are blocked. That's all for now, but look for more on the SMS this week! Thanks everyone!

LOCAL CONCERT ALERT (The BAG), New Song Uploads, And More!!

Before we begin this post, I wanted to make a couple of acknowledgements regarding shows this past weekend that we didn't cover in our latest round of previews, both of which were only promoted on Facebook via "Stories" (the strip of posts on your news feed that vanish after being seen once or twice). First, I profusely apologize for missing local acoustic punk duo Dos Amigos' first public show of the year, which was on Saturday night at Northern Superior Brewing Co.'s on-site Tap Room, something that the band & venue didn't announce on Facebook otherwise (I caught Mikey's "Story", albeit too late). I hope the show went well, and I'd have happily promoted it here had someone said something more public and permanent! Meanwhile, you may have seen a "Story" suggesting that classic/hard rock cover quartet Silent 9 were playing at the Boots & Saddles Roadhouse on Saturday, so did I miss something else?

Not really, as this was one of the private events listed on the band's website's calendar. and they won't return to the public stage for another two weeks. The Boots & Saddles Roadhouse (located deep in the west end at 2667 Second Line West) has never crossed our radar before as a public host of a hard rock concert anyway, but hopefully the private booking went well!

Today's post otherwise features new videos, and leading off, a LOCAL CONCERT ALERT, as local metal trio The BAG will headline their album release party at Soo Blaster on Saturday, April 18th! While we have seen Spencer with his other band With Gunfire since, The BAG have largely been publically silent since last summer, though their debut album "Sacculus" was finished mixing and mastering as of October, and it finally goes on sale in three months. It's great to see Spencer, Austin, and Bradley back with the fruits of their recent labour ready to release, and we'll let you know when more comes out on "Sacculus" proper! Openers will include death/thrash metal trio Pillory (less than a month removed from opening for Demon King at the same venue) and in their first true public gig, ska punk trio A.S.D.P.! Of course, Adam Smith Death Parade are no stranger to private events and house parties since last they launched last summer, but they have yet to play a formal event at a proper venue.

It will be good to see this promising new band finally on a public stage, and if they don't play elsewhere beforehand, you could say that this is the de facto release party for their debut album "Atom Bombs & Lemonade" too! The second booking from A.S.D.P. frontman Mikhal "Châ" Muto's new agency Underground Events SSM, this show has an 8:00 PM start time, no age limit, and tickets running for $15 ($25 at the door), though availability is to be announced. No word yet on how much CD copies of "Sacculus" will run for, let alone if there will be any other physical formats. Metal and ska punk fans will want to circle April 18th on your calendars, so visit the above links and the official Facebook event page for more details!

We'll close with some new song uploads on YouTube, starting with a brand new original song from local classic/hard rock musician Tym Morrison's YouTube channel! Lately, most of his original songs have been influenced by his take on current events and/or his faith, complete with a proper video, but this is just an instrumental named "Nebuchadnezzar's Dream", which references the second chapter of the Book of Daniel from the Bible. If I was going to title the song after a specific story from the good book, I'd have included lyrics, but that's just me. Fans of Tym's metal work from his solo album and past local bands will appreciate his return to those roots with this song, and he shreds nicely with a quality guitar solo to boot! The programmed drums are a little obvious, but give Tym's new song below, even if you likely won't hear it when he goes unplugged for his next Misty's Fifties matinee next Saturday!

Finally for today... how late into January is considered too late to wish someone a Happy New Year, let alone to sing "Auld Lang Syne"? For SMS readers' sake, I hope four weeks isn't too long, as Sault Michigan classical metal band Theatre of Night posted their rendition of the Scottish folk standard & January 1st staple onto their YouTube channel on New Year's Eve! This was not included on last month's "Christmas Night 3", but I have seen multiple Christmas albums include "Auld Lang Syne", so there is precedent. Honestly, this is more fitting for the inaugural "Christmas Night" from 2011, given that this is an instrumental without any vocalist. If you're familiar with Craig, Steve, and crew's orchestral take on heavy metal, you'll appreciate how "Auld Lang Syne" translates here, and the folksier guitar outro fits in context! Good stuff, and a fitting local cut for January 1st, 2027, so give it a listen below, and stay tuned for more from Theatre Of Night!

