Monday, January 10, 2022

Defunct Local Band Profile Series: RXN & Hubbard

Things remain slow for news in SMS-Land right now, but this month's Defunct Local Band Profiles are here and on schedule on this snowy Monday night! For our first installment of this series in 2022, we're looking at two local hard rock acts of the past, both randomly selected from our inactive band links, in order to spotlight them and their run for current readers! The first band was bumped from December's post due to last month's first chosen band having more info than I expected, so we're doubling up this month instead with a new band added to fill things out. Here's what you should know!

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RXN

Hometown: Sault Ste. Marie, Ontario

Genre: Hard Rock

Lineup:

Shawn Dunn, vocals
Tukker "Patry" Broda, guitar/bass
Josh "J-Sus" McEwen, bass
Caleb Pitaro (Slow Children Playing), drums

Info/Analysis: Active from late 2009 through at least April 2010, RXN (pronounced "reaction") began as a solo project of Tukker's, but was soon rounded out to a full lineup with aspirations to record original material. Josh left the band before their last updates on their official blog, and RXN appear to have quietly disbanded by 2011. Aside from Caleb's now-deleted work with Slow Children Playing, I can't comment on RXN as musicians, but this young group worked on their online presentation reasonably well when they were active, and I'd be curious to hear what they had recorded!

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Hubbard

Hometown: Sault Ste. Marie, Michigan

Genre: Hard Rock

Lineup:

Chris Hubbard (415E, Rhythm & Brews), all instruments

Info/Analysis: A solo project from ex-Nixxon Dixxon guitarist Chris Hubbard, it launched publically via their Facebook page in June 2018, with Chris noting plans to record a solo album. Unfortunately, teasers of planned sessions and optimistic future activity are all we really got from Hubbard's nine sporadic Facebook posts, and the project was last heard from in October 2020, with Chris focusing on his bands since. Aside from a drum set-up clip, we have very little to show from Hubbard musically, but Chris' resume and his Van Halen fandom should give you an idea. Hopefully Hubbard are revived when the time is right, as the potential is absolutely there, and Chris is an excellent guitarist!

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I hope you guys liked this month's Defunct Local Band Profiles! This series will return on or around February 10th when we look at another randomly selected band, and we're back in Sault Ontario for a look at mid-2000s punk trio Smeltzer, surviving information willing! That's all for today, but stay tuned for more news and notes on the site this week! Thanks everyone!

Friday, January 7, 2022

Another Episode Recap Of Metal Morpheus On The Borderline!!

As you may have gathered following the reversion to Stage 2 of re-opening in Ontario and the usual January hangover following the holidays for the local scene (even pre-pandemic), news has definitely slowed down to start 2022, so let's use today's post to further catch up on Metal Morpheus episodes on local internet radio station The Borderline! While there hasn't been a public statement that I've seen, it looks like host Josh Amendola has at least went on a holiday break from the show, as every episode since the heavily revised Soo Metal episode on December 5th has been a rerun. The fact that it's still airing Sunday nights at 9:00 PM is a good sign that it will return, perhaps as soon as this coming Sunday, but we'll let you know if anything is clarified about it's current/future status. Due to the December reruns, we're only behind on three new-to-us episodes of Metal Morpheus, so let's continue on by looking at the November 21st installment!

That episode was the third in Josh's planned series of spotlight features on the extreme metal scenes of various countries from around the world in alphabetical order, and for non-disputed regions, third up was indeed Algeria, a large country in northwestern Africa. Clearly, there wasn't a ton of metal bands from Algeria to source bands from, so this episode only addresses them for just over half of it, and the episode proper runs for just 57 minutes. Starting things off with some information about Algeria and its native music, the first band played on air is progressive metal quartet RiverGate's song "Tears of the Machine" (4:30), followed by black metal band Orcus' song "Death Is Everywhere" (11:15). Active Algerian death metal group Lelahell are up next with their 2018 track "Insiraf/Martyr" (16:10), followed by the more technical death metal band Devast with "Chaotic Proliferation" (22:10)

The fifth and final Algerian band played on November 21st was the black metal project Berzek with their very long original track "Mourning In Oblivion" (25:30). After wrapping up the trip to Algeria, Josh flies back home to look at songs from four inactive local metal bands, starting with classic hardcore punk band The Harsh Heads' song "You're Pawning Your Mind, Asshole" (37:00) from their kinda-unreleased album "First Hated Then Forgotten", followed by the more contemporary grindcore trio Shit Liver's song "Liverated" (42:55) from their 2017 album "Hitting The Fan". We next get a live cut from 2010-2011 local metal band Sativa Rose (who never released an album), specifically their original "Fall From Grace" (47:15), and the episode closes with early 1990s metal band Amethyst's song "You've Been Caught" (53:00), which opened their 1992 CD "Innocent As Hell".

This was another solid episode of Metal Morpheus, and those Algerian bands were definitely intense and brutal in both expected & unexpected ways! As was the case with the Albanian episode from earlier that month, Josh was clearly struggling to give information on these bands, but giving them some exposure like this can't hurt their cause, even if some are not active anymore. Nice to see lots of local acts getting the spotlight too, and I never expected Sativa Rose to turn up, though the audio quality from the source video was definitely rough by comparison. We now have just two episodes of Metal Morpheus from 2021 to recap on the SMS, namely the revised Soo Metal episode and the next country spotlight one, but Josh curiously skipped six countries in alphabetical order to instead look at Austria.

