LOCAL CONCERT ALERTS (Headrush & A.S.D.P.), Unfortunate Sun Updates, And More!!

Before we begin today's news post, I wanted to profusely apologize for a missed concert last month, as Sault Michigan hard rock quartet Unfortunate Sun returned to Huck's Pub & Grill in Rudyard on January 17th. This was a 4:00 PM matinee concert for unannounced reasons (Unfortunate Sun's prior gig there in November was a normal nighttime booking), and while the band only promoted this Saturday nighter once on their Facebook page on the previous Monday, Huck's Facebook page had promoted it multiple times in the early weeks of last month. How this slipped me by, I don't know, but I hope the show was a hit for all involved despite the early start time, and we won't miss Unfortunate Sun's next shows (stay tuned on Thursday for our next weekend concert previews!) There was something newsworthy beyond last month's show being their first of 2026, as it was their final gig with ex-Shift bassist Tony Rogers, who "has decided to move on".

The band did not outline why Tony left otherwise, but things are definitely amicable, and they thanked him for "making playing music fun again and saving our band". Replacing Tony is his former Clownsack colleague Brett Blackwood, who was most recently seen in the 2023-2025 hard rock cover band Dirty Musky, and was among the past bassists in Unfortunate Sun's predecessor group Fake Chow. Brett's a talented artist and it will be good to see him back with familiar company, and we'll preview his debut gigs with Unfortunate Sun on the SMS in a couple of days!

Today's post otherwise has some LOCAL CONCERT ALERTS and new videos from Sault Ontario, and we'll start with the "Not A Leap Year Party" on Saturday, February 28th! Now, this is a house party event on Bruce Steet that is not being held at a proper public venue, but this show is publically advertised, it will be 19+, and it has entry via a suggested donation of $10. The host location will even have balloons outside so you know where to go, so this isn't intended to be private or invite-only! More specifics can be seen via the poster, but they're calling the location "Mellow D's Basement" (yes, this is related to the former pop-up venue Mellow D's Underground). Six acts are scheduled at month's end, including three bands (new local ska punk trio A.S.D.P., party metal trio The Apocalypse Afterparty, and online page-less space rock duo The Spaceship Opening. Three solo acts will round out the night's festivities.

They are Sylo frontman Eli Russell, folk singer/guitarist Gimiiwan Ikwe, and former Vanity First frontman Andrew Beggs (a.k.a. Andrew Keith).  This show is being put on by A.S.D.P. frontman/Apocalypse Afterparty bassist Mikhal Muto's new agency Underground Events SSM, and doors will open at 5:00 PM. Intriguing event on multiple fronts, so visit the above links for more on this rare 100% public house party concert later this month!

Next up, here's one more new show announcement ahead, as local classic/hard rock cover quintet Headrush will return to The Full Throttle Saloon for one night only on Saturday, March 28th! Announced with lots of advance notice on Sunday, this follows the band's successful return to the former Primavera Hall two weeks ago, and you know things are going well for Headrush there when they're getting a publicized booking over a month away like this! Time will tell if we see the guys somewhere else before then, but if you've liked the 1980s-leaning range of well performed rock covers from this veteran group, you know when to see them in Steelton next! This will be a 9:00 PM concert with a 19+ age limit and no announced cover charge. Visit the official Facebook event page for more details, and while we're on the subject, we have a new video to share from their last Full Throttle Saloon gig last month!

Normally, I'd wait to share this until we had an imminent show of theirs to preview, but the focus is more on attendees rocking out than the band proper until the last third. Shared to Headrush's Facebook group by attendee Stacey Cleave, the 96 seconds-long and (sadly) vertical video was shot during their cover of Boston's "Foreplay/Long Time", with some female fans happily singing along. Not a bad rendition from what we hear, and Stacey got some good angles of the interior of the saloon with a strong and fun crowd enjoying the music, so give it a watch below!

Finally for today, this leads from our review last week of defunct local grunge/alt-rock trio No Arrow's long-awaited album "Souls For Sale", as frontman Dann Pichette has uploaded a few more songs to his YouTube channel in the past year that are credited to the band! Along with a free streaming copy of all 12 songs from the CD, Dann uploaded an extended 6+ minutes-long version of "Colderside Of The Sun", a cover of Bruce Springsteen's "I'm On Fire" from 2009 that Dann self-recorded, and two non-album originals named "Question Marked" and "Obliterator". The former was remotely recorded by Dann, former bassist Brad Griffith, and a drummer (likely not Joe Falco) credited as "GliTcH!?" circa 2014, and Dann remastered it for a re-upload on his channel last year. I have no idea how recent "Obliterator" is, but it's a slower and sludgier track compared to the more typically grungy "Question Marked".

 Of course, Dann has gotten involved in those "DIY independent musician showcase/networking" channels and communities in recent years from hosts like Thomas Christ and Frank Terzo, so his music (No Arrow or otherwise) has been getting a lot of diverse and far-flung attention as of late, perhaps spurring along the idea of posting these songs online, let alone finally releasing "Souls For Sale". No Arrow are defunct, but it's cool to see Dann bringing them back and giving them a new belated platform, and hopefully we hear more new/old music from him soon! Check out "Obliterator" below!

That's all for now, but stay tuned for weekend concert previews and more on the site soon! Thanks everyone!

No Arrow - "Souls For Sale" CD Review!!

It's time for our 199th monthly CD review and first one of 2026, and after a Christmassy detour last month, we're back on our backlog's timeline by release date, and while we're a few months behind, that's nothing given how long this album has been in the works! This month's review is of defunct local grunge/alt-rock trio No Arrow's album "Souls For Sale", which was finally released on July 21st after first being recorded in 2009 midway through the band's original run! The posthumous release is through Mike Haggith's indie label MorningStar Records, where it is exclusive to physical formats through their print-on-demand supplier ElasticStage, and is not on most major streaming services. Recorded locally at the time and mastered in the UK by Chris Daniels, No Arrow are represented here by future SBD singer/guitarist Dann "Wayek" Pichette and Faithless Sin alum Joe Falco on drums, with Quite Frankly bassist Harley Syrette featured on all but two songs.

