2025: A Look Back In The Year Of Local Metal, Hard Rock, And Punk

Happy New Year! As usual for the SMS at year's end, I have cobbled together a lengthy "year-in-review" post, and after a quite busy and eventful 2025, here's a window into the big events, news stories, and so forth during that span! I'm sure I missed things (I always do), but hopefully this is a fun and informative look back at the year that was!

2025's biggest hard rock concert in Sault Ontario has to have been the Our Lady Peace/Collective Soul concert at GFL Memorial Gardens in March, and very well timed with The Fox now on the airwaves to get the word out for it! Across the past 12 months, other notable touring acts like B.A. Johnston, Bon Jovi Forever, Cory Marks, Damage Case, The Dayglo Abortions, Epic Rush (née Rust), Ikons Of Rock, Insurrection, Just Leppard, Kaonashi, Mean Bikini, Queen: It's A Kinda Magic, Selias, Virvum, and Who Made Who (among many others) made their presences known on local stages. This year saw the returns of Toystock, Rotaryfest, and (despite very bad weather) The Northern Vibe Festival, plus a healthy number of touring tribute bands at multiple venues, Mike Haggith's high profile Downtown Plaza show in September with his Big Finish Band, and a number of big Soo Blaster shows, with and without touring acts. There was a lot going on as usual!

Over in Sault Michigan and the Eastern Upper Peninsula, they had no shortage of interesting concerts in a busier year than recently normal! At The Dreammakers Theater at the Sault Michigan Kewadin Casino, fans were able to see Tesla in February, Clutch in June, and both Night Ranger and Trixter headlining separate hair metal concerts in October, while touring bands like Driving Dawn, Fyrbird, Ghidora, Oz, Peril, Scarkazm, The Sky Pilots, Spun, Tribe989, and Violet Scum (among others) all made their way to smaller local venues in this calendar year. Despite the lengthy Sault Ontario drought for such events, two battles of the bands hit the E.U.P. in 2025, with the debuting Crush winning the Superior Whitefish Festival battle in Brimley in July, and the debuting Dynamic Duo defeating About:Blank and other regional acts at the third annual Lake Superior State University Battle. 

Multi-band E.U.P. concerts happened at a wider clip this year in general, including a bunch of mixed genre shows from Serious Business in Brimley and at Pizza Hut(!), while Heavy Lies The Crown played their annual St. Ignace show in August for frontman Brandon West's birthday, and nine acts gathered at Bird's Eye Outfitters in March for the Musicians Unite benefit in honour of Project 906 guitarist Joe Jenkins' wife Mary Jo's cancer battle. Not to mention all of the solo shows from local hard rock acts in 2025, and this was a really solid year for Sault Michigan and area that bodes well for 2026!

For general news items outside of concerts, there was arguably nothing bigger for local rock fans than the format change of Country 104.3 in January, transitioning into 104.3 The Fox, and giving us two rock radio stations on the FM dial, one on each side of the border! With local bands, the likes of Bone Yard 225, Crush, Exit 808, Heavy Lies The Crown, Spades GT, and Tarnished hit the road for gigs outside of our coverage area, while Sault Michigan's Sole Aggressors joined the rare list of E.U.P. bands to play gigs in Sault Ontario in the past two decades! 2025 saw the former Vibe Lounge and Primavera Hall relaunch respectively as Beck's Bar and The Full Throttle Saloon with new regular band lineups, though The Distraction closed indefinitely in July due to fire code violations discovered during the planned Ripcordz show that month. Sault Ontario wasn't able to get planned battles of the bands at Jay's Piston Broke Pub and the Downtown Plaza off the ground, and for the first time, Go Skateboarding Day was completely rained out.

The Northern Vibe Festival was severely compromised by a major rainstorm that rendered the Forest Stage unusable on the Saturday, and the planned Headstones concert (booked opposite Rotaryfest Saturday) was cancelled a few days prior. In a positive light, we did see new music videos from HeadF1rst and The Bear Hunters, the beginning of work on a Woods of Ypres biography, and new Convergence frontman Stephen Gagnon-Ruscio's runner-up run at The Soo's Got Talent, so this was certainly not an uneventful year! Hopefully we get more big news and notes in the next 12 months!

Unfortunately, the last third of the year saw three deaths among local hard rock musicians, starting with Stone Smyth founder and veteran local guitarist Troy Isaac, who lost his battle with cancer in September at the age of 63. In just the past week, we learned of the passing of two more familiar faces, including Rebel Priest/ex-Glass Statues guitarist Ben Kemp-Reynolds (a.k.a. Benny Blitz) at the age of 35 over the weekend, while former Brutally Fatal frontman and Far From Fine drummer Austin McCrea also passed away at the age of 30 after a three month battle with worsening medical concerns in hospital. We also mourned the deaths of former local journalist and concert videographer Mike Caruso, Queen Street Cruise founder Gary Trembinski, and Darsombra synth player/vocalist Ann Everton, just one week before the Baltimore psych-hard rock duo was supposed to play at The Downtown Plaza. May all of them R.I.P.!