That's all for now, but stay tuned for weekend concert previews on the site next! Thanks everyone!

The Quite Frankly Concert Preview, Night Ranger Videos, And New Studio Recordings!!

Here's a new news post to check out on this Friday night, and along with finishing this weekend's hard rock concert previews, we have an upcoming EP release, a new studio track from a rising local metal band, and videos from a big local concert from last fall, so let's get things rolling!

We'll start by wrapping up this weekend's known hard rock concert previews, as reunited local classic/hard rock cover band Quite Frankly will debut at The Water Tower Pub TOMORROW NIGHT! One day removed from TONIGHT's Dodge This show at the same venue,  this will be their first show since rocking Beck's Bar in November and just their second public gig since their relaunch last summer.  It's worth noting that the Beck's gig last month actually featured new lead vocalist Linsaey L.W., not the departed Haley Alopaeus, so I apologize for the erroneous credit when we covered their Beck's video (embedded below) on here. Video quality on that assemblage of clips really varied, and the band didn't formally announce that Linsaey came on board until after that show had came and went, for what it's worth. Hopefully show #2 for the new Quite Frankly goes well tomorrow night, and that there's a solid turnout for their first gig of the new year!

As usual for The Water Tower Pub, tomorrow's show is an 8:00 PM affair with no announced cover charge and a 19+ age limit. If you haven't seen the revived Quite Frankly yet, get ready for a crowd-pleasing array of hard and classic rock covers tomorrow! Visit the above links for more details, and for a preview, here they are at Beck's last fall!

Next up, let's head across to Sault Michigan for some recent updates, starting with local metal solo project X's & Y's, who are releasing a new EP/single next month! It and its title track are named "Face The Moon, Forgive The Stars", and it sees project leader Jason Mills dipping into doom metal, drone, and horror territory on its four tracks. You can hear the title track in versions with and without vocals on their Bandcamp page, and while this is technically their first song with lead vocals, they did use spoken word on 2024's "The Obsidian Dream". Along with that song's two variants, tracks named "Hands Of Cydonia" and "Crater" will be included on the final product, which will presumably make its way to streaming services along with CD copies on its scheduled release date of February 13th. Jason even uses a tremoloa (a vintage zither used in part to replicate the Hawaiian steel guitar) here!

No word on what CD copies will cost, especially as this is a shorter EP, but X's & Y's first two albums cost $10 USD. Alas, our backlog of new album releases to review is massive, so I can't promise a review of "Face The Moon, Forgive The Stars" until August, but it's great to see a new EP soon to be on sale, especially from a talented Yooper project like X's & Y's! Stay tuned for more from them when it rolls in! 

Also today, here's some newly discovered videos from the Night Ranger concert at The Dreammaker's Theater at the local Kewadin Casino in October! These were filmed by attendee Nick Cepecawer in the first uploads on his YouTube channel, though he also filmed at Foreigner's show in Sault Ontario the following month. We didn't cover the Foreigner show here because I wouldn't say they're a "hard rock" band, but he got solid videos from that night! Nick did not film openers Nelson in November, but he did get eight videos of the headlining San Francisco hair metal quintet, including videos of Night Ranger playing "Sentimental Street", "Goodbye" in two chunks (here & here), part of "When You Close Your Eyes", the drum solo (that the whole band takes part in... literally!), "Sister Christian", and as embedded below, "(You Can Still) Rock In America" (which he accidentally uploaded twice).

While more distant from the stage than we tend to see for Kewadin concert videos of this stature, Nick was relatively central and used his zoom where needed, and the audio generally holds up! His videos help accentuate more how Night Ranger spreads the wealth for members taking lead vocal turns, and the drum solo is a fun diversion while it lasts! If you're a loyal Hair Scare listener, you'll enjoy these videos above and below!

We'll close today with a studio original recording from online page-less Sault Ontario metal band With Gunfire! Along with the previously-covered live videos on drummer Jonas Gasperas' new YouTube channel, the former Sault Side Squad are the stars of this upload, which lets us hear their song "M.F.C." (short for "Motherfucking Consequence") in clear studio quality, complete with gunshot sound effects added in post. It's amazing that this beat anything from Spencer's other band The BAG's upcoming album "Succubus" out! I don't know if this is a sign that With Gunfire are working on a proper album or not (I had seen a personal Facebook posting implying that it was recorded for a compilation of some kind), but the song has promise and takes from a lot of metal subgenres, including chugging groove metal riffs and diverse vocal styles, including gruff straight-forward singing and some harsh growling.

