It's now time for our 205th monthly CD review at The Sault Metal Scene, and as we continue slowly mowing through our new album release backlog, we'll head back to Sault Ontario this month to look at prolific local/Barrie alternative/hard rock musician Mike Haggith's new live album "Under A Moonlit Sky"! In a brief detour from his studio album catalogue, this is his first solo live album since 2018's acoustic "From The Nickel Stage" and his first full-band live album since The Din's "Technically Live" in 2021. This was recorded during Mike's headlining concert with his Big Finish Band at The Downtown Plaza on September 25th, 2025, which was originally planned as a battle of the bands before being cancelled due to "unforeseen circumstances". Now a rare Mike Haggith headlining concert in the Soo, it was recorded for posterity from the soundboard, with Mike Blair's 705Live Sound Co. running things.
Mike Haggith produced and enhanced the raw audio for the album proper, which was released by his own MorningStar Records on November 30th. Mike is on lead vocals and rhythm guitar here, and The Big Finish Band (in their album debut) were represented by their current lineup, including A Dire Setback/With Gunfire guitarist Chris Nielsen, ex-Gnaeus bassist Matt Fronzi, Mike's old Din bandmate Brandan Glew on drums, and Drifters/ex-Re:Born frontwoman Elly McWatters on backing vocals and tambourine (she didn't play rhythm guitar here due to her then-recovery from rotator cuff surgery). You can stream "Under A Moonlit Sky" on Bandcamp, Spotify, Apple Music, Amazon Music, YouTube Music, Tidal, Deezer, Anghami, and (of course) Boomplay, while you can buy the album in mp3 download format on Bandcamp and iTunes for $10, give or take a cent. You can also watch the whole unedited concert from multiple pro-shot camera angles at this link!
CD copies were teased for "early 2026", but have not arrived at press time. Just to clarify how this review will be formatted... as this is a live album primarily comprised of re-recordings, I will only formally "review" tracks that were never previously included on a (Mike) Haggith or Din album that I have previously looked at. As was the case when I reviewed The Din's three live albums on the SMS, I will compare the performances of established songs to their studio version where possible, but if you want to read my thoughts of the songs in their original form, my reviews of those albums will be linked below. Also note that the full video of this concert is about 6 minutes longer than the album, thanks to closing credits and some minor clean-up of between-song breaks. Unlike on "Technically Live" (which omitted "Of Cars & Criminals"), no full songs from the proper concert were cut from the album.
With 19 tracks running for about 69 minutes, let's begin this review! The opening song for the album and concert was its shortest proper song "Brand New Day", which led off Mike's 2025 mailing list subscriber-exclusive album "Frequent Flyer". Aside from a slightly extended drum intro by Brandan and an adlibbed remark about the nice weather that evening, this is pretty faithful to the original song, retaining its upbeat power pop nature, but I do prefer the backing vocals on the live version, which feel more naturally included. This bleeds right into "Missing", which Mike and Brandan originally recorded for The Din's second and final studio album, 2017's "Suburban Dream". The live concert energy and Mike's improved vocal range give this some some more life and energy while still harbouring a melancholy mid-tempo vibe.
Structurally, some notes are held extra for effect, but the song is basically the same as what The Din recorded originally. I prefer more fully upbeat hard rock-leaning compositions, but it's still a good track! Third up is (technically) the shortest track here, namely "Guitar Adlib", which is literally just 40 seconds of Mike improvising on his acoustic guitar while offering some sung filler vocals and banter with his bandmates. Amusing for what it is, but this really could (and should) have been tacked on to the next proper song, "MorningStar", which was first heard on 2020's "If Ever Comes The Day". I did find that this song felt a little empty as originally presented, so filling it out with a live band,and more electric instrumentation does help it! Otherwise, the song is structured the same, aside from being played a little faster, and it's still a pleasant reflection on a lost love that fans of the original will still enjoy!
After plugging his merchandise table, Mike next plays "Carousel" (from his most recent proper "mainline" studio album, 2023's "All The Best In All You Do"), but here, the addition of a live backing band actually doesn't lead to complimentary backing vocals, which fit prior songs better here. Chris' lead guitar work has more flourish than the studio version had, but this live take is otherwise structurally similar, and it still has a soaring emotional quality that suits Mike's modern catalogue! Mike next introduces Matt on bass, crediting him for helping write their next song, "You Are The Sun" (from "Frequent Flyer"). The live version drastically shortens Matt's opening bass intro, but for the bulk of it, the composition is similar, but with extra jangly percussion. While not Mike's most "rocking" song, the live atmosphere does give it an energy boost, and it remains one of his more upbeat, casual recent songs!