Like last year, 2025 was abnormally strong for new local metal, hard rock, and punk albums. Seventeen by my count, and we still have seven of them to review next year! No one was busier this year than Matt Hicks' new solo industrial metal act The Realignment Project, who released three EPs ("Afterthought", "The Frustration Sessions", and "War Songs") throughout the year, while the ever prolific Mike Haggith released his fan club exclusive album "Frequent Flyer" and his new full-band live album "Under A Moonlit Sky". This year also saw the sophomore albums from the reunited Fuller ("II"), hard rock quintet HeadF1rst ("Road Trippin'"), and alt-rock favourites Handsome Sandwich ("Collage"), while we also got local/Barrie crossover thrashers Spades GT's second post-move album "United", the posthumous physical release of grunge trio No Arrow's album "Souls For Sale", Agnosticism's new folk punk EP "Atticcore Fornication", ...

 ...their frontman Mikhal Muto's band Hails' self-titled album, "the original crash band" Sykotyk Rampage's latest "WYRD Radio 3: The Midnight Horror Show", Pillory's long-awaited death metal album "Old Soul", and new ska punk trio A.S.D.P.'s debut album "Atom Bombs & Lemonade". Meanwhile, Sault Michigan's X's & Y's put out their second album "Ruination Coactive", and Theatre Of Night reunited with session vocalist Gaby Koss on this month's "Christmas Night 3". Hopefully 2026 is similarly bursting at the seams with new albums from local talent! 

A bumper crop of new bands made their debut across the Twin Saults this year, and some of those emerged quickly with their own material, including the aforementioned Realignment Project and A.S.D.P., while Sault Michigan newcomers Crush and About:Blank (both featuring Tarnished alumni) also debuted with their own songs right away. While they have existed as a studio band for years prior, Sault Ontario progressive metal band Convergence made their live concert debut in the spring, and other new bands to the live scene this year included hard rock quartet Maynard Hayes, BookcluB's acoustic side project Dos Amigos, classic/hard rock sister bands Separate Wayz & The Guilty Party, and just last week, new local punk quartet P.R.O.D.. We also saw the debuts of bands like Bards With Beards, Pearl Jam tribute Even Flow, One Shot, Spun Out, and The T.R.I.P. that could have big 2026s ahead, and hopefully that holds true on all fronts!

There weren't many severe lineup changes in local bands in 2025, but there were still a number to note. One of the bigger departures was guitarist Brandon Ruch from both Handsome Sandwich and BookcluB in advance of his move out of town, while we also saw Dan Beaupre replace Brad Stephen on bass in Double Down, Sean MacNab finally fill Spades GT's bassist vacancy, a returning Devon Lucier replace Blair St. John on bass in Pillory, Spencer MacGillivray replace Justin Pregent on vocals in the former Sault Side Squad, and Joe Miller replace Tony Kajnar as Generations' guitarist. In the E.U.P., the now-defunct Exit 808 welcomed back original guitarist Nathan Webber and (briefly) bassist Brad Pringle, while Jaxon Massaway returned to Heavy Lies The Crown after a year's hiatus as their new second guitarist, and Jamie Costner replaced Justin Lawless as The Nameless' drummer. I'm sure there's more big lineup turnover ahead in 2026!

In terms of major band breakups, Sault Michigan had the biggest finite and publically addressed losses, with hard rock bands Exit 808 and Dirty Musky both dissolving in 2025, while 2023 LSSU battle-winning punk trio The Sole Aggressors went on hiatus in August in advance of members leaving the area for college. Sault Ontario didn't have band breakups on that scale, but the likes of Treble Charger, Vanity First, Slumshine, and Mikey & His Uke have all been publically inactive for over a year as of last fall. At least the Vanity & Slumshine itches can be scratched with Hails! A number of notable bands have been publically inactive for the past 6+ months and will be kept an eye on in early 2026, including A Dire Setback, The Bear Hunters, Bullet Train, Crucify The Whore, Hollow Sky, The Northwest, and Rhythm & Brews. Hopefully these bands or their members therein turn up in new projects in the new year!

As always, let's end with comebacks, and there were a number of big ones from bands on the shelf for a year+ in 2025, with one of the most notable being the dual reunions of 1990s punk bands Fist Magnet and The Spigots for an ARCH benefit concert at Soo Blaster this past Saturday! Room 206 had to drop out of that event, but fans weren't entirely left out in the cold, as that band & The Inner City Surfers also reunited in April for 206 drummer Allan Watson's stag & doe at the same venue! In the interim, 2000s emo/post-hardcore notables Fuller reunited for a new album and a Rotaryfest Stage 2 headlining set, and local classic/hard rock cover band Quite Frankly reunited after 15 years themselves! We also saw a one-off Mike Haggith & The Din reunion in January in honour of Daniel Horton's late mother, while The Northwest emerged from a year+ hiatus to open for Our Lady Peace, and The Isolation Sessions also returned for a gig in March after a few years away. 