The guitar solo is quite good too! I don't know if Lamb Of God were an influence on the songwriting, but the pacing of some of the verses is reminiscent of "Redneck", especially if you speed the track up in the settings. It will be interesting to see what With Gunfire have cooked up with 2026 in full swing, so give "M.F.C." a listen below! 

That's all for now, but stay tuned for more news and notes on the site this weekend! Thanks everyone!

Theatre Of Night - "Christmas Night 3" Album Review!

It's now time for our 198th monthly CD review at The Sault Metal Scene, and in a seasonal break from our recent run of reviews of backlogged new albums in chronological release order, we're looking at Sault Michigan classical metal band Theatre of Night's new album "Christmas Night 3"! This way, our string of new album reviews will continue unabated, while we'll be able to look at this album in a timely fashion, as Theatre of Night's prior two Christmas albums (2011's "Christmas Night" and 2022's "Dreams Of Winter") were also reviewed here in December. If I kept it in our regular album queue, we wouldn't be able to get to it until the summer, so tis the season! No Arrow's "Souls For Sale" (released in July) will 100% be our first album review of 2026, so look for that next month. Independently released to the band's Reverbnation page on Friday, "Christmas Night 3" reunites Theatre of Night with German session vocalist and former permanent band member Gaby Koss, who resumed working with the band last year on new material.

While she had sang on one-off singles in the early-mid 2010s, Theatre of Night and Gaby released a "Celtic Christmas metal EP" exclusively to YouTube last year, and built on that for the full "Christmas Night 3" this year with five new recordings supplementing the EP's initial five songs. Compared to their prior Christmas albums, "Christmas Night 1" from 2011 was an instrumental effort, while "Dreams Of Winter" (effectively considered "Christmas Night 2") featured re-recordings of all ten songs from the previous album, plus two new cuts, as well as former lead singer Rachel Mender on vocals on seven of the songs. "Christmas Night 3" drops things back to ten songs, six of which are returnees from "Dreams Of Winter", but there are four new songs/carols here that Theatre Of Night never included on a prior paid album. Instrumentally, guitarist Steve Giles and keyboardist Craig Harrison are back as expected, though bassist credits were not given (note that Luke Bernard was their most recent live bassist for their early 2020s tours).

On the five songs carried over from last year's free Celtic EP, "What Child Is This" and "Carol Of The Bells" feature archival recordings from original drummer (and Steve's brother) Greg Giles, while current drummer Erik Sales drummed on the other three songs. One could infer that Erik that he drummed on the five new songs too, but again, credits were not given for the album proper. While you can stream "Christmas Night 3" for free on Reverbnation and YouTube, it is formally on sale via the former site for $7.99, so consider buying it to support Theatre of Night's work for the holidays! For the six songs previously heard on "Dreams Of Winter", I will offer comparisons between the 2022 and 2025 versions. 

Featuring 10 songs running for about 47 minutes, let's begin this festive review with the opening song "What Child Is This", which has led off all three Theatre of Night Christmas albums. The new version largely retains the same structure as the 2022 version, with a somewhat louder and more dramatic introduction, though the vocalist is the key difference. Gaby and Rachel have similar vocal performances here, but Gaby (who is classically trained) does hit higher operatic notes on her verses, and there is some multi-tracking here to make it sound more like a choir of vocalists. Otherwise, this remains an effective opener on par with the prior version! The first brand new Christmas song on offer is next, namely "The First Noel", which has a slow dramatic and symphonic opening before the first verse, and it maintains a serious but grand tone throughout. Gaby's sharper and more pointed tone of voice is very clear on this track.

I got kind of an "On The Turning Away" vibe from Steve's guitar solo here, which Pink Floyd fans may appreciate! The lyrics of this carol are somewhat repetitive, but that's not the band's fault. If you like your Theatre of Night in a more serious and orchestral mode than even their normal Christmas output, you should take to this song! Another new cover is next, namely "O Come Emmanuel" (note that they omitted a second "O Come" from their titling). A spare piano intro from Craig leads into a slow and very drawn out rendition of this somewhat lesser known carol, and while the music slowly builds in stature, the song never really gets out of second gear and remains really laboured in pacing. I've heard this cover done with more life while still being approached traditionally, so while technically sound, it's not a favourite of mine here. Next up is the second returning song from prior seasonal releases, namely "Silent Night". 