While some of the six in between would seem hard to get enough bands from (especially the tiny Andorra and Antigua & Barbuda), I would have thought Australia at least would have had ample bands to pull from, and Argentina, Armenia, and Angola are not lacking themselves. Josh did also tease at episode's end that he wants to do episodes themed around international metal subgenres (methinks Japan would lend itself well to that). Tune in to The Borderline this Sunday at 9:00 PM to see if Metal Morpheus is back from their winter break(?), and we'll have more episode recaps soon, I hope, plus more news and notes in general! Thanks everyone!

Tuesday, January 4, 2022

New COVID-19 Pandemic Restrictions In Ontario, A Local Band's Return, And Much More!!

Here's our first proper news post of 2022, where we're diving into big updates on a local band's surprise reemergence, a bunch of recent shorter stories, and leading off, big details on an unwelcome return to days of pandemic's past for local music fans in Ontario. Here's what you should know!

Concerts in the province of Ontario as we know them are on hold again, as the provincial government has rolled back many of the loosened restrictions to fight the dramatically increasing number of COVID-19 cases in recent weeks due to the omicron variant, starting tomorrow. While we're not being fully locked down again (yet?), Ontario is returning to a modified version of the "Stage 2" of re-opening following the end of lockdown #3 in June 2020, which means that indoor gatherings are being restricted to five or fewer people again and indoor dining is also cancelled. Measures are in effect until at least January 26th, and for more on the new/restored restrictions, visit this SooToday article. Michigan has not followed suit with similar announcements, we'll keep you posted if they do. No previously announced local hard rock concerts were cancelled as a direct result of the restrictions, but be advised that the rescheduled Glambition fundraiser is only four days after the current end date.

This is all disappointing to hear, especially given how many Ontarians got vaccinated last year (I got the booster last month myself), but the omicron variant is getting to overwhelming numbers and is clearly very contagious even if you have had three shots. I don't want things rolled back, and I certainly don't want a fourth lockdown, but I also don't want people to get sick or worse. It is what it is, and I just hope that the new provincial measures do lead to a decline in COVID-19 case rates so that things can somewhat get back to normal sooner rather than later.

However, one immediate casualty is the apparently permanent closure of Pim Street hotel, restaurant, and concert venue The Canuck (née The Canadian Motor Hotel), as per their Facebook page yesterday. This news comes just seven months after Jim Brogno bought The Canadian from the Marrelli family and announced big plans for upgrades to the building, While this may seem like a rash decision for what we hope will be just three weeks of capacity limits and no indoor dining, I have no way of knowing how their books look, and maybe staff assumes things will be limited past the 26th. In any event, The Canuck did not resume hosting hard rock concerts last year, with the downstairs Canadian Nightclub not being used as a concert venue, and bands of other genres only played upstairs at The Upper Deck Bar & Grill. I'm not getting into any of the divisive reports about un-vaccinated gatherings there on the SMS.

I hope The Canuck/Canadian isn't closed forever, and that at least the Brognos sell to new owners, as it's a long established and well liked central spot for a meal, a drink, a room, and/or live music, and The Canadian Nightclub was the locale of many big concerts over the years, including my first 19+ show in 2008. Hopefully this isn't the absolute end, but best of luck to the staff as they make their next moves, and we'll keep you guys posted as more comes out on the Ontario restrictions!

Next up, let's move to some more positive topics, starting with the apparent rebirth of local metal/punk band Jack Spades, albeit in a new home! After 15 months of public silence, the band posted this picture on their Facebook page of a modified version of the classic Skates logo, coinciding with a name change to Spades GT. The band confirmed in November that they've relaunched out of frontman J.D. Pearce's current Barrie homebase (he moved out of town for work reasons in 2020) so does GT mean "Greater Toronto"? Inevitably, lineup alterations have followed, with the band enlisting Adaptive Reaction bassist Steve Lorenz and former Caym drummer Tyler Reiner (the son of Anvil's Robb Reiner) to replace Rob Speers & Johnny Belanger, both of whom are still in the Soo. As best as I can tell, guitarist Daniel Horton is still/back in the band, having moved to Barrie himself already.

Whether the band is moving forward as a four piece or keeping/replacing Tiffany isn't clear, but note that while she also moved out of town, it wasn't to Southern Ontario. In the November Facebook post, Spades GT revealed that there are "new tracks incoming", and their live debut under that name would be next month at Queens Hometown Pub in Barrie, but given the omicron variant, new restrictions, and uncertainty therein, I'd say that date is hopeful at best right now. Still, it's great to see (Jack) Spades continue on down south, and hopefully we hear lots of good stuff from them to come, with perhaps a return show up here when the time is right?