I hope you guys liked this look back at 2025 in the local metal, hard rock, and punk scenes, and we're picking things back up right away tomorrow with the first weekend concert previews of 2026, so stay tuned for those then! Thanks everyone, and please celebrate and party responsibly tonight! 

LOCAL CONCERT ALERTS (HeadF1rst & The Nameless) And New Year's Eve Concert Previews!!

In what will likely be our last normal post of 2025 (our annual "year-in-review" post is likely coming tomorrow), here's previews of tomorrow's known hard rock New Year's Eve concerts, including LOCAL CONCERT ALERTS, one on SHORT NOTICE! Just a reminder first though that Tym Morrison's planned Eagles Club show tomorrow was cancelled. Also, you may have seen reference on social media to a New Year's bash featuring The Apocalypse Afterparty, A.D.S.P., The Spaceship Opening, and Gimiiwan Ikwe, but that is a private event without a publically given address. Inquire with performers if that piques your interest though! Now, let's lead off with our New Year's Eve previews in Michigan!

Local hard rock cover quartet The Nameless will end 2025 in style by making their debut at The Back Bay Grill & Games at Bay Mills Resort & Casino in Brimley TOMORROW NIGHT for their New Year's Eve party! Apologies for the short notice, the band only announced this gig via their Facebook page yesterday, and Bay Mills never acknowledged a New Year's concert on their website's calendar, though head there to see what other seasonal activities are happening there. Last seen on stage at The Merch on December 12th, TOMORROW's concert will be quite a way for Josh, the Mikes, and Jamie to make their first ever Brimley stop, and while no festive frills are hyped on the band's end, hopefully this will be the heaviest way for E.U.P. rock fans to ring in 2026 with! Owing to the New Year's timing, this show has an unusually late start time of 10:00 PM, a 21+ age limit, and no cover charge. See above for more details, and here's The Nameless live!

Next up, let's take a brief detour from New Year's concerts for a new show announcement for 2026, as Sault Ontario hard rock quintet HeadF1rst will play their... first show of the year at Beck's Bar on Saturday, January 10th! If this show is a surprise to you, I'm not surprised, as it was quietly tucked in their most recent Facebook page posting from this past Saturday, which was primarily to show off photos of them at the same venue back in June. You have to click "See more" to see the show announcement, and while they never did come back for "round 2" in this calendar year, the guys (and Claire) will return next weekend! This will be their first concert anywhere since rocking Shooters on December 6th. HeadF1rst's hard rocking brand of originals and covers will be on display next Saturday at 9:00 PM with a 19+ age limit and no cover charge. Visit the above links for more details, and Beck's should confirm things on their end on Monday!

Now let's head back to New Year's Eve concert previews, and while the mid-week timing of December 31st this year has stunted some concert booking potential, Thursday is a day off, and there are a couple more hard rock concerts in Sault Ontario to take in TOMORROW. Arguably the bigger of the two goes down in the east end, where local southern hard rock trio Bone Yard 225 will end the year in style by headlining the New Year's party at The Moose Lodge tomorrow night! A very rare SMS-amenable booking at the Trunk Road hall, this will be Bone Yard's first show in almost two weeks, and they should be in fine form to send 2025 out on a high note! Along with music from "the dirty three", there will be a pasta dinner and cash bar included, along with other seasonal frills, so mind all that given that tickets cost $50 at The Moose Lodge or via e-mail at lodge535@shaw.ca.

The band's own cache of tickets is sold out, and of course, you can chance paying at the door if this all interests you. If you'd rather see your local 225 with no cover, they'll be back next month with multiple bar gigs that we will be elaborating on here shortly. Doors open at 6:00 PM with the pasta dinner beginning at 7:00 PM, and Bone Yard take the stage at 9:00 PM. If you want the full shebang for your New Year's festivities, then head down to The Moose Lodge tomorrow night to ring in 2026 in hard rocking style! Visit the above links for more details, and for a preview, here they are live!

Finally for TOMORROW NIGHT (and 2025), local hard rock cover quartet Half Past will end the year when they headline the New Year's Eve party at the aforementioned Beck's Bar! Playing their first concert since rocking the same venue in early October, this will cap off what was an eventful first full year back for Half Past after their decade+ breakup, and hopefully their brand of modern-leaning "hard rock (that) you'll actually feel" proves to be the right soundtrack for many to ring in 2026 with! In terms of seasonal frills, Beck's is promising drink specials tomorrow, and while I'm not one to go into massive details on the food offerings and menus at bars here, this is the first Beck's concert that we have covered since they struck a deal for the Matt’s Grill BBQ & Catering food truck to park on the premises daily from 5:00 PM-1:00 AM. Keep that in mind if getting a meal or some unofficial hors d'oeuvres for the New Year is of note! Here is the menu if you are curious. 