This is the shortest song on "Christmas Night 3", and it retains a similar structure and pace to the 2022 version. The big difference is the vocals, and here, Gaby does dial things back to sing this one at a more reserved pace than Rachel did, which suits the delicate and melancholy vibe of this carol a little more. Otherwise, if you like traditional "Silent Night" renditions with a slight rock kick, you'll like this! The first half of the album ends with "Little Drummer Boy" (no "The" at the start), which was also heard on Theatre of Night's prior Christmas albums. Functionally, the 2022 version is almost identical instrumentally, but the big difference is that Gaby sings the "rum-pum-pum-pum" parts throughout the verses, where Rachel omitted them until the title character started playing for the baby Jesus in the song's timeline. I do find that Rachel's singing fits this song a little better, but the full lyrics being restored helps a ton.

Otherwise, it's the same song, so pick and choose what you'd rather hear! Song #6 is "God Rest Ye Merry Gents", and yes, that is how they titled it for this album (under its full name "God Rest Ye Merry Gentlemen", it debuted in their catalogue on "Dreams Of Winter"). Again, this song is basically a verbatim re-recording of the 2022 version, but similarly to "Little Drummer Boy", Gaby actually sings the full and complete verses here, where Rachel only sang the back half of most verses, something that I never understood the point of on the last album. The restored lyrics (including more outro singing) help a lot with this song, which still fits well in a metallized setting, so this is an album highlight for me! The next two songs are the other two brand new carols for "Christmas Night 3", starting with "Let All Mortal Flesh" (no "Keep Silence" in their title), By far the longest song on offer, Gaby's vocals really drive this one along for the duration.

It's very verse heavy, but the backing instrumentation has a very ominous building quality with really strong bass. I wasn't overly familiar with this carol going in, but it's way too drawn out and serious, and it leans too heavily on the singing, so while it's not one of my favourites, I do like how the band proper add to the ambiance, and the drumming steadily improves as it motors along! That's followed by "Good King Wenceslas", which is slowed down compared to traditional renditions, but it's well performed, and I honestly prefer Gaby's lower register singing here compared to her higher full voice work on most of the other tracks. Steve gets some room to show off with some guitar shredding in the background (even if it doesn't seem all that necessary), and while not the heaviest song on offer, it comes together fairly well and suits the mood of prior songs! The penultimate song here is "Hark The Herald", again shortening its title without "Angels Sing".

Once again, this song shares largely the same structure as prior carryovers from "Dreams Of Winter", including the between-verse interpolations of "The Twelve Days Of Christmas", but the retained structure is partially to its detriment, as the drawn out outro is back. The big change is vocally, as Gaby sings more and fuller verses here, whereas on the 2022 version, Rachel didn't sing on the first verse and only partially on others. That goes a long way towards making this song sound full, and it's a big improvement to one of the more grandiose and epic sounding songs here! The album closes with "Carol Of The Bells", which is done for the first time on a Theatre of Night album here with vocals, and even the 2022 version didn't have Rachel singing. As fans of the Trans-Siberian Orchestra know from "Christmas Eve/Sarajevo 12/24", this song bodes very well in a metal context, and the two versions only share minor differences from each other.

Obviously, the inclusion of vocals makes this one stand out a lot, and she really exercises her vocal range here, starting with upper register falsetto that gradually steps down and down later in the track. The sweet spot was in the middle, as the opening vocals were somewhat shrill and the latter ones sounded forced to get low like that, but it does show Gaby's abilities nicely! To me, the repetitive style of singing for "Carol Of The Bells" undercuts the heaviness of the guitar too much, but it's an effective capper to the album! So, three Christmas albums into their run, how does "Christmas Night 3" stack up? Really, it's not even a full sequel because it only has four brand new songs, and the only major change on the other six is Gaby on vocals, Whether you prefer Rachel or Gaby is subjective, but I appreciate Gaby's range and vocal control, while Rachel's full voice singing was a little deeper and softer edged, so both have their plusses.