The next two songs are Mike's newest originals (as of 2025), and have yet to make a studio album of any kind, so consider these full reviews. The first is "I Really Hope This Gets To You", which is basically a message to an ex-romantic partner explaining why one had to leave the relationship. A driving rocker with direct yet melodic lyrics, this will definitely appeal to fans of Mike's hard rock-leaning material, and Elly's backing vocals are a nice compliment in this setting! Brandan's drumming is a strong compliment, and while not short, it blows by at a good pace right into the other new song, "No Love", which feels like a sequel to the prior track in which Mike/the narrator gets a letter back from their ex, and stands firm about not having feelings for them anymore despite their implied remorse. Of the two, I prefer "I Really Hope This Gets To You" for its melody and edge, as the main riff on "No Love" is too relentlessly pulsating, and I think they over-harmonized the choruses.
It's not a bad song, and it compliments the preceding cut well for lyrical content and overall tone, but it doesn't feel as loose yet direct all at once. The last song of the first half of the album/concert is "Hot & Cold", as first heard on "All The Best In All You Do". This live version cuts 2 minutes from the studio copy's 6+ minute runtime, primarily extended instrumental sections, while Mike and The Big Finish Band do play it faster. As I noted in the "All The Best..." album review, I was familiar with live versions of this song before that review was written, and at the time, I preferred this song live, as the studio copy felt overproduced with added synths and keys that took away from the rocking edge. Three years later, I still feel the same way, as this live take is one of the highlights of the album, and Mike's knee held up throughout! Next is the album's title track "Under A Moonlit Sky", which is one of three filler spoken word tracks here.
This just serves as the extended intro to the next two songs, both from "If Ever Comes The Day". Personally, I'd have just rolled this intro into the start of "Back Away Slowly" (whose lyrics contain the album name), but this is hardly the first time that Mike has included spoken word banter or setups as their own track on a live album. "Back Away Slowly" comes across as shorter and tighter than the studio version, with the full band input livening up what was already a solid song (note Chris having extra room to show off on lead guitar). Still an upbeat power pop song with personal lyrics that is complimentary of a full band, keys/synths-devoid setup! That's followed by "The Best You Never Had", which actually opened "If Ever Comes The Day". The live version here is similarly paced and structured to the studio version, but without the piano parts, it does come off more like a rock song, which is to its benefit again.
I prefer songs where Mike uses his voice moreso than the low, affecting, and almost-spoken word verses here, but it's a good song with weighty lyrics in any format! The live version is a little longer thanks to post-song banter to promote their merchandise on sale. Next up is the second of three filler spoken word banter tracks, namely "Moving West", where Mike addresses the ongoing recording of the live album from the 705Live soundboard, and then talks about his move from the Soo to Thompson, Manitoba to further his ambitions of becoming a commercial pilot, and what awaited him when he lived there and to continue striving for his ultimate goal. Again, I'd have just rolled this into the opening of the next song ("An Act Of Strength" from his 2021 studio album "Bridges"), especially as the live track is a minute shorter thanks to the intro being absorbed into "Moving West".
"Bridges" was the most synth-heavy of Mike's post-pandemic solo albums, so stripping that away for the live concert version does give it a more direct focus, but I did find the percussion to be too constant. Not my favourite of the live staples here, as it's more along one or two tracks throughout without ever kicking into a high gear, but it's well performed! The final spoken word track is next, and on "The Power Of Community", Mike explains how this show came together on relatively short notice (Mike does not directly address the planned battle of the bands), and how the community came together to make this special headlining concert come together. Mike also introduces The Big Finish Band here, with Elly doing the honours to introduce Mike (who flew in from Barrie the previous night!). They play another "Bridges" cut next, namely its first single "The Nature Of The Times", which is actually longer than the studio version is.
Despite the intro being absorbed by the prior spoken word intro, The Big Finish Band add an extended outro rather than the fade-out on the studio album. This song comes out similarly otherwise to the original, but with more of the full band oomph and less harmonic elements, but it will still appeal to fans of Mike's more indie rock-inspired material, and the band gets room to show off! Matt's bass is particularly solid here. The last two songs from Mike's solo catalogue on the setlist are played next, both courtesy of "All The Best In All You Do". Of those, first is "All The Best", which is similarly composed but longer thanks to an extended outro to replace the fade-out, and there's no synth here, so the full rock potential of the song is met. I'd still have more varied chorus vocals, but it's a solid track that capped off regular versions of the original CD in style, and it suits a full band approach!
The penultimate song here was "Twist Of Fate", which is played very similarly to the studio version aside from crowd banter & having a definite ending. The backing vocals could be somewhat overdone on the choruses, but as one of Mike's heaviest and fastest original songs of his post-move era, this is a definite highlight that largely translates well to the stage! Mike & crew return for an encore of "75", which began life when his old grunge band Haggith recorded it for "Deuce" in 2013, but The Din's cover on 2016's "Give In To The Din" shares more in common with the 2025 live take. In any form, this is a very punk-inspired track with a power pop influence, and its chorus remains as catchy as ever! The backing vocals are implemented better than they were in 2013, but it's the same song and that's not a bad thing. It's a perfect capper to the set that fans of Mike at his heaviest will enjoy, and Chris shines on the solos!