Harley's replacement Brad "Gortium85" Griffith (later of Bizotic) plays bass on the remaining two tracks, while a guest guitarist named Lutz Wille appears on "Lighter". You can buy "Souls For Sale" at this link on vinyl for $43.90 or on CD for $17.90, though be advised that the vinyl pressing omits "Most Of All" due to the 23 minutes-per-side space limitations given ElasticStage's printing methods ("Cuts" moves from the end of the album to replace it as track #6 there). While not on Spotify and them, Dann has freshly uploaded all 12 songs from "Souls For Sale" to his YouTube channel, so if you want to stream them for free, do so there or via the song names below!

With 12 songs running for about 49 minutes (on the CD), let's begin this album review, over 16 years in the making! No Arrow lead off here with "Genocyde Revealing Pt. 1", which gets off to a very 1960s psychedelic vibe to start (how SBD of them) before the song gets into grungy territory, with a pacing and melody not unlike Nirvana's "Breed", but with more measured verse singing. The chorus is where this song takes a bit of a step back, as it comes off too chaotic and messy with Joe's drumming not really gelling with Dann's vocals. Intro aside, this doesn't reinvent the wheel for fans of early 1990s grunge, but it's a fun rocker that would be ideal to start their set with, even with my chorus points! Next up is "Sikkha", A nice raw sound to this one with really solid kick drum work from Joe early, and Dann lets off some welcomed force and anger in his singing early!

Mid-way through, the tempo slows down for an effective but short bridge that launches back into the hard rocking with a primal scream from Dann, and with a catchy guitar riff throughout, a more original freewheeling structure, a solid (if somewhat buried) solo, and thumping rhythms, this is easily a highlight of "Souls For Sale", and highly recommended for genre fans! Third is "Lighter", featuring Lutz Wille (who I am 100% unfamiliar with) on guest guitar. True to its name, this is is a lighter and airier song that would translate well to an acoustic format if they ever went that route, though it still has distorted guitar and an alt-rock edge that slightly picks up on the bridge, plus an outro of what sounds like surfing the radio dial. The pacing and casual nature of it doesn't suit No Arrow's skill set (to me), so while well performed, I prefer their harder edged and faster stuff overall.

Song #4 is "Delayed Reaction", which brings back the heavier stylings with strong bashing of the skins by Joe and a strong lead guitar riff, but interestingly, the choruses are slow and measured whereas the verses are balls to the wall. Honestly, the guitar work feels a little proggy to me, which goes in line with Dann's known fandom of early Pink Floyd, but this is very much a heavy track. Catchy and strongly performed, but the choruses do stall the momentum enough for me to not prefer it to "Sikkha" despite a lot of good intensity on offer! Next is the shortest song on offer, namely the title track "Souls For Sale", which is a tighter and more direct grunge rocker with pointed vocals, a gritty & in-your-face guitar riff, and solid bass work from Harley, plus a spacey flourish in some of the instrumental sections. Nothing too shocking, but if you want a straightforward song for genre fans, this is it!

The first half of the CD ends (or the second half of the vinyl begins) with "One On The Line", which is the most punk-inflected song on the album yet, and it's another strong bass showcase for Harley while letting the guys let loose with something a little different, but Dann's vocals are more buried in the mix here, especially on the choruses (where only "I don't mind" comes through with any clarity). Musically, this feels the most like "organized chaos", so to speak, but it does end somewhat abruptly. Fun diversion but I wish Dann's singing was more consistently clear. Next is the song that Dann opted to drop from the vinyl copies of "Souls For Sale", namely "Most Of All", which is also the first of two tracks with Brad on bass. This is a medium paced rock song with more of an indie influence but still with grungy distortion. Joe's drumming is a highlight here, and Brad acquits himself well also!

While not an intense, fast grunge track aside from Dann's vocals, it works well enough and is structured well without any major gaps. Perhaps Dann didn't like it as much as other songs, hence why it was dropped from the vinyl copies, but honestly, I don't think it's the worst song here. We next get "Substitute Victim", featuring Brad in his last turn as a performer on the disc. Things get dialed up to a fast tempo with a punk influence, which all sounds good, but why are the vocals so processed here? It sounds like Dann's singing in a tunnel! We even get a bit of a guitar solo here, and Joe's drumming is really good, but the song feels so over-processed in post-production, and if you listen to the whole album, this really sticks out like a sore thumb in spite of the guys' strong musicianship. Harley returns for track #9, "The Pissing Song", which runs for an album-high 6+ minutes. 

Luckily, the processing from "Substitute Victim" does not recur here, so we get to purely hear the guys in action, though there is some layered-in background spoken word at the midpoint. The song does kind of meander in the later stretches, but the riffs and vocals are strong, and Dann lets out some solid screams here! A lot could have been edited out of this song without losing the essential bits, but early on, No Arrow fans will be right at home with the hard hitting alt-rock! Tenth up is the long awaited "Genocyde Revealing Pt. 2" (why not make it track #2 or #12?), and you can tell how this song must have been so casually performed despite having the requisite catchiness and a full-on grunge vibe that feels straight out of 1992 rather than 2009! Not a lot of vocals here, but it gets the point across and it is a fitting companion piece to the album opener that everyone performs well on!

The penultimate song on "Souls For Sale" is "Colderside Of The Sun" (yes, "Colderside" is one word here), which has more of a "stream of consciousness" vibe, including a relatively repetitive instrumental line, more droning clean vocals from Dann, and more of a jam rock vibe in the back half, including an extended guitar solo. I can see how this would have played well in a live concert, but to me, it ran too long as a studio offering and kinda lost its way despite hearing Dann let loose more on the six strings. A good song but a better jam than it is a composition, if that makes sense. The CD ends with "Cuts" (bumped to the end of side A on vinyl), and after a minute of Joe repetitively & methodically hitting a drum while his bandmates slowly joined in, the song finally kicks into gear with more of a doomy vibe that offers a late variance in sound while still fitting in with No Arrow's existing range!

Again, this is a song that Dann stops singing in for the back half, but it's less of an extended jam, so it still has more of a defined rock structure. Some heavy and deliberate riffs and a direct mood help give this album an effective ending, even if I do prefer my No Arrow to be faster and more raucous. So, what are my final thoughts on No Arrow's long-gestating album now that it's finally on sale? I'm just glad to finally see it out beyond loose/free uploads, and it delivers a fun and varied mix that fans of early 1990s grunge and alternative rock will be fully on board with! It is serendipitous that the namesake of 2010s' big local grunge band Haggith helped Dann finally get "Souls For Sale" over the finish line after 16 years, but if we're being honest, No Arrow always suited the genre more for performance style and attitude, and you can see that in spades with this album!