Honestly, the big plus of Gaby's vocals here is that she/the band weren't pulling the "only sing half of the verses" thing like on "Dreams Of Winter", which made too many songs on that album sound incomplete. Musically, everyone performed soundly and with purpose to create classical metal magic, and while nothing major was changed for the six returning songs, the production values suited the grandiosity. Craig, Steve, and crew know what they're doing, even if we've been served most of this Christmas dinner before. I would have been curious to hear Gaby's takes on the three "Dreams Of Winter" songs with vocals that weren't carried over here (namely "Away In A Manger", "O Come All Ye Faithful", and "O Holy Night"), I did find some of the multi-tracked vocals to be a little roughly layered, "Carol Of The Bells" works better as an instrumental, and there is still a problem with some songs in terms of drawn out structures and lengthy outros.

Still, as a festive companion piece to their prior albums and a much belated end result of Theatre of Night's decade+ studio work with Gaby, this is a quality album for some heavier symphonic Christmas music, so buy/stream it above! I hope you guys liked our last monthly CD review of 2025, and we resume our new album release queue in release order next month when we look at defunct Sault Ontario grunge trio No Arrow's posthumous studio album "Souls For Sale"! Watch for that in January 2026 (hopefully early given the unexpected postponement of that review), and for weekend concert previews on the site next! Thanks everyone, and Merry Christmas!

LOCAL CONCERT ALERT (Pop Evil), A New Christmas Album, And Mike Haggith Updates!!

We're back after a quiet weekend with a stacked post on this Monday night, including a big LOCAL CONCERT ALERT, a brand new album release, and a new concert video & related updates, so here's what you should know!

Muskegon, Michigan hard rock quintet Pop Evil will return to our area on Sunday, April 12th, but this time, they'll be making their debut in Sault Ontario at The Machine Shop! Yes, it is 100% the local Machine Shop, not the one in Flint. Fans have seen these Rock 101 mainstays seven times in Sault Michigan over the years (all but one at their Kewadin Casino), including their most recent date here in March 2023, but if you Canadian readers were previously unable or unwilling to cross the border, then you'll want to circle this date on your calendar! Like last time, Pop Evil are touring in support of their new album, so expect to hear cuts from "What Remains", plus existing hits like "Skeletons", "Trenches", and "Breathe Again" in the spring! This will also be their first local stop since Blake Allison replaced Hayley Cramer on drums. No word on potential openers yet, but this show will not feature Sabaton, who Pop Evil are opening for on much of their early 2026 tour run.

Tickets for this all ages and 8:00 PM concert run for $40 + additional processing fees at this link at presumably at the door. We've been getting a good run of big new rock concert announcements in Sault Ontario for early 2026 so far, and this will absolutely help in that, so visit the official Facebook event page for more details!

Next up, here's a new-ish album release from Sault Michigan classical metal band Theatre of Night! On Friday, they released "Christmas Night 3" to their Reverbnation page for $7.99, and it's not on other paid or subscription streaming services beyond their YouTube channel. If you're not familiar, the original "Christmas Night" came out as an instrumental album in 2011, before they re-recorded and expanded it with then-singer Rachel Mender in 2022 as "Dreams Of Winter" (I assume they're considering that to be "Christmas Night 2"). For this third go-around with a seasonal album, Theatre of Night are collaborating again with German soprano singer Gaby Koss, who was once an official (if remote) band member in the early-mid 2010s, and worked with Craig, Steve, and crew again last year for a free  "Celtic Christmas metal EP", but there were teasers at the time that Gaby would be working on more material with them.

The five songs from last year's batch are included on "Christmas Night 3" along with five new additions, and note that of the 10 songs, "The First Noel", "O Come Emmanuel", "Let All Mortal Flesh", and "Good King Wenceslas" are all brand new to Theatre Of Night's paid studio output and did not feature on the two prior albums. How do these sound, and how do the other six compare to prior versions? I think we'll find out this month, as I'm going to bump our album review queue all up a month so this can be reviewed in a timely fashion! Otherwise, it'll be blocked for mid-2026 at the earliest, nowhere near Christmas (No Arrow will 100% come next month). Stream "Christmas Night 3" for yourselves below!