Unlike at The Moose Lodge, the New Year's Eve party at Beck's has no cover charge or tickets, but this remains a 19+ event with the band beginning at 9:00 PM, and note that the former Vibe Lounge will remain open until 3:00 AM, one hour later than normal. Hopefully there's a strong turnout at Beck's for their first New Year's bash, let alone Half Past's modern hard rock proficiency, so visit the official Facebook event page for more details, and for a preview, here's Half Past live at Beck's! 

That's all for now, but if all goes according to plan, stay tuned for our 2025 "year-in-review" post on the SMS next, with normal weekend concert previews to follow! Thanks everyone!

YouTube Channel Profile Series: Kelly Cristina & Chris Hubbard

After a slight delay due to the holiday long weekend and some sad losses, here is our final monthly feature post of 2025, namely this month's YouTube Channel Profile! As usual, this series looks at randomly selected YouTube channels whose content is at least half devoted to local metal, hard rock, and/or punk artists/concerts, and as the first selected channel only has one video period, I added a second channel with minimal content to round things out. As such, we're splitting things betwen the Twin Saults today, so here's what you should know from both channels!

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Kelly Cristina (http://www.youtube.com/@kekeitba)

Owner: YouTube user Kelly Cristina, a.k.a. kekeitba, who I believe is based out of Brazil

Channel Timeline: Launched on October 23rd, 2008; Only video uploaded on July 16th, 2014

Channel Summary: Kelly's only upload is a lyric video for defunct local blackened doom metal band Woods Of Ypres' song "Shards Of Love (Hurt Forever)", which led off their 2009 CD "Woods IV: The Green Album". While this is seemingly a redundant upload compared to fuller and more official copies of "Woods 4" elsewhere on YouTube and other services, note that the on-screen lyrics are in Portuguese, helping translate this post-breakup doom metal song for native speakers. There are a handful of Brazilian immigrants in the area, so note the translated lyrics if they are of use, and the song alone is a solid first sampling of their late-era doom sound!

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Chris Hubbard (http://www.youtube.com/@chrishubbard415e)

Owner: Sault Michigan hard rock guitarist Chris Hubbard, known from past local bands like Nixxon Dixxon, Splitshot, Trail's End, Hubbard, 415E, and Rhythm & Brews

Channel Timeline: Launched on May 19th, 2011; Videos uploaded from February 2016 to October 2024

Channel Summary: The official YouTube channel for Chris' solo output (and branded for his eponymous Hubbard solo project), only four videos would make their way here, two being in-studio performance clips and one featuring his own build of the time machine part of the DeLorean from the Back To The Future movies. Chris' last video to date is a "Shorts" upload where he was promoting a 5150 Frankenstrat guitar body for sale, though I don't know if he successfully sold it in the past year or not.

Why You Should Watch: Despite his crystal clear talents on guitar, Chris' post-Nixxon Dixxon bands only posted videos to social media very scarcely, so if you want to see him actually shredding on camera, the two videos here are some of the surprisingly few ways to do so! Chris hasn't been super active locally as a live musician in recent months, but hopefully he surface again when the time is right, including revisiting his solo original material! The B.T.T.F. time machine video is a neat sampler of what Chris was working on, but it is a 15 second "part 1", and the teased next part did not follow .

 Our Recommended Videos To Check Out:

 

Chris Hubbard Light Up The Sky - Van Halen Cover. Drums, Bass, Guitar ~EVH: Well known as a die-hard fan of Van Halen, Chris' first video here saw him cover "Light Up The Sky" (a deep cut from "Van Halen II") in studio. The instrumental cover saw Chris play guitar, bass, and drums at his home studio via stationary cameras, but he did not film himself playing the bass tracks. Chris absolutely nails this song on all fronts, supplemented by having the right EVH gear, and while I'd have framed his camera a little better, Roth-era Van Halen fans will absolutely appreciate the performance quality and musicianship here!

 

Messing around with Ernie Ball Music Man EVH Guitar ~ Chris Hubbard: Chris' most popular video (with over 147,000 views at press time), this 11 minute+ jam video from March 2016 was allegedly filmed with no warm-up shortly after he woke up that day. Keep that in mind when you watch this very skilled performance, both on a technical basis (look at his gear!) and for replicating Eddie Van Halen's tone and musical style, and viewers raved about how much they liked it in the comments. Chris is an excellent guitarist, one of the best in the E.U.P., and hopefully we see him back at it before long!