Finally for today, here's three assorted shorter news items from the last while, and as usual, these are in alphabetical order by artist name:

 

  • Tribute shirts for late local rock drummer Chris Thompson are in the works by his Frightlight bandmates J.D. Pearce & Kevin Powe, and pre-orders for them took place last month! Available as t-shirts for $20 or pull-over hoodies for $45, the artwork features a black & white image of Chris in his Frightlight outfit, as well as the names of his major local bands (the image shared on the Musicians Wanted Facebook group on December 10th was preliminary & does not have the final band listing). Proceeds from the sales go to the Thompson family, and e-transfer the money to johnnypints@gmail.com with name and size if you want one!
  • The next Mike Haggith live-streamed concert will take place on Tuesday, January 25th at 7:30 PM on his Facebook page, and for a second straight episode, he'll be interviewing a local musician he hasn't played in a band with, namely Bad Chug guitarist and folk solo musician Jacob Quarrell! Mike has produced material of Jacob's, and he was tapped to be in Mike's solo band for his cancelled "If Ever Comes The Day" release concert in 2020, so there is definitely a mutual respect there. Make sure to tune in to the live-stream on Facebook in three weeks' time, especially as Mike's covering two share contest winner picks!
  • SooToday contributor and veteran local musician Chris Belsito covered the vinyl re-release of defunct local punk band Room 206's album "2 Innies & 1 Outie" for this article last week! Though it incorrectly gives 1993 as the original tape's release year, the article does give a little more background info into Room 206's active run, and includes some photos, including one of Soolebrity Records head & bonus song performer Mikey Hawdon holding two copies at The Rad Zone. Give everything a look if you want above!

 

That's all for today, but stay tuned for more news and notes on the site as the week rolls along! Thanks everyone!

Monday, January 3, 2022

Where Are The New Albums? (January 2022 Update)

For our first SMS post of 2022, let's lead off with our latest "Where Are The New Albums?" post, continuing our monthly spotlight of upcoming local metal, hard rock, and/or punk albums from Sault Ontario-based artists that have at least been publically announced as having started production! With the successful release of The Din's posthumous live album "Technically Live" last month, we are down to just four entries this month, but two do have updated infromation, as noted with their titles in italics. So, where are the new albums? Read on below to hopefully find out!

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Chase James Wigmore's new albums

Rumoured Songs: Multiple

Background: Ever the prolific artist and songwriter, local folk punk/extreme metal musician Chase Wigmore posted on his eponymous Facebook page in August 2020 to announce two more distinct acoustic albums and the long-gestating completion of his 33 part rock opera "A Story About A Kid Named Todd". In 2021, Chase released three more free albums to YouTube, including one of those acoustic albums (the black metal-infused "Ruins Of Life"), Awokest's new album "Beyonder", his classical piano release "The Symphonic Organism", and a progressive metal double album entitled "Living Divisions", all going straight to YouTube, at least initially. Most recently, Chase posted two songs onto his YouTube channel from a planned new metal album named "Sonic Apocalypse", which is scheduled for release this year.

Current Release Status: Your guess is as good as mine, but remember that Chase is very prolific and varied in his musical interests, and not every album of his has seen a formal paid release, either by finishing it's lifespan as a demo, or by being released online for free. In fact, he hasn't released one of his brand new albums for sale since "One Last Act Of Defiance" on Bandcamp in December 2019, though note that he posted a dozen back catalog albums from various projects of his onto his Bandcamp page last summer, so some of his more recent free albums could follow there. Stay tuned for updates from his camp when they roll in!
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Dustin Jones & The Rising Tide's fourth album

Rumoured Songs: "Lost & Found", "All Broke Down", "No Control"

Background: Local Celtic punk veterans Dustin Jones & The Rising Tide began recording sessions by October 2018 at Dustin's own Mission Control Studios, as per their Facebook page. In January 2019, the band confirmed that they were indeed recording a fourth studio album (and first since 2012), which will presumably be released through Tidal Records, and will also be their first album with second guitarist Liam Seymour & drummer Chris Johns. While "All Broke Down" was initially cited as the first single in December 2018 (source here), the first two released singles were "Lost & Found" in March 2019 & "No Control" in December 2020. Credits on the above songs' music videos note that Kyle Whittaker at Strange Pumpkin Studios in St. Catharine's is mixing the album, as he has done for multiple Tidal/Mission Control releases. Dustin posted a handful of solo songs on Tidal Records' YouTube channel last year, but it's not publically known whether or not they'll also be used as new Tide originals.

Current Release Status: When The Tide shared a teaser clip for "Lost & Found", they mentioned that the album was "coming soon", which doesn't tell us much, especially as the band has only posted two updates on Facebook in 2021. This may be partially due to fiddler Sheldon Jaaskelainen's recent out of town commitments, with 3/5ths of The Tide performing as Jonesy Land last summer. Still, with recording sessions well along the way, and two music videos now public, it's likely that Dustin and company aren't early in the process, but we'll let you know when more comes out on the album!
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Handsome Sandwich - "Lettuce"

Rumoured Songs: "All or Nothing", "Bitter"

Background: After taking a year+ long hiatus during the pandemic, local "no genre" (but functionally alternative/hard rock) band Handsome Sandwich reunited last summer with a new lineup, with returning members Jesse Cook & Johnny Belanger now joined by singer Taylor Emlaw and bassist Mitch Sirie. Via their new Facebook page and YouTube channel, the band almost instantly began teasing a debut album (after previously being covers-only in their 2017-2020 run), posting two YouTube videos of them jamming new original songs planned for it. On June 25th, Handsome Sandwich revealed that the album will be titled "Lettuce", it will be recorded at Unsalted Audio with producer Dustin Goodall (pictured with the band and Bill Priddle), and that pre-production started on June 27th.