Finally, let's head back to Sault Ontario for the long awaited full concert video from Mike Haggith & The Big Finish Band's outdoor-ish headlining show at the Downtown Plaza in September! Of course, this concert was released as a live album named "Under A Moonlit Sky" late last month, but Mike promised right along that the the full video would be posted to his YouTube channel, and that went live on Thursday. 705Live Sound Co. were on hand to provide sound for the concert and this album, while videography was credited to Big Finish Band backing vocalist Elly McWatters (who must have set up one of the stationary cameras), guitarist Chris Nielsen's A Dire Setback bandmate Matt Quinn, and Celeste Maurer. There's at least three stationary cameras on hand here (one pointing directly at the stage, one at a corner angle, and a drumcam for Brandan Glew's sake), while Matt and/or Celeste was roaming to capture various close-up angles. 

For what it's worth, the last two songs are solely featured via the main stationary camera with no switches to other views. Of note, the stage was tarped on three of four sides with a forest/sky motif, but the material wasn't opaque, so natural lighting is reflected in the skyline, and as the show took place during sunset and dusk, things do darken naturally. It is a neat visual! The concert proper is longer than the album, so more of the between-song banter and gaps are left in, but in tagging each individual song in the YouTube description, Mike opted not to credit the guitar adlib or the separated introductions (aside from "The Power of Community") for the video proper. As you may be aware, Mike pledged proceeds from streams of "Under A Moonlit Sky" to Christmas Cheer this month, and that includes 10¢ from every view of the concert video.

Mike was interviewed by SooToday's Darren Taylor for this article about the live album and charity drive, where Mike talks about getting the idea to support his old hometown (remember, he lives in Barrie now), where he focuses his attention for gigs when he comes back north, and the change of plans from the battle of the bands to the full concert on September 25th, apparently on just two days notice! Solidly informative article, even if The Big Finish Band name wasn't given, so read it above! I'll hold my thoughts on the concert proper for our review of "Under A Moonlit Sky" next year, but it's very well shot and edited with some neat views of the plaza stage, so give it a watch below and support Christmas Cheer in the process!

That's all for now, but stay tuned for more on the SMS this week! Thanks everyone!

Sault Michigan Hard Rock Concert Video Showcase!!

Let's tackle some recent videos from bands from or playing in Sault Michigan in today's post, and we'll start with long awaited public videos from the Night Ranger-headlined concert at The Dreammakers Theater at the local Kewadin Casino on October 3rd! In the immediate aftermath, videos weren't quick to surface online, but the ever-prolific Christopher Paci was in attendance for this one, and he finally uploaded his videos from the show to his extensive YouTube channel on Friday. No word why these took a month (let alone if he was across for the Trixter show), but better late than never! Chris filmed twelve videos at the show, nine coming from the headlining San Francisco hair metal quintet's set, where they played "(You Can Still) Rock In America", "Sentimental Street", "The Secret Of My Success", a cover of Ozzy Osbourne's "Crazy Train", their own self-titled song, a cover of bassist Jack Blades' old band Damn Yankees' "High Enough", ...

..."When You Close Your Eyes", "Don't Tell Me You Love Me", and as embedded below, "Sister Christian". While definitely not in the center section and filming from a sharp vantage point, Chris is by no means far from the action, and he zooms in well to capture Night Ranger's return to the Soo! This version of their biggest hit is extended to 8+ minutes, and while the vocals are a little quavery at points (the heavier songs from this show come across better), fans are definitely into it! Note that drummer Kelly Keagy plays live with his kit sideways, so you can see him actually drumming from a straight-on angle (not unlike Stryper). Good stuff, so check out Night Ranger's new Kewadin videos above & below!

Next up, Chris also filmed three videos of opening Santa Monica glam rock duo Nelson, who performed acoustic sets on this tour. Matthew & Gunnar were filmed at the Soo Kewadin playing "After The Rain", "(Can't Live Without Your) Love & Affection", and as embedded below, "Two Heads Are Better Than One" (which they co-wrote for Bill & Ted's Excellent Adventure but was credited to the band name Power Tool). A hard rock band touring in acoustic mode only isn't unheard of for The Dreammaker's Theatre (i.e. Godsmack, Mr. Big), and while there will be a bit of an adjustment, their vocals have held up well over the years, and a reserved performance is well captured for audio with this camera, so give these a watch also!