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I hope you guys liked this month's YouTube Channel Profiles! We're leading off 2026 in this series in a big way, as our latest randomly selected YouTube channel will be that of prolific local/Barrie musician Mike Haggith! There will be a lot to cover, so look for that on or around January 26th, and stay tuned for New Year's Eve concert previews on the site next! Thanks everyone!

R.I.P. Austin McCrea (1995-2025)

The Sault Metal Scene would also like to offer our deepest condolences to the family and friends of local metal musician and rapper Austin McCrea, who just passed away in the past week, as per a number of personal Facebook postings. He was just 30 years old. This didn't cross my radar at the time, but Austin (a.k.a. Jayrald Micky) had been in hospital since September due to pancreatitis, and endured a number of devastating medical setbacks in the ensuing months, which you can read more about via this GoFundMe campaign that was launched on his behalf by his sister two weeks ago. As a local musician, Austin is arguably best known as the frontman of the goregrind/death metal band Brutally Fatal (once intentionally spelled "Brutaly Fatal"), who had two different incarnations between 2012 and 2019, and had brief and more mainstream turns under the names Re-Born and The Revolution.

Austin was a co-founder of the local goregrind/death metal/rap label Blood Shed Productions alongside his late-era Brutally Fatal bandmate Tyler Gibson, and his bands turned up multiple times at Blood Shed-affiliated concerts in the 2010s, be they late-era Oddfellows Hall concerts or house parties, while they also performed at the 2014 & 2015 Swampstravaganzas. Austin also dabbled in hip hop in the early-mid 2010s, rapping under the handle Miracle Man. While Austin primarily provided vocals, guitar, and bass in his best known bands, his most recent public music work was as the original drummer for local hard rock band Far From Fine (née Ravencore), performing with them at the 2022 Toystock and helping on their original material for their unfinished album, but he left that band by June 2023. Austin was also tapped to drum with Frightlight at The Northern Vibe Festival in 2023, but the horror punk band dropped out of that event and fell inactive afterwards.

I didn't know Austin well, but he was a talented and improving multi-instrumentalist who played the music he wanted to play without apologies, even if the imagery & lyrics weren't always to a wide audience's taste. When we profiled Brutally Fatal on the SMS four years ago, I linked to much of their known public music, including their demo EPs, while you can hear the originals he was working on with Far From Fine (albeit after he left) via their Lopstock 2023 set linked here. Losing someone over the holidays, let alone after this prolonged fight, is something I can't even imagine, and our thoughts are with the McCrea and Nadon families at this time. When details on services go public, I will let you know. R.I.P. Austin!

R.I.P. Ben Kemp-Reynolds (1990-2025)

The Sault Metal Scene would like to offer its deepest condolences to the family and friends of former local rock guitarist Ben Kemp-Reynolds, who suddenly passed away earlier today at the age of 35, as per numerous personal Facebook postings. Local readers may be best familiar with Ben's music work while attending Central Algoma Secondary School in the late 2000s, where he performed in CASS Cafe bands like The Diego Experience, The Dedbeats, and most notably, the 2008-2009 blues rock quartet The Glass Statues. Joining future Late & Loud bandmates Benn Garside and Josh Hatherley, The Glass Statues would play their first non-CASS gig at the YMCA Battle of the Bands at The Grand Theater in March 2009 (where they finished in third place), and they later played out in Thessalon, and were among the openers for The Road Hammers at Rotaryfest Stage 1 that July. The Glass Statues disbanded due to Ben's relocation to British Columbia for university the following month. 

Ben kept at it musically out west, where (as "Benny Blitz"), he joined Victoria glam metal band The Lust Boys in early 2010, though a planned homecoming gig with them in March 2012 at the former Canadian Nightclub did not take place due to their tour van breaking down 5 hours outside of town. The local openers, Late & Loud among them, played on though. Alas, Ben never got to bring any of his B.C. bands home for concerts, but he remained in The Lust Boys until they broke up in 2014, and he stayed musically active in the Vancouver area, where he and fellow Lust Boys alum Jayme Black formed the old school metal band Rebel Priest later that year. It's with Rebel Priest where Benny found the most success, releasing two studio albums and some other EPs and singles, and touring as far away as Japan on multiple occasions! Rebel Priest last played live at The Cobalt in Vancouver on November 21st. 

As "Benny Burn", he was also a guitarist in the Vancouver speed metal band Roadrash from 2017-2020, while Ben notably also worked as a bartender and live DJ. It was too easy to miss out on what Benny was up to in B.C. over the years, but he accomplished a lot as a musician there, and while our interactions were brief before he moved, he was always a good guy, and it's a shame to lose him so suddenly, especially just days after Christmas. If you haven't heard his three main bands since he moved, do check out The Lust Boys, Rebel Priest, and Roadrash, as there's some solid classic metal of varying flavours therein, and it'd be neat to see their original music get some well deserved Ontario and Michigan hits. I don't know if any services are planned yet in the Soo or Central Algoma, but we'll let you know when more comes out. Check on your friends, and please reach out if you're struggling. R.I.P. Benny!