Current Release Status: No clue, especially given that we have no prior Handsome Sandwich albums to go off of, but the new look band has definitely hit the ground running since resuming activity this summer! Staying busy and creative when proper non-socially distanced concerts can't happen isn't a bad idea either, so stay tuned for updates from Handsome Sandwich's camp!
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The Uncanny Valley's debut album

Rumoured Songs: "The Uncanny Valley", "Glowin'", "Middle Man", “This Love is Psychedelic”, "Stuck In Rotation", “Sweet Like Sugar”, "Fumbling Through"

Background: The new classic hard rock band from 2019 Soo's Got Talent winner Adrian Sullivan, fans will have seen original material of theirs right from the start, as The Uncanny Valley debuted their own songs in their first live concert at The Canadian on New Year's Eve 2019. Live concert & jam session videos have followed on their Facebook page featuring their own material as well. After posting a teaser audio clip of "Sweet Like Sugar" in September 2020, they posted the full studio version of "Middle Man" in October, finally confirming there that they are working on their first album, though no other details have followed suit. The album will presumably feature new bassist Brendan Bertrand, who replaced Adam Fahrer in the band early last year.

Current Release Status: No clue, which isn't helped by The Uncanny Valley's age and relatively unfamiliar profile for many readers, not to mention the complications of the pandemic and their public hiatus since releasing "Middle Man", though their new lineup have played live a few times in the second half of 2021. That said, they are a talented group who seemed to be taking the right steps for the future, and hopefully more updates on The Uncanny Valley's debut album follow when ready! ----------------------------------------------------------------------------------

I hope you guys liked this month's "Where Are The New Albums?" post! This series will return on or around February 2nd, while our next monthly feature post will likely be this month's Defunct Local Band Profiles next week. That's all for today, but stay tuned for more news and notes on the site in the days ahead! Thanks everyone!

Friday, December 31, 2021

2021: A Look Back In The Year Of Local Metal, Hard Rock, And Punk

Another year is almost in the rear-view mirror, so let's recap all of the highs and lows from the local metal, hard rock, and punk scenes to end 2021 with! Due to the ongoing COVID-19 pandemic and the increasing malaise with few concerts and minimal public activity from many local bands, this was the slowest year in SMS history, but I promised years and years ago that I would have a new post at least every three days, and throughout this whole pandemic, I have never broken that promise! The pandemic has absolutely affected everything once again, not helped by Ontario being thrown into lockdown from December 2020-February and again from April-June, not to mention the introduction of vaccine passports this fall, and now the omicron variant of COVID-19 running wild. I can only hope that 2022 brings a little more normalcy as we figure out how to keep everyone as safe as possible!

That all said, Sault Ontario did start to see the return of some big concerts this summer as vaccination rates went up and some restrictions started to ease, and there were some very promising signs of activity from established and new bands alike, so hopefully we can touch on most of the big stories and events from the past year below!

In terms of multi-act events, July saw Rotaryfest returning in a temporary(?) drive-thru format later that month with 15 bands playing to attendees at the former Lowe's Plaza parking lot. In August, a near normal concert experience hit nearby Ophir when The Northern Vibe Festival returned with a full slate of local and Sudbury musicians, while the expanded Wyld Stallyns headlined an Entomica fundraiser at The Bushplane Museum, and the debuting These Magnificent Tentacles (among others) opened for Sibling at The Klub in September. A relatively busy October was toplined by the long-delayed Buckcherry concert at Soo Blaster alongside openers Redundant & Bad Chug, while fans could also see Alien To The Ignorant at Mellow D's Underground and The Soo Fighters opening for Lockdown on Halloween weekend at The Rockstar Bar, with Sudbury tribute band Just Leppard playing there in November.

And of course, a number of bands hit the weekend bar cover circuit for shows from February-April and June-December, with Fort Creek, Soundcheck, and Tym Morrison playing multiple times throughout 2021, and bands like The Uncanny Valley and the reunited Handsome Sandwich & Tripod The Dog also headlined a few solo concerts in the past year. Hopefully many of the above bands (and much more) will play live in 2022!

Over in Sault Michigan and the eastern U.P., the biggest hard rock concert of 2021 saw Cheap Trick open for The Goo Goo Dolls outdoors at the St. Ignace Kewadin Casino in August, but anything planned for after then from heavier acts was called off, alas. A handful of touring bands hit Kewadin Casino lounges once they started booking live bands again in July, like fan favouites Peril, Scarkazm, and Spun, plus newcomers Fyrbird, and Wisconsin's own Sunspot during the Michigan Paranormal Convention. The busiest local hard rock band on the E.U.P. circuit was Tarnished, who got around to numerous headlining gigs and community events both locally and into the western U.P. and downstate, while 415E & their new sister band Rhythm & Brews also played live in late 2021, and Project 906 got to play a few shows in between their drummer changes. Here's to much more in the new year!

A lot of big news stories hit our news desk in 2021, but a pair of major local musician deaths on both sides of the border rocked each half of the Twin Saults, starting with the loss of former Highway 63/Monkey's Uncle frontman Henry Switzer in February at the age of 49, after dealing with some lengthy health issues. Henry was a very talented singer, guitarist, and instructor who is dearly missed by his family and friends in Sault Michigan and area, and it's still strange to not cover shows from his bands on the site! On this side of the border, fans mourned the sudden death of prolific local rock drummer Chris Thompson last month of complications from a heart attack, at the age of 42. Like Henry, Chris was a committed husband and father who was a mainstay of the local scene from his prolific work in bands like Fitswitch, Eclipse, Project 421, and Giwakwa, and I hope his family and friends kept the good memories close over the holidays!