Let's shift focus to local bands for this post's second half, starting with newly publicized videos from last month's third annual Lake Superior State University Battle of the Bands! When I recapped the battle results on the site, I noted that local hard rock/punk band About:Blank's short-handed acoustic set has a video filmed that was uploaded to personal Facebook accounts, and was thusly not shared here because of that. Well, the guys uploaded it (and two more videos) to their Facebook page last week! The video that I knew was uploaded privately saw Parker & Kade (no Nathan) playing their new original "Unfazed", and it is embedded below, but the two other videos saw them play "Infest My Mind" and "Run & Hide". Parker & Kade are really dwarfed as an unplugged duo on the cavernous Arts Center stage, so much so that I won't even complain that these videos are vertical, because everything's in frame!

Effectively, the lack of electric instruments and Nathan made this a reprise of Parker's solo set from last year's battle, just now with percussion, but the songs on offer here are promising, and I do like the grungier ambiance to "Unfazed" that would be well suited to their full presentation. Check everything out above & below, and stay tuned for more from About:Blank!

If you were hoping to see Nathan Webber, good news, as we're closing with videos of his hard rock cover band Exit 808's "Fright Night On The Bay" post-Halloween concert at The Back Bay Grill & Games at Bay Mills Resort & Casino in Brimley, with eleven videos from that gig now uploaded to guest singer Molly Escherich's Facebook page! Most have Molly taking over for Amy Beach on vocals, with her and Dillion Semasky splitting or alternating vocals on covers of Eminem & Rihanna's "The Monster", Guns N' Roses' "Sweet Child O Mine" (also filmed by a second camera), AC/DC's "TNT", Alice In Chains' "Man In The Box" (which was also filmed twice), Volbeat's "A Monster's Hand", Green Day's "Brain Stew", and Lit's "My Own Worst Enemy". Molly & Amy joined forces to cover Joan Jett & The Blackhearts' "I Love Rock & Roll" and Journey's "Separate Ways (Worlds Apart)".

Lineup wise, new addition Brad Pringle plays bass on all of these songs aside from "T.N.T.", which had Blaze Beairl on the four strings (I'm to assume he played more often on songs that Molly wasn't singing on). As well, "The Monster" had a costumed guest guitarist in place of Nathan, who waved glowsticks and rocked out from the audience. No definitive word on who he was, but Exit 808 did tease that Project 906's Joe Jenkins would be a guest performer too on this night. Because Dillion's mad scientist costume was still on at that point, I'll embed the Lit cover here, but there's a lot of fun performances on offer, and Molly's developing vocal talents and stage presence are always welcomed! Give these a watch above & below!

That's all for not, but stay tuned for more news and notes on the site shortly! Thanks everyone!

LOCAL CONCERT ALERTS (Project 906), Weekend Concert Previews, And More!!

Our first weekend concert previews of October 2025 are here, so let's dive in with some LOCAL CONCERT ALERTS, one on SHORT NOTICE! Saturday's Tym Morrison concert and Sunday's Ikons of Rock concert will be in our next news post, so don't worry, they are hitting the site soon!

Sault Michigan hard/blues rock quintet Project 906 will return to Hulbert Happy Hour in Hulbert Township for one night only on SATURDAY NIGHT! Apologies for the short notice, the band only announced this gig via their Facebook page on Monday. Believe it or not, this will be Project 906's first show at the 10402 South Maple Street nightclub since February 2022, and thusly their first there with Jason VanLuven and Brian Duford on percussion, but there is a reason for this return booking beyond just rocking out. SATURDAY is the Hulbert Freedom Festival's ATV Poker Run, with 906 serving as the night cap to the day's events, so definitely visit the official Facebook event page for the poker run's details. Meanwhile, one of the stops for the poker run is Huck's Pub & Grill in Rudyard, and they'll be hosting Project 906 on Friday, October 31st for their Halloween party, as announced on the bar's Facebook page yesterday!