The Last Hard Rock/Punk Weekend Concert Previews For 2025!!

I hope everyone had a good and peaceful Christmas, and that Santa Claus brought you some good presents! On this Boxing Day, we have previews of this weekend's relatively quiet but eventful slate of concerts, partially because today is a holiday, so here's what you should know for the weekend! (Updated on Saturday at 10:31 AM)

We'll start with this weekend's main event, and as the holidays often see local homecomings, why not throw it back for a special reunion of 1990s local punk bands TOMORROW at Soo Blaster?! This special concert will be an Algoma Regional Community Hospice fundraiser in honour of late Fist Magnet guitarist Chuck Ayotte (who passed away from pancreatic cancer in 2018), and to that end, Fist Magnet will be reuniting for their first show in well over two decades tomorrow night! According to co-promoter Christian Foisy on Messenger last night, singer Garry Ingram, bassist Andrew Marson, and drummer Dave Stokes will be joined by Christian and his former Destroilet bandmate John Conway for this one-off set. Very cool for fans of the 1990s punk scene, and for a mini-Destroilet reunion guesting!

Also playing tomorrow is a reunion of The Spigots, who will be represented by singer Trevor Harding & bassist Frank Guidocco alongside Inner City Surfers bandmates Dave Bahun and Mikey Hawdon as guest guitarist and drummer (this may be why I've seen this band named "Some Spigots" in some postings). Incomplete reunion or not, this will be huge for punk fans of the era! Despite the stature of the reunions, neither is headlining tomorrow's concert, as active crossover thrash quartet Hails will close things at some point from 11:15 PM onward (Fist Magnet are at 10:30 PM, The Spigots at 9:45 PM). Debuting local punk band P.R.O.D. (short for "punk rock overdose") will take the stage at 9:00 PM, and thanks to Christian for confirming that this band will feature him, John, and Andrew from the Fist Magnet reunion alongside Gambit/ex-Northwest drummer Clint Wilson (he did not say who will be on lead vocals). Check out their Soundcloud songs above!

Christian confirmed on the Facebook event page last week that the planned Room 206 reunion has been dropped from this concert due to "unforeseen circumstances", though Dave will still be present tomorrow via playing with "some Spigots". Replacing them are online page-less local metal quintet The Sault Side Squad, who will open the proceedings at 8:00 PM. This licensed and ALL AGES concert goes down tomorrow night at 8:00, and admission is $15 in advance at The Rad Zone, the venue, or via those credited on the event page, or $20 at the door. Visit the above links for more on all of tomorrow's action, and for a preview, here the late lamented Destroilet covering Fist Magnet with Garry live back in 2014!

Next up, Bullet Train/ex-Sense of Truth frontman Cory Murchison will bring his sporadically seen acoustic hard rock show back to the stage TOMORROW NIGHT at The Water Tower Pub when he opens for the latest reunion of local/South Korea jam rock supergroup Odd Man Out! Every so often, fans will be able to see the former Skeyes of Seven vocalist (sometimes billed as "Cory Daniel") playing unplugged shows in town, usually as a support act, with tomorrow's concert being a direct reprise of the time that he opened for O.M.O. at the same venue in July 2018. Always good to see Cory on stage, and hopefully he sets the tone well at The Water Tower Pub tomorrow! Odd Man Out (featuring Cory's old Sense of Truth bandmate Steve Myers) don't play live all that often despite never breaking up, with this being the de facto release party for their new album "Quadranium" from last summer. Not a heavier band, but a very talented one who deliver entertaining and fun live concerts with solid musicianship, so keep their return in mind!

This concert also takes place at 8:00 PM tomorrow, it is presumably a 19+ event, and there is no cover charge. December 27th, 2025 is definitely shaping up to be a big day for local band reunions, but if your tastes lean more to jam rock with a hard rock chaser, head to this central venue for tomorrow's action! Visit the official Facebook event page for more details, and for a preview, here's a video from earlier this year of Cory acoustically covering Beartooth's "Look The Other Way" via his YouTube channel. Not a bad cover, and likely a good sampler of how he'll sound tomorrow night, so check it out below, and see more from Cory above!

Finally for this weekend's known hard rock concert previews, local acoustic classic/hard rock solo musician Tym Morrison has a busy post-Christmas weekend ahead, as he will be playing a matinee concert at Misty's Fifties TOMORROW before serving as the Sunday matinee performer at Beck's Bar on SUNDAY! With his planned Eagles Club concert on New Year's Eve seemingly cancelled, these will be the former Caveman Morrison frontman's final public concerts of 2025, ending a very busy year as usual for this talented local music veteran. I'm sure he has a lot more bookings lined up for 2026 already, so stay tuned for confirmation of those when dates begin going public! As usual for Tym, tomorrow's show at Misty's is a 4:00 PM matinee, while the Beck's matinee concerts on weekends begin at 3:00 PM, Sunday included. Visit the official Facebook event pages linked here for full details on both of this weekend's shows, and for a preview, here's Tym live!