We also lost veteran local radio DJ, sportcaster, and former Rock 101 news anchor John Bell this year, as well as the late Sault Ontario actor/director Pirie "Bear" Kaufman, who had a well received benefit concert during his cancer battle a few years back. All will be missed by the lives they touched!

In terms of general news stories, the COVID-19 pandemic helped direct the path of many of them, like the cancellation or postponement of more concerts, like Black Label Society and Great White in Sault Michigan, and Queen: It's A Kinda Magic and The Sky's The Limit in Sault Ontario. For venues, The Tech re-opened with ambitious plans, The Canadian Nightclub became The Canuck after being bought by new ownership, and The Harp closed in advance of lockdown #3. Despite all of the obvious issues, The Sugar Island Music Festival (sans heavier acts) returned in August, while Coronafest returned for another go-around in the spring, and the ever prolific Mike Haggith brought back monthly live-streamed concerts in the last quarter of 2021, going along with his increased presence in Thompson, Manitoba, including Shaw TV hosting gigs and even a return to the stage there, complete with a full backing band!

Over in Sault Michigan, Heavy Lies The Crown & Theatre of Night released new music videos in advance of planned albums, while Tarnished entered their 2020 video for "Metalyn" in the Soo Film Festival, and kept busy otherwise with new viral video content and their new single "SDR&R". Project 906 also released songs for a planned EP, while Sault Ontario's Apocalypse Afterparty put out their own smokin' music video for their "List of Demands" cover. On the (internet) radio dial, The Borderline kept up a busy locally-devoted slate of programming on such flagship shows as Sev's Cellar, Across The Tracks, and starting in July, Josh Amendola's own Metal Morpheus, giving metalheads an hour of extreme metal and genre pioneers every Sunday night! As well, Lake Superior State University relaunched their campus radio station on Live365 with a better player and new music rotation. Here's to a bigger and better 2022 ahead with lots of positive news stories!

For new albums, no one had a busier year than Mike Haggith, who put out his delayed 51st canon solo album "Bridges" in November (and on vinyl too!), sandwiched between the expanded deluxe edition of his old local band The Din's 2016 studio album "Give In To The Din" from October, and that group's belated live album "Technically Live" on Sunday from the "Give In..." release party! Vinylphiles got another treat this month when Soolebrity Records re-issued defunct local punk trio Room 206's 1994 album "2 Innies & 1 Outie" in limited quanities! Also this year: St. Ignace, Michigan's Heavy Lies The Crown just put out their self-titled full length album, while earlier in the year, we got digital exclusive albums from Swampgut, solo projects Malignant Neoplasm, Slumshine, and Molten Imp, and as a score for their D&D podcast, the kinda reunited Late & Loud. Fingers crossed there's more ahead next year!

Mercifully, things opened up enough for both Sault Ste. Maries to get a handful of new local metal, hard rock, and punk bands. Arguably the biggest debut was for Jonesy Land, the punk/country supergroup from Rising Tide and Lake Effect alumni that played this summer at Rotaryfest & The Northern Vibe Festival, and even had a music video to show for it! While the band proper isn't new, local/Ottawa hard rock quartet Bad Chug finally played their first local date when they opened for Buckcherry in October, while the eclectic duo These Magnificent Tentacles also played live for the first time. Sault Michigan welcomed 415E sister band Rhythm & Brews to the live stage this summer, while other newbies north of the bridge included promising young punk band Vanity, industrial metal solo project Molten Imp, and the short-lived Dealing Without. Here's to more in 2022!

With bands back to playing live in one form or another, long delays and changes in personal lives did lead to a lot of lineup turnover. Sault Michigan's Tarnished were hit the hardest, with the departure of drummer Gary Croad, bassist Josh Fair replacing him behind the kit, new bassist Donald Alexander's brief stint, frontman Alex Traynor temporarily moving to bass, and ultimately adding Isaac Royer to restore their lineup. Gary also factored into Project 906's drummer shifts, replacing Tommy Korcal this year before ceding way for Odin Osogwin. In Sault Ontario, Taylor Emlaw & Mitch Sirie joined Jesse & Johnny in the new-look Handsome Sandwich, cousins Chris & Elijah Nielsen belatedly replaced Frank & Fred in Re:Born, Arthur Lacasse & the late Chris Thompson joined the revived Soo Fighters, and Ben Garcia joined The Wyld Stallyns on bass, among other lineup changes from the past 12 months!

In terms of notable local bands to announce their demise or breakup, we didn't get much of that in writing in 2021. Sault Michigan's Mackinaw Trail basically ended when Henry Switzer died, Jack Spades as we knew it ended after J.D. moved out of town, Dealing Without were effectively absorbed into the reunited Half Past, and Black Cloud deleted their social media accounts, but most of the apparent dissolutions were via extended periods of inactivity. Notable acts like The Inner City Surfers, Shit Liver, Stegadeth, Foothill Road, Skeyes of Seven, The Bridge Heads, and Sault Michigan's SweetKenny and Hubbard hit our one year inactivity threshhold during 2021. As well, it has been over 6 months since we last heard from the likes of Destroilet, Kraken Mara, Swampgut, and Kush Wood, among others. The pandemic hits hard for many of us, and hopefully some of these bands will return next year!