The songs all sound as good (if not better) than the prior free copies did, and "Sikkha" in particular shows off what Dann, Harley, and Joe could do at their full powers! Dann had strong and well suited vocals, the guitar work suited where each song was going, Harley was always a great bassist (as is Brad), and Joe's loud and rollicking drumming was underrated then and now! I did find that the opening half of the album (side A, if you were) was better then the back half, more or less. In terms of issues, I would have severely dialed back the processing on "Substitute Victim", "The Pissing Song" could have been edited down a lot (I'd have dropped either in favour of "Most Of All" on vinyl), and I would have liked more guitar solos than we got, but you can't knock the experimentation in styles (especially late), which portended the more psychedelic and progressive material that Dann and Brad did with SBD.

Kudos to Mike Haggith for helping get "Souls For Sale" on sale (natch), let alone their paths crossing for networking in those "independent DIY musician showcase" YouTube channels, and if you're a fan of grunge and 1990s alt-rock, you'll enjoy what No Arrow brought to the table a lot! Maybe SBD's "Sonic Experiments" will get a MorningStar/ElasticStage reissue next? Buy/stream everything above, and I hope you guys liked this month's CD review! Our backlog continues next month with Sykotyk Rampage's latest album "WYRD Radio 3: The Midnight Horror Show", so look for that in February, and for more news and notes on the site soon! Thanks everyone!

The Ripcordz Concert Cancellation, A Reunited Local Band, And More Recent Updates!!

Let's dive into some recent news and notes on the SMS on this Sunday afternoon, including a Tuesday night concert preview, a well publicized concert cancellation from this weekend, a recent (and long awaited) album release, and a surprise band reunion, so here's what you should know!

We'll start with the big story that was all over Facebook late Friday night and into Saturday, as The Ripcordz' concert at The Distraction on Friday was abruptly cancelled when the police and fire department arrived to shut the show down. This may sound ultra fitting in a way for the Montreal hardcore punk icons, but the plug was actually pulled during the late stages of Hails' set in the middle of the program. The Ripcordz were open about what happened on their Facebook page, and frontman Paul Gott spoke by phone with SooToday's Darren Taylor for this article about everything. There, Paul indicated that he was told that someone called the police with a complaint about the concert, and while his assumption was over noise (makes sense given what the former Foggy Notions nearby dealt with), Ha!ls' set occurred before the time that a noise ordinance would have been in effect.

Based on what I have read from those in attendance on Friday, it appears to have been related to concerns over permits or the fire code, possibly due to the single door access to the basement. I won't speak further as to what happened, but the discussions ran fast and furious on Facebook (for what it's worth, The Distraction haven't posted on their Facebook page in almost three weeks). Hopefully this is just a stumbling block for The Distraction, which has gotten rave reviews for the basement space since moving downstairs last summer, and that The Ripcordz try here again soon, as they love playing here! No word on if they can on this tour run, but we'll let you know when they get a chance to return to Sault Ste. Marie!

Next up, here's some surprising news, as local hard/classic rock cover band Quite Frankly have reunited! Well, their Facebook page is treating this as a new debuting band, but three band members from their original 2009-2010 run (2000s local metal guitarists Frank LaTassa and Joe DelBasso and former No Arrow/Half Past bassist Harley Syrette) are back for 2025, though Joe has shifted to electric drums in lieu of the departed Adam Pettenuzzo. Original singer Jack "Jacklyn Hyde" Alisat has been replaced by 2024 The Soo's Got Talent semifinalist Haley Alopaeus, and while keyboardist Vince LaTassa (Frank's brother) isn't back either, he did guest with his old band in their first gig back, which was at a private function at Venue on Queen Street East. In their first public video from July 14th, you can see them covering Jimi Hendrix's "Purple Haze" in a jam session, which does sound good across the board!

As for the Venue gig, this 3 minute video (which features both vertical and horizontal camera orientations) is a compilation of clips of cover songs from that night, including The Black Keys' "Gold On The Ceiling", Johnny Cash's "Folsom Prison Blues". Journey's "Don't Stop Believing", The Steve Miller Band's "Jet Airliner" (with Frank on vocals), Creedence Clearwater Revival's "Fortunate Sun", Bachman-Turner Overdrive's "Takin' Care Of Business", Guns N' Roses' "Sweet Child O' Mine", Chris Stapleton's "Tennessee Whiskey", and Collective Soul's "Shine". Not long clips of anything, but a good sampler of the new Quite Frankly, who definitely still have talent, and Haley has a nice voice, so check things out above & below!

Speaking of Harley Syrette, his old 2005-2011 grunge band No Arrow's unreleased studio album "Souls For Sale" was finally released this past Monday! As detailed here, Mike Haggith's indie label MorningStar Records has belatedly given this album a professional physical release, and you can now order it via ElasticStage at this link for $17.90 on CD or $43.90 on vinyl. As best as I can tell, the album is not currently officially available through MorningStar on major streaming services, but you can hear the unreleased free demo version at this link. The album's track listing is mostly the same to what was presented on the demo, but "Cuts" was moved from the end of the album to track #6, the final two songs were flipped in the order, and the original track #7 ("Most Of All") was dropped from the final product for unannounced reasons. I'm only going off of the song previews here, but they sound largely identical to how they did in the late 2000s.

It may take ordering the album for potential liner note details (remember, they broke up in 2011), but No Arrow are represented here by singer/guitarist Dann "Wayek" Pichette and drummer Joe Falco, with Harley and Brad "Gortium85" Griffith supplying bass tracks. This has to be exciting for No Arrow alumni who couldn't get this album out at the time, so kudos to Mike for getting things completed and published all these years later! I wonder if Dann & Brad's successor band SBD's limited print album "Sonic Experiments" could get a similar reissue next? Given our immense backlog of album reviews, "Souls For Sale" is pencilled in for December, so 2025 is now booked solid. In the meantime, buy it for yourselves above!