How do I grade Mike's first solo live album with a full backing band? Overall, it's a strong window into Mike Haggith's modern local concerts with The Big Finish Band, and given as high quality of a recording and post-production as they can muster, and it shows! The soundboard recording (while muting fan levels somewhat) is crystal clear, and while the presence of a backing vocalist and two guitarists does pump up the sound, things do come off bigger and better for recording quality here than on The Din's live albums. Yes, the idea of Mike and the gang playing a headlining concert rather than a short battle of the bands set was short notice, but they made the most of the challenge and opportunity, and I did find that many of the songs (for what I go for in rock) were improved via the immediacy, crowd engagement, and lack of synth backing, so Din fans will like those aspects.
Of course, I go for Mike's hard rock and power pop-tinged stuff like "Twist Of Fate", "Hot & Cold", and "75" the most from what was played live at the Downtown Plaza here, but he picked a good cross-section of his recent solo catalogue, and The Big Finish Band were collectively up to the task (see most of them in the country rock cover band Elly McWatters & The Drifters when Mike isn't in town!). I wouldn't have bothered segmenting the spoken word intros and the guitar adlib into their own individual tracks, backing vocals were inconsistently applied, and there are songs of Mike's that I'd be interested to see played live, here or in general (like "If Ever Comes The Day", "Over Indecision", and "Miles & Memories"). This is an ideal way to experience the Mike Haggith live concert experience in the mid-2020s, and don't miss him and The Big Finish Band next month at the next Downtown Street Party and the Northern Vibe Festival!
Buy or stream "Under A Moonlit Sky" at the above links, and I hope you guys liked this month's CD review! Next month, we'll stay in Sault Ontario for a look at local ska punk band ASDP's debut album "Atom Bombs & Lemonade" from December, as we continue hollowing out our new album backlog. Look for that by month's end, and stay tuned for the rest of this weekend's hard rock concert previews next! Thanks everyone!
It's been over two weeks without diving into fallout and videos from this year's Rotaryfest music lineups from external sources and the performers themselves, so let's start combing through what I'm able to find from YouTube and social media today! Remember, the Thursday lineup on Stage 1 was cancelled due to that weekend's severe air quality index counts, and possibly due to the air quality, SooToday didn't send reporters down to cover the remaining bands with any depth (though a picture of Headrush's set was in this press release). Starting our coverage on the opening music lineup on Stage 1 at Clergue Park on Friday, July 17th, the local Facebook page Seldom Seen SSM was on hand to film local Red Hot Chili Peppers tribute band Mellowship Slinky's opening set, specifically of them covering "Can't Stop". Not a hard rock song like early Peppers, but if you miss Anthony rapping, this fit that bill!
Of note, Mellowship Slinky (featuring Reeves frontman Brad Irwin) recruited former As It Stands drummer John Mignacca to fill in for an absent Joe Rosso that day, and it is good to see John behind a drumkit again! Unfortunately for all involved, it was raining very heavily on Friday to kick off the day, so the crowd levels weren't great, and understandably so. I hope the Seldom Seen SSM filmographer had an umbrella to protect their camera, and I hope the stage roof provided sufficient protection for their set! Seldom Seen SSM hung out to film the next band on the Friday, namely local jazz cover quartet The Jazz Cats (featuring Convegence's Jacob Valois and the first of four Rotaryfest sets this year from saxophonist Josh Norling). They played a familiar instrumental that I could not immediately identify by name, and the rain held off for this song! Alas, drummer Nick James was completely obscured by the drumkit at this angle.
The closer angle and drier skies helped the view otherwise, and this was a strong performance by a talented ensemble of true jazz cats! The 7:00 PM third set by country musicians and Way Backs alumni Jeffrey Wright and Meggy Lee was well documented, with attendee Kyle MacGinnis filming thirteen videos for this batch post shared to Jeffrey's Facebook page. Kyle helpfully labelled each video by cover, and generally filmed full songs, and you'll recognize covers of Willie Nelson, Nitty Gritty Dirt Band, John Denver, and (of course) Johnny Cash songs among the set. Kyle opted to shoot all 13 videos vertically though, which was really not ideal, both for the distantly tiny zoom on the performers (Jacob Valois among them again) and because he captured many rows of empty chairs in frame on all videos. Blame it on the rain, I get it, but why accentuate empty seats when you can just rotate your phone and zoom in to the stage?
If you like country music, Jeffrey and crew delivered a skilled and respectful set! YouTube user MistressRayvin also posted two videos to her channel of Jeffrey & Meggy, including "Fishin' In The Dark" as a "Shorts" video, and their cover of Bob Seger's "Turn The Page" (which Kyle didn't film). We'll stop for today with a video of local classic/hard rock cover quartet Quite Frankly, who posted a highlight video of their late replacement set onto their Facebook page. The 3+ minute video sees them covering songs by Alannah Myles, The Top Notes, Wheatus, Joan Jett & The Blackhearts, Shania Twain, Collective Soul, and The Black Keys, among others. I'm no fan of "Teenage Dirtbag" or "Lonely Boy", and I'd far prefer full songs over sub-30 second highlights, but the performances are solid, and I would definitely rather hear Linsaey sing that Wheatus song than hear the original!