As always, we'll end our retrospective with comebacks and returns, and given that a lot of bands didn't or couldn't play live between March 2020 and June 2021 (weekend bar cover bands excepted), the summer re-opening did allow for a few months of some bands playing live again, like the new Bad Chug, Handsome Sandwich, Soo Fighters, Uncanny Valley, and Wyld Stallyns lineups, plus the returns of A Dire Setback, The Apocalypse Afterparty, The Bear Hunters, Frightlight, Redundant, Tripod The Dog, and Sault Michigan's 415E. Outside of the live stage, Tool tribute Parabol returned after a pandemic break and social media relaunch, Kraken Mara resumed their EP recording plans, and solo acts like Mike Cliffe, Ted Olson, The Shaner, and Stonesmith GC came back with new original music. Hopefully everyone keeps at it as we enter what will hopefully be a better year ahead!

2021 was a challenging but still newsworthy year that had good stuff to remember and look back on, and 2022 can't be worse and less eventful..... I hope! Like last year, I'm not going to do a post looking ahead to what we may expect in 2022, as frankly, no one knows what to expect, with the COVID-19 pandemic still being quite prevalent in Ontario, Michigan, and elsewhere, but we'll be back with more news and notes on the site next week! Thanks everyone, and have a Happy (and safe) New Year!

Thursday, December 30, 2021

LOCAL CONCERT ALERT (Scarkazm), New Album Updates, And More!!

In what may be our final news post of 2021, I have lots of updates from a trio of December album releases from local bands (one brand new, two with new details), plus a new music video of sorts, but leading off, we have a concert preview/SHORT NOTICE LOCAL CONCERT ALERT to take stock of! Here's what you should know!

A relatively quiet New Year's concert weekend for heavier bands in the Soo area will still net a couple of gigs in Sault Michigan TOMORROW & SATURDAY NIGHT, as Traverse City metal trio Scarkazm will end 2021 and ring in 2022 at The Rapids Lounge at the Sault Michigan Kewadin Casino! Apologies for the short notice on SATURDAY'S New Year's Day show, Kewadin never advertised it on their entertainment page for The Rapids Lounge, but Scarkazm confirmed that they are playing twice this weekend as usual via their Facebook event page for the latter. Venue advertising seems to focus on the New Year's Eve party trappings tomorrow, and given that December 31st is a Friday this year, that would normally bode well for partying to send the year out! Alas, we're not in a normal year, so if you do come out tomorrow (or SATURDAY), please use common sense and follow the casino's public health guidelines.

Last seen at The Rapids Lounge in October, Scarkazm's brand of original metal and covers should be a fine way to celebrate the holiday, so don't miss out on the party tomorrow or the more relatively standard concert on SATURDAY! Both shows have no cover charge, 21+ age limits, and 9:00 PM start times. Visit the above links for more details, and here's Scarkazm live!


Next up, we have another new local album release to take note of on the SMS, as defunct Sault Ontario hard rock/power pop trio The Din's third live album was released yesterday on their Bandcamp page! Entitled "Technically Live", this is the almost complete set that The Din played at The W.W. Baldwin Auditorium at The Tech on August 12th, 2016 as part of their release party for their debut studio album "Give In To The Din", and now that the album is out, I can confirm that the audio was a soundboard recording and not taken from Shaw TV's video of the concert. As previously teased in his live-streamed concert last month, the album features all nine songs from the original release of "Give In To The Din", plus the usual live "75" intro "Leamington, Ontario", the then-unreleased "Differences", and four outside covers. The live album does not feature frontman Mike Haggith's solo song "Of Cars & Criminals", which directly preceded "Flux" in the concert proper, but you can watch Shaw TV's footage of it at this link.

No word on why "Of Cars & Criminals" didn't make the cut, but an acoustic version was on their first live CD, 2016's "The Din Does Laundry". On Bandcamp, you can buy "Technically Live" on a "name your price" model (if you so desire, you can download it free), but CD copies will run you $10 on Kunaki, which has been Mike's go-to service for physical albums this year. As I just reviewed the deluxe edition of "Give In..." on the site in October, I can't review another Din album until April at the earliest due to my 6 month anti-bias buffer rule, but a review is in the cards for the second quarter of 2022! Buy or stream "Technically Live" at the above links!

Also, this is more cleaning up the obvious from two other new album releases from this month, as both defunct local punk band Room 206's newly re-released 1994 album "2 Innies & 1 Outie" and St. Ignace, Michigan metalcore quintet Heavy Lies The Crown's full-length self-titled album are available to buy in mp3 format, with expanded ways to hear them on streaming services too! I alluded to these in yesterday's review of the former on the SMS, but I haven't discussed these in a proper post yet. If you're too late to buy a vinyl copy of "2 Innies & 1 Outie" or don't buy/collect vinyl records, you can still hear the remaster on Spotify, YouTube, and Amazon Music, while digital download copies are for sale on Amazon for $9.49. Heavy Lies The Crown's new album was on Spotify from the get-go, and while it's not presently streamable on YouTube, it is also on Amazon for the same price!