Finally for this news post, here's a special preview of a show on TUESDAY NIGHT, as local punk/alternative cover band Bookclub will rock The Roberta Bondar Pavilion as part of the City of Sault Ste. Marie's Summer Concert Series! Annually, local musicians (typically covers-centric ones) take the stage under the big tent downtown on Tuesdays and Thursdays throughout the summer, with BookcluB being the fifth of eleven with the honours in 2025. Last seen at Rotaryfest Stage 1 this past weekend, Tuesday's show should see the return of saxophonist Josh Norling, who was out of town and missed their Saturday evening set at Clergue Park. Hopefully a strong crowd turns out on Tuesday for BookcluB's eclectic mix of unexpected rock covers! Mikey, Dustin, Brandon, Allan, Erin, and Josh take the stage from 7:00-9:00 PM, and this concert is FREE & ALL AGES, as are all others in the Summer Concert Series, which runs through late August.

As the show is kinda sorta outdoors (tent acknowledged), 9&10 News is currently calling for mostly cloudy skies with a high temperature of 23° and a 10% chance of rain, so not quite as warm as it is today. That said, we're not close enough for an hourly forecast, so check in closer to for updates on the likely conditions. Visit the above links for more on BookcluB's Tuesday evening gig downtown, and here they are live!

That's all for now, but stay tuned for this month's YouTube Channel Profile next! Thanks everyone!

The Ethereal Tomb Concert Preview, A Surprise Upcoming Album Release, Pillory Updates, And More!!

Keeping things moving on the SMS, let's begin a very busy string of concert previews with a special Wednesday night metal show, while also looking at a surprise upcoming album release, a new full concert set video, and more assorted updates, so here's what you should know on this Tuesday morning!

If you want something a little heavier than what Rotaryfest is offering this weekend, you may want to consider hitting up Soo Blaster TOMORROW NIGHT, as three touring metal/hardcore bands will take the stage there for a special Wednesday nighter! The bands in question are Barrie/ doom metal outfit Ethereal Tomb, Brampton hardcore band Mile End, and Chilliwack, B.C. hardcore punk quintet Smuther, Solid mix of abrasive styles here, with Ethereal Tomb's slow and sludgy originals sure to contrast well with the faster intensity of frequently tour mates Mile End, let alone Smuther, so don't miss this touring trifecta tomorrow! Local support will come by way of crossover thrash quartet Hails in their first show since releasing their self-titled album late last month, and while this may seem like the de facto release party, note that they said on their Facebook page that they are working on physical copies for "Ha!ls", though they didn't give a timeline there.

Also, I wanted to briefly apologize for any erroneous mentions in past posts about the relationship of Hails guitarists Mikhal & Carmen Muto, as they are cousins, not brothers. Thank you to the Rotaryfest program for clearing that up! They debut on Stage 2 on Saturday. Despite teasing that online tickets would go on sale, this Mikhal Muto-promoted concert will instead have a $15 cover charge at the door. It is all ages, and doors open at 6:30 PM. Should be a solid night of hard hitting metal and hardcore action, so visit the official Facebook event page for more details, and here's Ethereal Tomb live!

Next up, here's a surprise impending album release, as defunct local grunge/alternative trio No Arrow are belatedly putting out their unreleased album "Souls For Sale" on Monday! This was announced last week via Mike Haggith's label MorningStar Records' website, in a press release outlining the 2005-2011 band's run & posthumous plans. As you may recall, No Arrow featured singer/guitarist Dann Pichette (later of SBD) and drummer Joe Falco (ex-Faithless Sin) alongside a handful of different bassists, with Harley Syrette (Quite Frankly/ex-Half Past) and Brad Griffith (ex-Bizotic) handling the low end on the "Souls For Sale" sessions. What's unsaid there is that Dann, Mike, and Brad's paths have crossed multiple times over in recent years via those "independent DIY musician promotion" YouTube programs and their related communities, with Dann (Wayek) and Brad (Gortium85) often submitting solo material to the same outlets that Mike does.

In terms of local grunge bands, No Arrow's heyday never crossed the timeline with Mike's eponymous band Haggith (who formed in 2012), but given Mike's work as an indie label head, he is doubly fitting as someone to help get No Arrow's only album finally on sale as originally intended in the late 2000s! Specifics on the release (price, streaming availability, if it will be largely identical to the free demo copy or not) are to be revealed, but Mike has confirmed that it will go on sale on Monday at this link in both CD and vinyl, which may have blown No Arrow's minds had that been a realistic option back then! Very exciting news for Dann, Joe, bassists, and fans alike, so stay tuned for updates on the album as they roll in!

Also, apologies for the delay in this making the site, but a full set video of local death/thrash metal trio Pillory's set opening for Sentiment Dissolve at Jay's Piston Broke Pub on May 19th was posted to drummer Bret Shuttleworth's YouTube channel two days later! In a minor shock, Bret said in the description that this was the first time that Pillory has ever played at the former Roosevelt Hotel, which sounds hard to believe, but I think he's right! One of their last shows with Blair St. John on bass (more on that in a bit), Pillory were seen here playing "End Of Small Sanctuary", "Specimen Of Egotism", "Abhorred Apprehension", "Sculptor Of Cadavers", "The Passing", "A Drop Of Shame In An Ocean Of Guilt",  their cover of Sepultura's "Territory", "The Curse Of Eternal Sickness", and "Exhaustive Incarnation". While re-ordered, this is largely identical to what they played at The Pit at Soo Blaster in April.

The only exception is that they replaced "The Angst Of Existence" with their closing song "Exhaustive Incarnation". Things sound sufficiently brutal and technical to my ears, which is what you want from Pillory, though the Soo Blaster video may be preferable for the lighting and angle of the camera, especially given that that cursed support beam on the stage at Jay's is still there, and frequently blocked Blair from view (Bret said that the camera was placed where it was to avoid distracting fans in attendance). The Pillory logo watermark was well placed given where speakers were! Good stuff overall, so check out Pillory's May concert set in full below!