As you might expect for a Halloween concert, Huck's will be hosting costume contests at month's end, with the best overall, funniest, and best couples' costumes winning prizes. Good to start seeing another Halloween concert on the schedule, so stay tuned for more as spooky season continues! Project 906 will bring the hard rock on SATURDAY at 8:00 PM and on Halloween at 9:00 PM, neither show has an announced cover charge (you don't have to register for the Poker Run to come to Hulbert), and these are 21+ events. See above for more details, and here's Project 906 live!

Next up, we'll head north to Sault Ste. Marie, where San Francisco hair metal quintet Night Ranger will headline at The Dreammakers Theater at the local Kewadin Casino TOMORROW NIGHT! The first of two 1980s glam metal concerts at the Soo Kewadin this fall, Night Ranger will be rocking the casino for the first time in over 12 years tomorrow, and they will remain very familiar to local rock fans from their hit songs "Don't Tell Me You Love Me" and "Sister Christian", among others. With more classic songs, three new albums, and a switch from Joel Hoekstra to Keri Kelli on guitar, hopefully they deliver a solid night of glam metal action for fans tomorrow! Santa Monica glam rock duo Nelson (of "(Can't Live Without Your) Love & Affection" fame) will open tomorrow with an acoustic set, so come out early for Matthew & Gunnar setting the tone with some unplugged rock!

Tickets for this all ages concert are still on sale at this link, at 1-800-KEWADIN, or at the in-person box office. Limited seats are still available for $80 in rows 1-10 and $70 for seats further back, but the vast majority of tickets are sold, so act now if you haven't already just in case. VIP passes with extra perks are also available online if you are so inclined. This should be a fun night of 1980s metal action for you Hair Scare fans, so visit the above links for more details on this Rock 101-sponsored concert, and for a preview, here's Night Ranger live in the Soo in 2013!

Also this weekend, let's head to Sault Ontario for a special memorial concert on SATURDAY NIGHT at Soo Blaster, as local musicians will gather that night for Riffs For Rememberance: A Memorial For Tori! The show is in honour of Victoria Childs, an avid local music fan who suddenly passed away last month at the age of 34. Victoria was my ex-girlfriend and was a great person & mother who I actually met at Oddfellows Hall punk concerts in 2005 when we were in high school, and I know she would be absolutely thrilled that friends and musicians were coming together to pay their respects like this! Local party metal trio The Apocalypse Afterparty (featuring her cousin Mikhal Muto) will headline on Saturday, and it was Paul & Amanda's idea to host a tribute concert to her, so all kudos to them for taking the initiative like this! A very diverse lineup will also include three solo artists.

These include her friend Gimiiwan Ikwe, country cover veteran Leslie Cook, and folk singer/guitarist Linsaey L.W. while the last mystery act is Bards With Beards. Paul told me that they're a new band from HeadF1rst drummer Anthony Boudreau, but I don't have any other information on them at press time. We'll know more on Saturday! This all ages event has doors opening at 7:30 PM, and admission will be $5, with all proceeds going to Hope House - Club 84, a psychosocial rehab program for those with mental illness, and who helped and supported Victoria in times of need. Visit the official Facebook event page for more on what should be a great night in Victoria's memory (I'll absolutely be there), and here's The A.A. live!

Finally, I wanted to acknowledge advertised shows for this weekend that I have doubts are on as scheduled. When local classic/hard rock cover quartet Double Down announced their fall calendar a few months ago, this included a return to Reggie's Place for concerts tomorrow & Saturday night (here is their Facebook event page). However, if you were following the social media promotion for Bone Yard 225's shows there last week, there was a lot of teased finality regarding the gigs. Bone Yard are alive and well (they'll be at The Esquire Club next week), but band members, attendees, and the venue dropped a number of Facebook hints towards Reggie's ending or closing in some form or fashion, with your local 225 saying that this would be their "last weekend playing there" on September 26th. What we do know is that last week's shows marked the five year anniversary of Reggie's under Randy Lapossie's management, but is he opting out after that long?

No one has come right out and said what was going on at 458 Queen Street East, but regardless, Double Down haven't newly promoted this weekend's Reggie's dates, and the venue hasn't posted on Facebook since Saturday, so with all of that acknowledged, I'm going to treat the Double Down shows as off unless otherwise confirmed. Whether Reggie's is closing, rebranding, or changing operations in some form, we'll let you know when something is firmly and publically said! That's all for now, but stay tuned for more news and notes on the site soon! Thanks everyone!