Yes, you can stream the H.L.T.C. album on Amazon Music also, but that digital download version on the Amazon store is what unlocks it for our first album review of 2022! I don't historically review free stream-only albums, and if physical copies aren't imminent, there has to be at least the option to pay for downloadable files, rather than exploit a streaming service and hope for a good ad revenue return. As only one of the two has a full YouTube stream, here's Room 206's album opener "My Trip"!

Finally, here's a Christmas surprise from local independent label Blood Shed Productions' YouTube channel, namely a music video for 2012-2019 grindcore duo Rotopsy's fan favourite song "Cops N Moms"! The label's first upload in seven months, the video syncs up the typically (for them) song with assorted clips of Dylan & Tyler performing live at both concerts and jam sessions. Nothing is stated regarding a possible Rotopsy reunion, for the record, and the song proper is from 2014. Not badly edited, and this is definitely one of Rotopsy's more accessible tracks, so fans will wanna give it a watch below!

That's all for today, but barring any more late notice New Year's weekend shows, we'll end the year with our 2021 retrospective post, so look for that tomorrow! Thanks everyone!

Wednesday, December 29, 2021

Room 206 - "2 Innies & 1 Outie" Album Review!!

It's now time for our final monthly CD review of 2021 on The Sault Metal Scene, and our milestone 150th total! We have quite a notable new-ish release to satisfy both markers, as the album in question is the brand new re-release of defunct local punk band Room 206's 1994 album "2 Innies & 1 Outie"! Surviving details on the original release are minimal, but this album was put out independently on cassette tapes at the time, before fan and prolific local punk musician Mikey Hawdon set plans in motion to give this Room 206 tape a proper remaster & re-release on vinyl, through his new boutique label Soolebrity Records. After months of teasers, the one-sided records were officially released on Wednesday, and I absolutely pre-ordered one well in advance! "2 Innies & 1 Outie" was originally recorded locally at Satellite Sound Studios with engineer/co-producer Bob McLeod, while the remastering was done by Steve Rizun at Drive Studios in Toronto.

The two bonus covers by modern super-groups were recorded separately, but the vocals were also tracked at Drive Studios, with guitar recorded locally with Dustin Jones at Tidal Records, and the songs were mixed by Scott James at Greyskull Musik in Sweden. Room 206 are represented here by singer/guitarist Mike Yorke and drummer Al Watson (both ex-Totally Confused) alongside bassist Brad "Example" Lacell, who has played alongside Soolebrity Records head Mikey Hawdon for years in The Inner City Surfers. The bonus songs feature Mikey on vocals & guitar, Room 206 alum & Surfers bandmate Dave Bahun on lead guitar, No Use For A Name's Matt Riddle on bass, and mixer Scott James on backing vocals. Ex-Goldfinger drummer Darren Pfeiffer features on "Good Enuff", while No Doubt's Adrian Young drums on "I'll Be Around", which also features backing vocals from Surfers frontman/Tidal Records owner Dustin Jones.

Given that the original tape run of "2 Innies & 1 Outie" is 27 years old, it's obviously out of print, and I've never seen it for sale in the wild, but the vinyl remaster retails at $40. Only 206 copies (a fitting number!) have been pressed, and limited copies were on sale at The Rad Zone, so check there or contact Mikey directly if you want to see about availability if you didn't pre-order. Yes, the album is available digitally, which has somewhat flown under the radar on social media, but you can buy it in mp3 copies from Amazon for $9.49, and you stream all 10 songs on Spotify, YouTube, and Amazon Music, with song names below linked from YouTube.

Featuring 10 songs running for about 27 minutes, let's begin this review with the album's opening song, "My Trip"! Complete with a live-style introduction where they seem to briefly forget the complete band name, this song is about striving for something new for a change of pace, and though Mike isn't specific, he invites you to experience it first hand with him. This a melodic skate punk song with a good upbeat energy and a nice drum showcase for Al at the end, and while there's not a lot of unique hooks compared to similar bands of the period & to come, it delivers the requisite punk blast to lead off! Next is "I'm Feelin' Fine", which seems to be about reassuring someone that everything's alright when it really isn't. A shorter and faster song, the catchy hooks and drum beats are in full force on this one, but the echo on Mike's vocals are a little overdone on the verses

Fun song while it lasts, and I can see it being a live favourite to sing along with thanks to it's relatively simple chorus, but again, it's over before you know it. The shortest song of the original tape is next, namely "Garden Of Life", whose lyrics are more introspective and optimistic, aiming to show a friend how life should be lived (this kinda feels like a companion to "My Trip"). A fast paced drum solo kicks off this distorted bass-laden song, which suffers from the scratchy instrumentation and repetitive chorus, though the aggressive, hardcore ending stretch gives it a solid exclamation point! Not my favourite song on the album, but it ends well! Fourth is "Ride My Rocketship Of Love", and despite the title's strong adult innuendos, the lyrics have nothing to do with that, instead being about looking forward to a bright future despite society trying to get you down and internalizing your issues.

The slowest song so far on this album, the combo of Mike's melodic singing and the distorted, scratchy instrumentation doesn't really gel for me compared to preceding tracks, though Brad's bass playing is technically sound, and I like the drumming again! I would have either sped this track up or stripped it down even further, as it's in a bit of a gray area for me and not firing on all cylinders in either direction. Fifth on this album is "Anyways", which alludes to standing up for oneself and being your own person, away from the shadow of a bad influence. This is more of a Foo Fightersy power pop song, if slightly grittier, and while solidly performed, I wouldn't say this works as well for Room 206 as their faster, more punk-driven earlier songs, especially with the very abrupt ending. Not a bad song all the same, Mike's guitar work and vocals work well, but I do prefer them faster and punkier than this.