Finally for today, here's three assorted shorter news items from the last while, and as usual, these are in alphabetical order by artist name:

 

• In a late lineup addition for the first annual WestFest at Anna Marinelli Park on July 26th, local classic rock duo Frankly Speaking have been added to kick off the day's musical entertainment at 1:45 PM, as per the festival's Facebook page on Wednesday. As such, Frank & Frank will be the only act at WestFest that has never played at Rotaryfest Stage 2, though they did play at Stage 1 last year. See above for more on this debuting Jamestown/Steelton-area community festival next Saturday!
• After going this long without listing their full lineup in text on social media, we can now confirm that local classic/hard rock cover quintet Headrush's lineup is rounded out by Fusion alum Frank Mannarino on rhythm guitar/keyboard and veteran local musician Gino Pulente on drums. Credit to the 2025 Rotaryfest program (as delivered in local mailboxes last week) for finally filling in the blanks for fans who haven't been out to see them live yet. Don't miss Headrush as the closing band on Stage 1 this Saturday!
• The aforementioned Pillory have reportedly welcomed back Devon Lucier on bass, replacing Blair St. John, as per a quiet update to the intro on their Facebook page. A reason for Blair's departure was not announced, but things are definitely still amicable, as he still plays with Pillory frontman Robert Sartini in the cover rock trio All Over The Map (among other varied projects, so you'll see him around!). Best known as the frontman of 2010-2013 death metal band Crimson Crusade, Devon was a member of Pillory at the end of their original thrash run in 2014, and it will be neat to see how he factors back in with Robert & Bret after 11 years!

 

That's all for now, but stay tuned for the beginning of our Rotaryfest concert previews next! Thanks everyone!

Defunct Local Band Profile Series: No Funeral & Habitat Shuffle

It's now time for this month's Defunct Local Band Profiles! For the first time in 2025, we're looking at not one, but two randomly selected defunct or inactive local groups, due to the first act chosen not having much to talk about given their short lifespan and lack of videos, so a second randomly chosen act in a similar state was also picked to round things out with. Both ended up being short-lived bands who released an album each but didn't do a ton else under these names, so here's what you should know on both!

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No Funeral

Hometown: Sault Ste. Marie, Ontario/Edmonton, Alberta

Genre: Noise Punk/Post-Hardcore

Lineup:

Connor O'Brien (Flint), vocals/guitar
Jamie Vincent (AlgomA), bass/drums

Info/Analysis: After being bandmates in the Edmonton punk band Flint from 2009-2012, Connor and Jamie planned a new joint project for at least two years, eventually debuting No Funeral when Connor travelled east for a Dryer Fire-promoted event at Outspoken Brewing in October 2022, and they were scheduled to play at the cancelled Matthew Nadon memorial concert in February 2023. That same month, they recorded their self-titled album at Unsalted Audio, and its release in March was their final public act before falling inactive. In effect, No Funeral were here for a good time, not a long time, but fans of noise rock, Rollins-esque vocals, and Jamie's local bands (especially Bad Back) will take to their inconsistent but strong album, and hopefully they resurface in time!

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Habitat Shuffle

Hometown: Sault Ste. Marie, Ontario

Genre: Alternative/Hard Rock

Lineup:

Christian Lemay (Free Beer, Id Iota), vocals
Dustin Goodall (Id Iota, The Pixo Control), guitar
Ryan Gray (Free Beer, Creatures Of The Night), bass
Blair St. John (All Over The Map, Pillory), drums

Info/Analysis: The 2014 launch of Habitat Shuffle united most of the former Free Beer (a.k.a. M.O.B. and Sarah's Valley) while eschewing their former ska punk sound in favour of 1990s-inspired alt-rock & grunge. After dropping out of a planned live debut at the Great Sabatini concert that June, they recorded their four-song EP "Sober Drift" at Mission Control Studios, releasing it on Bandcamp that August. For one reason or another, the band (minus Ryan) opted to scrap Habitat Shuffle and relaunch as Id Iota in the spring of 2015 with a more indie rock-inspired sound, running locally until 2019. For my own heavier musical preferences, I actually preferred Habitat Shuffle's EP (especially "Resort") to Id Iota's for its grungy qualities and catchy song structures, but it helped bridge the gap from Free Beer effectively, but listen to both "Sober Drift" and "Maudlin Fair" to compare their sonic evolution in the mid-2010s!

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I hope you guys liked this month's Defunct Local Band Profiles! This series will return on or around March 10th when we look at another randomly selected past local band, and in this case, it will be acoustic southern hard rock duo and former Bone Yard side project The Bearded Lounge! Look for that then and for more news and notes on the site as this week rolls along! Thanks everyone!

Weekend Concert Previews & A New Original Song!!

In a hard rock sense, the weekend before Christmas is fairly quiet as the SMS goes, which I wasn't expecting! Not a lot of shows from heavier bands, so barring a late notice confirmation, this weekend's previews will fit into one post! We'll round things out with _____, but here's what you should know for the next two nights!

We'll start at The Esquire Club, where local classic/hard rock cover quartet Soundcheck will hit the stage TOMORROW & SATURDAY NIGHT! Last seen here just under a month ago, this weekend's gigs will be Soundcheck's last ones on Second Line West before their reported breakup next month, which the band finally confirmed on their own Facebook page yesterday (they have not promoted this weekend's shows thusly but they've been referenced on members' personal Facebook pages and in the venue's advertising). After this weekend, Soundcheck have just three shows left (next weekend's have not been publically announced at press time), so if you wanna see Terry, Cameron, Jim, and Glen together on stage rocking out, keep tomorrow & Saturday's shows in mind! As usual, expect 9:30 PM start times, 19+ age limits, and no cover charges. Visit the above links for more details, and for a preview, here's Soundcheck (no space) live!

Next up, let's head downtown, where local southern hard rock trio Bone Yard 225 have a full weekend in store for fans TOMORROW & SATURDAY NIGHT at Reggie's Place! With bookings next weekend and on New Year's Eve ahead like Soundcheck, Bone Yard have a busy end of December ongoing, with tomorrow & Saturday's shows being their second and third at Reggie's this month alone, before capping the year there on the 31st. It's good to see Greg, Alex, and Warren back in familiar confines this weekend, so if you want a full slate of plugged-in southern and hard rock covers (and likely a few originals), head to this Queen Street East mainstay this weekend! Like normal, expect tomorrow & Saturday night's shows to be 19+ affairs with no cover charge and 9:30 PM start times. Visit the above links for more on Bone Yard's pre-Christmas shows, and for a preview, here's your local 225 live!