That's all for now, but stay tuned for this month's YouTube Channel Profile next! Thanks everyone!

Theatre Of Night - "Christmas Night 3" Album Review!

It's now time for our 198th monthly CD review at The Sault Metal Scene, and in a seasonal break from our recent run of reviews of backlogged new albums in chronological release order, we're looking at Sault Michigan classical metal band Theatre of Night's new album "Christmas Night 3"! This way, our string of new album reviews will continue unabated, while we'll be able to look at this album in a timely fashion, as Theatre of Night's prior two Christmas albums (2011's "Christmas Night" and 2022's "Dreams Of Winter") were also reviewed here in December. If I kept it in our regular album queue, we wouldn't be able to get to it until the summer, so tis the season! No Arrow's "Souls For Sale" (released in July) will 100% be our first album review of 2026, so look for that next month. Independently released to the band's Reverbnation page on Friday, "Christmas Night 3" reunites Theatre of Night with German session vocalist and former permanent band member Gaby Koss, who resumed working with the band last year on new material.

While she had sang on one-off singles in the early-mid 2010s, Theatre of Night and Gaby released a "Celtic Christmas metal EP" exclusively to YouTube last year, and built on that for the full "Christmas Night 3" this year with five new recordings supplementing the EP's initial five songs. Compared to their prior Christmas albums, "Christmas Night 1" from 2011 was an instrumental effort, while "Dreams Of Winter" (effectively considered "Christmas Night 2") featured re-recordings of all ten songs from the previous album, plus two new cuts, as well as former lead singer Rachel Mender on vocals on seven of the songs. "Christmas Night 3" drops things back to ten songs, six of which are returnees from "Dreams Of Winter", but there are four new songs/carols here that Theatre Of Night never included on a prior paid album. Instrumentally, guitarist Steve Giles and keyboardist Craig Harrison are back as expected, though bassist credits were not given (note that Luke Bernard was their most recent live bassist for their early 2020s tours).

On the five songs carried over from last year's free Celtic EP, "What Child Is This" and "Carol Of The Bells" feature archival recordings from original drummer (and Steve's brother) Greg Giles, while current drummer Erik Sales drummed on the other three songs. One could infer that Erik that he drummed on the five new songs too, but again, credits were not given for the album proper. While you can stream "Christmas Night 3" for free on Reverbnation and YouTube, it is formally on sale via the former site for $7.99, so consider buying it to support Theatre of Night's work for the holidays! For the six songs previously heard on "Dreams Of Winter", I will offer comparisons between the 2022 and 2025 versions. 

Featuring 10 songs running for about 47 minutes, let's begin this festive review with the opening song "What Child Is This", which has led off all three Theatre of Night Christmas albums. The new version largely retains the same structure as the 2022 version, with a somewhat louder and more dramatic introduction, though the vocalist is the key difference. Gaby and Rachel have similar vocal performances here, but Gaby (who is classically trained) does hit higher operatic notes on her verses, and there is some multi-tracking here to make it sound more like a choir of vocalists. Otherwise, this remains an effective opener on par with the prior version! The first brand new Christmas song on offer is next, namely "The First Noel", which has a slow dramatic and symphonic opening before the first verse, and it maintains a serious but grand tone throughout. Gaby's sharper and more pointed tone of voice is very clear on this track.

I got kind of an "On The Turning Away" vibe from Steve's guitar solo here, which Pink Floyd fans may appreciate! The lyrics of this carol are somewhat repetitive, but that's not the band's fault. If you like your Theatre of Night in a more serious and orchestral mode than even their normal Christmas output, you should take to this song! Another new cover is next, namely "O Come Emmanuel" (note that they omitted a second "O Come" from their titling). A spare piano intro from Craig leads into a slow and very drawn out rendition of this somewhat lesser known carol, and while the music slowly builds in stature, the song never really gets out of second gear and remains really laboured in pacing. I've heard this cover done with more life while still being approached traditionally, so while technically sound, it's not a favourite of mine here. Next up is the second returning song from prior seasonal releases, namely "Silent Night". 

This is the shortest song on "Christmas Night 3", and it retains a similar structure and pace to the 2022 version. The big difference is the vocals, and here, Gaby does dial things back to sing this one at a more reserved pace than Rachel did, which suits the delicate and melancholy vibe of this carol a little more. Otherwise, if you like traditional "Silent Night" renditions with a slight rock kick, you'll like this! The first half of the album ends with "Little Drummer Boy" (no "The" at the start), which was also heard on Theatre of Night's prior Christmas albums. Functionally, the 2022 version is almost identical instrumentally, but the big difference is that Gaby sings the "rum-pum-pum-pum" parts throughout the verses, where Rachel omitted them until the title character started playing for the baby Jesus in the song's timeline. I do find that Rachel's singing fits this song a little better, but the full lyrics being restored helps a ton.