"Nature Calls" is next, with the title being a metaphor for escaping a bad situation, perhaps some sort of familial oppression. While not too far removed musically from "Anyways", this song is more aggressive and has a little more of a punk edge, plus some of Brad's better bass work on offer, and even a mini guitar solo during the bridge. Nothing groundbreaking, but this relatively long song has a lot of room to maneuver and include lots of strong components, and it's one of the better songs on the back half of the original album! Next is the longest song on offer, "Pretentious", with Mike giving advice about how to live, for better or worse, and honestly, the lyrics don't sound all that pretentious to me. This song is softer and relaxed (if not quite a "ballad"), augmented with heavier choruses, more great bass from Brad, and some strong and impassioned vocals from Mike, and some more progressive timing as the song ends.

While punk diehards aren't going to prefer "Pretentious", it's arguably the best song on the album in terms of showcasing Room 206 as musicians, so don't bypass it, even if it feels slow moving at first! The original tape concluded with "Pretend To Be", where you're invited to join in on a "flight", which may or may not be aided by alcohol to create the voyage in question. A little more of a grungy song with more of a melodic groove, this makes good use of Mike's vocal range and some more very solid drumming from Al, and it ends the 1994 version of the album on a high note! Again, the punk content slowed down on side B(?), but Room 206's talent was clear, even at this early stage! As for the bonus tracks, first is the very quick "Good Enuff", which Room 206 did record a studio version of for the 1995 Barely Legal Records compilation CD "Punk: The Next Generation".

For comparison's sake, I did listen to Room 206's version before the 2021 all-star cover, and both takes are about complacency in one's life when you should really be doing more, not just being a passive observer. It's almost an unfair fight given who recorded the new version, let alone with 27 years of production upgrades, but I definitely prefer the cover musically to the original, including a beefier, more dynamic sound, and how Mikey's vocals don't sound like they were recorded through a telephone! If you like Mikey's post-Lion Ride solo efforts as a punk frontman (especially The Fairmounts), this will be right up your alley, and he and Dave pair extra well on guitar! The remaster closes with the supergroup's cover of "I'll Be Around", which was called "Sit & Drool" on their posthumous MySpace page, though I forget if that was a studio recording or not.

Lyrically a defiant number about letting one set their own course when the time is right, this is another fun skate punk song that pairs extra well with the "Good Enuff" cover, especially with it's melodic guitar line, well timed backing vocals, and very solid drumming from Adrian, and it gets in & out without overstaying its welcome! It's not fair to compare these covers from 2021 to the original indie tape, but fans of Mikey & Dave's extensive local music catalog should eat both of these covers up, and they're a great bonus!

So, what are my final thoughts on Room 206's debut album('s new remaster)? Overall, this is a strong album that 1990s and skate punk fans will definitely enjoy, and even if you're not a genre diehard, there's some surprising diversity on offer too! For a 27 year old indie cassette tape to get re-born like this is a testament to it's quality, and everyone in Room 206 at the time delivered, with Al Watson's very underrated drumming, quality low-end bass lines by Brad Example, and strong guitar riffs & melodic vocals by Mike Yorke.  The first half of the album is more or less the punk half, before they spread their wings into more power pop and alternative stylings, and while I tended to prefer songs like "My Trip" and "I'm Feelin' Fine", the musicianship on songs like "Pretentious" can't be denied. On the flip side, the short song lengths were sometimes too short, and "Ride My Rocketship of Love" didn't know what it wanted to be.

As for the production quality, I can't 100% tell you how much better Soolebrity Records and Drive Studios made "2 Innies & 1 Outie" sound, as I've never owned the original tape, and the two songs from it on their MySpace page obviously no longer work, but the vinyl definitely sounds better than a cassette would! At the same time, the limitations of the original recording methods are present, as songs can sound tinny and scratchy, especially compared to the bonus covers, which obviously have way better production quality, but again, it's not a fair comparison. Mikey, Dave, Matt, Scott, and crew paid strong tribute to Room 206 with their take on two non-album originals (fittingly both skate punk songs at that), and in lieu of a Room 206 reunion, they're a very cool bonus for fans of theirs and of Mikey's extensive catalog! You just may have to stream the songs at this rate, or buy the mp3s on Amazon, given the very limited vinyl print run.

If you have any appreciation for the Windsor Park era of local punk music, then the remaster of "2 Innies & An Outie" will be very worth your time, and kudos to Mikey for bringing this important piece of his early fandom back like this! Hopefully Soolebrity does something similar for more classic local albums, but stream the whole thing for yourself above, and I hope you guys liked this month's album review! So, what will be our first monthly CD review of 2022? In all likelihood, we'll lead off the year with the brand new self-titled album from St. Ignace, Michigan metalcore band Heavy Lies The Crown, which is now available to buy in mp3 format on Amazon! It can also be streamed on Amazon Music too, but neither form of availability has been promoted by the band on Facebook. Look for that album review at some point in January, and stay tuned for either a new news post or our 2021 retrospective post on the site next! Thanks everyone!