Lastly for currently known hard rock concerts in the area this weekend, we'll head up to The Distraction on East Street, where crossover thrash/punk quartet Ha!ls and party metal trio The Apocalypse Afterparty will join forces on SATURDAY NIGHT! Both featuring Mikhal Muto in their respective lineups, this will be Hails' first show since Halloween and The A.A.'s first in five months, and both should unleash their live-ready brand of in-your-face original music on fans this weekend! Former(?) Sylo frontman Elijah Russell is home for the holidays after leaving for university this fall, so look for his own talented brand of acoustic singer/songwriter material to kick off the night! Note that metal trio The BAG were originally slated to play at this show, but were replaced by The Apocalypse Afterparty for publically unannounced reasons not long afterwards. Notably, this concert will be held at The Distraction's downstairs basement space The Stellar Door, which hosted the Total Chaos and Ripcordz shows this year and select all-local gigs earlier this year.

Saturday's festivities are ALL AGES with doors opening at 7:00 PM, and while general admission is $10, promoters are hosting a canned food drive for the occasion! For each non-perishable food item brought to the former barbershop on Saturday, your ticket price will be shaved by $1, for a maximum savings of $5 if you donate five items, If you want to save some cash while doing a good deed, why not?! Visit the above links for more on all of the action at The Distraction, and for a preview, here's Ha!ls live!

Finally for this post, here's a new song from... No Arrow? Yes, the 2005-2011 grunge/alternative rock band has resurfaced with a new-ish original track named "Question Marked", as posted onto frontman Dann Pichette's YouTube channel two months ago. In the description, Dann (who moved from the Soo a few years back) noted that this is "a re-recording of a rough demo (that was) recently revised and revived", and that it "was the last song (that) I originally recorded about 10 years ago" before opting to redo it. On the recording is former bassist Brad "Gortium85" Griffith (who later played with Dann in SBD and without him in bands like Bizotic), while the drummer is credited as "GliTcH!?" (if that is ex-No Arrow drummer Joe Falco, than the handle isn't familiar to me). The song proper feels like something that No Arrow would have played live and recorded in the late 2000s, with a grungy distortion that sub-genre fans will like!

The video proper has various questions and statements moving towards the camera while the song plays, but they're not the lyrics, nor are they in time with the song, but there is a relevance there. I wouldn't rush to add No Arrow back to our links as this seemed to be presented as just unfinished business rather than a remote comeback, but Dann and Brad have popped up a bunch in those "hang out and have the host review new indie music" webseries like Your Music Live, so keep that in mind. Check out No Arrow's new song for yourselves below!

That's all for now, but stay tuned for more news and notes on the site soon! Thanks everyone!

A New Punk Album, New Videos, And Band Link Updates!!

Before we dive into St. Patrick's Day weekend concert previews, here's a new news post on this Wednesday evening, including new videos, updates to our band links, and leading off, a new album release. With all of that said, here's what you should know!

We have a surprise new album release to note on here, as local folk punk/emo solo project Agnosticism quietly released a new EP named "A Letter Of Resignation" to major streaming services on February 23rd! Given that this project (led by Vanity First, Hails, and Apocalypse Afterparty alum Mikhal Muto) is only active on social media via Instagram, it could be easy to assume that the album was plugged there and nowhere else, but nope, it wasn't even mentioned there. Mikhal actually told me about the release in a Facebook message, even acknowledging that he hadn't said much about it, so now everyone knows! The five song EP can be streamed on Spotify, Apple Music, Amazon Music, YouTube Music, and even Boomplay (an Africa-centered streaming service that is getting more attention from local artists in recent months). Yes, this album is on sale on iTunes for $4.95, so it is eligible for a review on the SMS!

This and next month are sewn up with reviews of the newest Heavy Lies The Crown and Convergence albums, but our May 2024 album review will be of Agnosticism for the first time, so what will I have to say about Mikhal's unplugged folk punk originals? We'll know then, but give the opening song "New Year's Revolution" a listen below, and buy/stream this and other Agnosticism albums at the above links!

Next up, here's a new video from one of Iron Mountain, Michigan classic/hard rock cover band Oz's shows at The Rapids Lounge at the Sault Ste. Marie Kewadin Casino earlier this month! Uploaded to the band's Facebook page last week, the video features Oz covering "Somebody's Out There" by Triumph, in what has to be a rare example of a band covering a Canadian song in Sault Michigan. Strong cover filmed from a good angle to capture the whole stage, and I can easily see Oz handling Rush singles if this Triumph cover tells me anything! Give it a look below, and hopefully Oz come back to the E.U.P. soon!

Also today, let's hop back to Sault Ontario for new videos from local classic/hard rock cover quartet Generations! These were filmed by attendee Christopher Bardawill (who has filmed them before) at their show at Jay's Piston Broke Pub on Saturday. The videos were first posted to Christopher's personal Facebook page and then shared to the band's Facebook group. Interestingly, both songs that he filmed are ones where Valerie Powley is not on lead vocals, instead providing backup and playing tambourine. One is a cover of The Eagles' "Already Gone" with guitarist Tony Kajnar on vocals, but embedded below is their cover of Steppenwolf's "Magic Carpet Ride" with bassist Pierre Anthony on vocals. That cover is a little shorter, but I embedded it here because it's a harder rocker and he didn't film it while sitting at a table for the duration, so you get some a much closer side stage vantage point of the band in action here!

I'm no Eagles fan, but that cover and "Magic Carpet Ride" are performed well and make good use of their vocal harmonies, especially on the former! Alas, both videos were shot vertically, which really didn't help the "Already Gone" video's case, but kudos to Christopher for filming on Saturday! Give their newest live videos a watch above & below!

Finally for today, here's three assorted shorter news items, all bands newly moved to our inactive band links due to being publically inactive for a year or more. As always, these are in alphabetical order by band name:

 

• The first of the bands moved to our inactive links is local acoustic southern hard rock duo The Bearded Lounge, who last posted band updates or played live on March 4th, 2023 at The Water Tower Pub. Launched in 2017, this side project of Bone Yard appears to have been put on the shelf so that Greg and Alex could include Bone Yard bassist Warren Reville in their unplugged (sorry, "uncorked") gigs, now under the Bone Yard banner, which have continued in the past year. Look for upcoming acoustic Bone Yard shows at The Water Tower Pub and Gateway Casino!
• Also now in our inactive links is local/Edmonton noise punk duo No Funeral, who have not issued any public updates since releasing their self-titled album on Bandcamp on March 5th of last year. Featuring former AlgomA drummer Jamie Vincent and his old Flint bandmate Connor O'Brien, No Funeral played one live date at Outspoken Brewing in October 2022, recorded an album while Connor was in town, and that was about it until the album came out. No Funeral were an entertainingly chaotic project, and hopefully they surface again if the stars align!
• Finally, I have moved local/Toronto progressive metal trio PROV3RB5 to our inactive band links. Given the studio-heavy nature of the band (especially as Bryan lives out of town), it's entirely possible that PROV3RB5 have been working behind the scenes for the past year+, but the band has not issued a social media update since guitarist Benjamin Roswell posted a playthrough video on their Facebook page in January of last year. PROV3RB5 are too talented to go away, if I may say so, and hopefully Ben, Bryan, and Phil resurface when the time is right!
  