Otherwise, it's the same song, so pick and choose what you'd rather hear! Song #6 is "God Rest Ye Merry Gents", and yes, that is how they titled it for this album (under its full name "God Rest Ye Merry Gentlemen", it debuted in their catalogue on "Dreams Of Winter"). Again, this song is basically a verbatim re-recording of the 2022 version, but similarly to "Little Drummer Boy", Gaby actually sings the full and complete verses here, where Rachel only sang the back half of most verses, something that I never understood the point of on the last album. The restored lyrics (including more outro singing) help a lot with this song, which still fits well in a metallized setting, so this is an album highlight for me! The next two songs are the other two brand new carols for "Christmas Night 3", starting with "Let All Mortal Flesh" (no "Keep Silence" in their title), By far the longest song on offer, Gaby's vocals really drive this one along for the duration.

It's very verse heavy, but the backing instrumentation has a very ominous building quality with really strong bass. I wasn't overly familiar with this carol going in, but it's way too drawn out and serious, and it leans too heavily on the singing, so while it's not one of my favourites, I do like how the band proper add to the ambiance, and the drumming steadily improves as it motors along! That's followed by "Good King Wenceslas", which is slowed down compared to traditional renditions, but it's well performed, and I honestly prefer Gaby's lower register singing here compared to her higher full voice work on most of the other tracks. Steve gets some room to show off with some guitar shredding in the background (even if it doesn't seem all that necessary), and while not the heaviest song on offer, it comes together fairly well and suits the mood of prior songs! The penultimate song here is "Hark The Herald", again shortening its title without "Angels Sing".

Once again, this song shares largely the same structure as prior carryovers from "Dreams Of Winter", including the between-verse interpolations of "The Twelve Days Of Christmas", but the retained structure is partially to its detriment, as the drawn out outro is back. The big change is vocally, as Gaby sings more and fuller verses here, whereas on the 2022 version, Rachel didn't sing on the first verse and only partially on others. That goes a long way towards making this song sound full, and it's a big improvement to one of the more grandiose and epic sounding songs here! The album closes with "Carol Of The Bells", which is done for the first time on a Theatre of Night album here with vocals, and even the 2022 version didn't have Rachel singing. As fans of the Trans-Siberian Orchestra know from "Christmas Eve/Sarajevo 12/24", this song bodes very well in a metal context, and the two versions only share minor differences from each other.

Obviously, the inclusion of vocals makes this one stand out a lot, and she really exercises her vocal range here, starting with upper register falsetto that gradually steps down and down later in the track. The sweet spot was in the middle, as the opening vocals were somewhat shrill and the latter ones sounded forced to get low like that, but it does show Gaby's abilities nicely! To me, the repetitive style of singing for "Carol Of The Bells" undercuts the heaviness of the guitar too much, but it's an effective capper to the album! So, three Christmas albums into their run, how does "Christmas Night 3" stack up? Really, it's not even a full sequel because it only has four brand new songs, and the only major change on the other six is Gaby on vocals, Whether you prefer Rachel or Gaby is subjective, but I appreciate Gaby's range and vocal control, while Rachel's full voice singing was a little deeper and softer edged, so both have their plusses.

Honestly, the big plus of Gaby's vocals here is that she/the band weren't pulling the "only sing half of the verses" thing like on "Dreams Of Winter", which made too many songs on that album sound incomplete. Musically, everyone performed soundly and with purpose to create classical metal magic, and while nothing major was changed for the six returning songs, the production values suited the grandiosity. Craig, Steve, and crew know what they're doing, even if we've been served most of this Christmas dinner before. I would have been curious to hear Gaby's takes on the three "Dreams Of Winter" songs with vocals that weren't carried over here (namely "Away In A Manger", "O Come All Ye Faithful", and "O Holy Night"), I did find some of the multi-tracked vocals to be a little roughly layered, "Carol Of The Bells" works better as an instrumental, and there is still a problem with some songs in terms of drawn out structures and lengthy outros.

Still, as a festive companion piece to their prior albums and a much belated end result of Theatre of Night's decade+ studio work with Gaby, this is a quality album for some heavier symphonic Christmas music, so buy/stream it above! I hope you guys liked our last monthly CD review of 2025, and we resume our new album release queue in release order next month when we look at defunct Sault Ontario grunge trio No Arrow's posthumous studio album "Souls For Sale"! Watch for that in January 2026 (hopefully early given the unexpected postponement of that review), and for weekend concert previews on the site next! Thanks everyone, and Merry Christmas!