 

That's all for today, but stay tuned for weekend concert previews on the site next! Thanks everyone!

Halloween Concert Updates, A New Cover, And Much More!!

I have a new news post for your Sunday afternoon reading, and it covers a lot of recent ground via shorter stories that have came up in recent months, plus a new cover video and leading off, big updates on a multi-band event at month's end. Here's what you should know!

Remember how a Halloween concert was announced for Tuesday, October 31st at The Art Hub at Spring, but the lineup was only partially known? Well, the full lineup is now out via its Facebook event page and this poster! Local metal trio The BAG announced their involvement on their own, and we correctly inferred that new local rock quartet Skinbox were playing based on members being credited as hosting on the event page, but there will be three more acts. Two are solo acts, namely Vanity First/Hails guitarist Mikhal Muto's folk punk/emo solo project Agnosticism, as well as local folk/pop singer/guitarist Hannah Lindsay, who you may recall seeing alongside The BAG and eight other acts at Lopstock III in July. The fifth act is a mystery band named The Psychic Spies, who I can't find anything definitive on, but note that "psychic spies" are the first words uttered in The Red Hot Chili Peppers' song "Californication", so that could mean something (or nothing.)

Now, despite the event page being public, and The BAG confirming the event publically, why does the poster say "private event"? If it was truly "private", the event page and/or location wouldn't be publically viewable. As best as I can tell, that basically means that if you want to come, you have to RSVP, so message Skinbox members Steve Edwards, William Wardlaw, or Brad Irwin (ex-Gnaeus) if you want to attend! Their drummer is not credited as an event host. Costumes are encouraged as you'd expect, and while you have to RSVP, admission is free with a tip jar available to support the bands. See above for more details on this kinda-private-ish Halloween party at the end of the month!

Next up, here's a new cover song credited to defunct local grunge trio No Arrow! Uploaded to frontman Dann Pichette's YouTube channel, the description does give the year 2023, so if this is brand new, my feeling is that it was recorded to send off for consideration on You Rock! with Thomas Christ, which he has submitted back catalog material for. As such, I won't rush No Arrow back into our active band links, but last I heard, Dann doesn't live in town nowadays anyway. Despite the still image being from the music video for Basement Jaxx's "Where's Your Head At", the song is a cover of "Simian Fever" by the post-hardcore band Six Finger Satellite, complete with jokey intro. Whether this is indicative of a return (even if just in studio as a solo project) or not, I can't say, but this is an intense slice of 1990s noise rock and it's good to hear new material from Dann, so check it out below!

Finally for today, here's six assorted shorter news items from the last while, and as usual, these are in alphabetical order by artist name:

• I apologize for only discovering this article after the fact, but Jeffrey Ougler from The Sault Star made up this article to promote the Fall Of Earth show at The Queen Of Hearts Club, featuring interview remarks from Fall Of Earth frontman Alex Lye. In the article, Alex talks about his vocals, the Edmonton hybrid metal band's sound, the overall friendliness of the metal music community, and his stage presence, among other topics. While not hyper-local beyond the fact that they were playing here, it's a good read and hopefully it got some more fans to the show!
  
• In recent posts on their Facebook page, local southern hard rock quintet Fort Creek have acknowledged that they've been quiet in recent months, "but don't worry, it will all be worth it". The band is selling new t-shirts with an updated logo, and on September 19th, they strongly hinted that they were working on new studio material via this picture of a song being tracked on a computer, complete with a piece of paper that seems to hint at a 4:32-long new original song named "Battlefield". Is Fort Creek's long gestating debut album back in production, or are they just working on songs? Stay tuned for updates!
  
• As a bit of clarification from our recent coverage of local classic/hard rock cover quartet Generations' upcoming concert slate, remember how they were scheduled to play at The Esquire Club on Friday and yesterday on the venue's fall calendar, but confirmed on their Facebook group that they were instead playing there this coming weekend? The switch does appear to have been a straight trade with The Steeltown Playboys, who The Esquire Club originally blocked for next weekend, but did indeed play there on Friday & yesterday. At least no one lost a booking here, and don't miss Generations at The Esquire Club later this week!
  
• The Inner City Surfers' reunion concert at Soo Blaster on November 3rd was promoted in this SooToday article by Chris Belsito on Wednesday, where drummer/event host Mikey Hawdon talked about the event's inspiration as an alternative to a traditional stag & doe (this is in support of his upcoming wedding). He also talked individually about all four bands playing this concert, all featuring Mikey himself on guitar or drums. Nothing too new to report here beyond the personal remarks, but it's good promotion for what will be a huge reunion concert, so check it out above!
  
• In another new SooToday article from August, Chris Belsito spotlighted online page-less punk/folk solo project Jonesy Land's new single and music video for "Old Man", where project leader Dustin Jones acknowledged the positive (and negative) responses he's heard for its debut album "Zoom - Out", the themes and inspirations behind "Old Man", working on the music video, and plans to play a live support concert for "Zoom - Out" with a full band this fall (I have heard nothing on this plan at press time otherwise). Good article for fans of Dustin's, so check it out also!
• On September 11th, Sault Michigan hard rock/metal band Tarnished announced a musician search to find a new lead guitarist & bassist to replace the departed Nathan Webber & Isaac Royer. Candidates must be determined & flexible, they have gigs lined up, and a new album is planned. It's unclear how tryouts have went so far, but they played in Toledo, Ohio on Saturday with frontman Alex Traynor's dad/ex-Banned bandmate Don filling in on drums (one assumes that Alex and Josh Fair handled guitar and bass or vice versa). Hopefully that gig went well, and if you're interested in trying out, contact Tarnished via their Facebook page!
   

That's all for today, but stay tuned for more news and notes on the site this week! Thanks everyone!

No Funeral - "No Funeral" Album Review!!

It's now time for our 168th monthly CD review at The Sault Metal Scene, as we're taking a look at local/Edmonton noise punk duo No Funeral's self-titled debut album! Released to their Bandcamp page on March 5th, this is the newer project from two former bandmates in the Edmonton noise punk band Flint, including guitarist Connor O'Brien and bassist Jamie Vincent (ex-AlgomA/Bad Back). With No Funeral, Connor sings lead vocals too, while Jamie also handles drumming duties. The album was quickly recorded locally at Unsalted Audio last fall with producer/ex-Id Iota/Free Beer guitarist Dustin Goodall, who also provided backing vocals, additional bass, and "musical saw" on the final product. Mat Laporte, who designed the album artwork, guests on saxophone on the two final tracks. "No Funeral" is on sale on a "name your price" model, so while you can stream/download the album for free, consider buying it to support Connor & Jamie's work!

With 10 tracks running for about 28 minutes, let's begin this review with the opening track, "Smear Campaign"! Running for an album-low 80 seconds, this song is basically an explosive anti-smear campaign track. Musically, this is a chaotic post-hardcore-tinged song that fans of Flint will be right at home with (local fans will identify most with Bad Back despite Jamie not being the frontman here). While the lyrics are mostly shouted spoken word, the intensity and directness is to its benefit, and it gets in & out with precision! Second is "Morning Gong" (a metaphor for the sun), which appears to be a reflection of how your current situation is perceived. A much longer and more substantive track, this is less explosive and has more of a discordant deliberation to it that would be easy to scale down to a 1990s alternative/grunge sound if that's how they wanted to go about it.

Connor again more shouts in an intense spoken word than sings or screams, but it works for the aesthetic here, which slowly builds in aggression without getting too hardcore, and I like how this one was laid out as a composition! Third is "Swing Song", which has Connor dressing down someone for a hinted-at transgression that slowly gets clearer as the song progresses.  Shorter but much wordier, the title "Swing Song" is apt, as the structure has a swing-ish riff to it while still harbouring their noise punk tendencies, especially on the more disarranged choruses. and the more pained bridge at the end, with Connor screaming in increasingly passionate ways. He and Jamie meld their sound together well here, but as a pure composition, it's messier than I like compared to what came before. That is followed by "Bad Country" (not "Bat Country"), which is about increasing malaise with life on a long road trip.

Opening with a pounding distorted riff, this alternates between low monotone spoken word and pained post-punk wailing, both doubling up at points, which is an interesting contrast! The song is fairly chaotic when it gets going, but I like the intensity of the guitar work, and the rhythm section fits well, so this is one of the better tracks despite its short length! The first half of the album ends with "Agent of Failure", which feels like (to me) a depiction of being sent to Hell. A very prominent bass riff from Jamie dictates the pace of this song, which feels the most like something AlgomA may have recorded thanks to it's deliberate doomy progression (though most of their songs greatly exceeded 3:17). The dark atmosphere and pointed vocals are to this song's benefit, but I do prefer my noise punk to be faster and more free-wheeling than this. AlgomA fans will absolutely want to take a listen to this one though!

Song #6 is "Spirit Wife", which seems to be about longing for a relationship, toxic as it may be. This ramps the speed back up and again has the vibe of 1990s alternative/grunge but with the noise rock dial cranked to match. Connor's vocals are a little too layered in the mix compared to preceding tracks, but it gets in and out without overstaying its welcome, and it has a good punk aggression without going overboard! Next is "Gag", which is about how bad memories linger and don't just go away. To me, this reminds me more of old school 1970s-80s punk rock early but the second half is more doomy, so it's a tale of two songs in that respect. Honestly, this feels like less effort was put into it than its contemporaries on the album, as it just coasts along at two different speeds, but if you wanted No Funeral to play something a little less noise-influenced, you may feel different about this!

Eighth is "Kiss", a lyrically simple number about what one wants his lover to do to, for better or worse. The third song here to very much remind me of 1990s grunge rock, it arguably captures that style the most without dipping into their noise punk wheelhouse. No Funeral acquit themselves well here, and while Connor's speak-singing may not be ideal for the whole runtime (not to mention the ultra-abrupt ending), it's one of this album's better pure compositions! The penultimate song is also the longest on offer, namely "Storyteller", where Connor makes a graphic request before it's too late. Mat Laporte makes his first guest appearance on saxophone from the start here, adding some background melody as that feels out of place on the slow quieter verses, yet gets largely drowned out on the heavier choruses. The song would be emptier on the verses without the sax, but they still don't feel natural here.

I found the verses as they were to be too drawn out and slow, and while the choruses correct that, they stay on the same track, so this kinda meandered to me in spite of everything. Not a bad song, just not how I would have approached it. "No Funeral" closes with "...And Into The Jungle", which is the most symbolically cryptic song on offer, so read the lyrics tab on Bandcamp to try and read between the lines. This track is essentially a twisted version of beat poetry, with Connor reciting the lyrics in dark, ominous ways while he, Jamie, and Mat play backing instrumentation and effects to match. I won't tell you that this is the best song on offer (it's barely a song), but I admire it as a composition and I admire the choice to end the album with it, and it's a very interesting way to cap things off while also sticking with their prior stylistic choices more often than not!

So, what are my final thoughts on No Funeral's (allegedly) only album? While inconsistent, it delivers enough noise punk goods to leave a strong first/only impression, while also harbouring enough links to both Flint and Jamie's local band work to please fans of their prior back catalogue! Connor's vocals often reminded me of Henry Rollins in approach, if more experimentally applied, and he and Jamie had obvious chemistry that was resurrected in kind on album highlights like "Bad Country" and "Morning Gong", while "Kiss" effectively showcased how well they could replicate 1990s grunge and alternative sounds. For an album allegedly recorded in a few days, it hardly shows, but it's not a perfect product. From the too laid back "Gag" to the sometimes tedious "Storyteller", and even the messier "Swing Song", it wasn't universally to my tastes, but it mostly hits!

"No Funeral" covers a lot of ground in pursuit of their noise punk ideals, and there's a little something for everyone, even if you missed their Outspoken Brewing show last fall (or aren't familiar with Flint), so give this album a listen above, and I hope you guys liked this month's album review! Our next review will be of Handsome Sandwich's debut album "Deconstructed", so look for that in July at some point, and for more news and notes on The Sault Metal Scene later this week! Thanks everyone!