Showing posts with label rotten. Show all posts
Showing posts with label rotten. Show all posts

Monday, September 30, 2019

Telephone & Address - "The Rotten EP" Review!!

It's now time for our 123rd monthly CD review at The Sault Metal Scene, and with no new metal, hard rock, or punk albums out to my knowledge this month, we're dipping into the archives for the fourth time in six months, specifically by looking at revived local post punk/grunge solo project Telephone & Address' first official album "The Rotten EP"! This album was chosen to tie in with Telephone & Address' advertised return set at the third annual Oh!No festival in Leeburn earlier this month, and marks our long overdue final review of their five pre-hiatus solo albums in the mid-late 2010s. Released through Harmisntus Productions on December 28th, 2013 when they opened for Tim Day at The Algonquin Pub,"The Rotten EP" is considered to be their first album, de-listing their prior demos from canon. Featuring project founder and prolific artist Christopher Shoust on vocals and guitar, CD printings were limited to 50 copies in cardboard packaging, though you can buy it for $8 on Bandcamp, which is $2 cheaper than CDs were when they were on sale.

Of course, you can stream the whole EP there as well, but consider buying it to support Christopher's work! Featuring 7 songs running for about 17 minutes in length, let's begin this review with it's opening song "Get Ready To Run"! As you can tell quickly with this song, "The Rotten EP" shares the most similarities with Telephone & Address' 2013-2017 public concert sets of their five canon CDs, as this is devoid of bass, drums or ambient programming like on the four follow-ups. That said, this song has a clear punk energy with forceful singing and strongly played guitar work that would easily translate to a full electric setting, and Chris' distinctive vocal style seems to mesh better here than on a softer, slower track. That said, the song's structure and the lyrics do get repetitive after a while, and as such, it does feel like an incomplete song repeated to stretch it past 3 minutes. Entertaining overall, but I wish it was more varied as it went along.

Next up is the EP's longest track (at 3:11, mind you), "Bought & Sold." Harbouring more of a politically-charged stance in it's lyrics, I again like the passion and force that Christopher projects here, and the song's well played and sung, but this song is similarly repetitive to it's predecessor, basically repeating the same verse and chorus three times over before ending with another verse go-around. There is something here as a lo-fi punk performance, absolutely, but I would either vary the structure or chop the song down in length. Third is "Fucked From Birth" (he titled it, not me!), which has a Green Day-esque sound, obviously stripped down, though the title does allude to more explicit language used in the lyrics proper. The faster pace and shorter length help differentiate this one from it's preceding songs, and while the lyrics still aren't terribly long, there's less room for repetition. So far, this song feels the most ready for the full band treatment, and it's an early highlight!

That's followed by "Broken Head", which retains the punk energy of it's predecessors, but this seems like it has more of a folk essence, with vocals sung a little more than on prior tracks. I'd have varied the guitar playing a little more, as it only really changes in style for the brief choruses, but the song is effective and wraps things up before it overstays it's welcome! Fifth is one of the EP's two shortest songs, "Fight", though despite the name, there are more aggressive songs on here. The verse singing here is surprisingly repetitive and muddled given the sub-2 minute length, and while the song's structure isn't as by-the-numbers here, I don't find this as catchy.

"Drunk & Disorderly" is the EP's penultimate offering,  and it has a folk punk sound like "Broken Head", thankfully with a clearer overall performance than on "Fight." The song itself is on one track for the verses and choruses, but the lyrics are shaken up a little more, and Chris gives solid feeling and aggression to the vocals. Another highlight on the album, and it's nicely laid out for length and pacing too! "The Rotten EP" closes with "We're All Fucked" (again, I didn't title this!), which is tied with "Fight" at it's short 1:52 run-time. This is a clear and well performed song that manages to cram three full verses and choruses each into the duration, but with the length and the energy, it doesn't feel repetitive. Not overly angry despite the title, this isn't a bad song, but aside from the liberal expletives in the chorus, it doesn't stand out compared to earlier tracks.

So, what are my final thoughts on Telephone & Address' first canon CD? I think the best was yet to come, but this was a solid collection of lo-fi outsider punk songs that helped set the groundwork for what was to come! I am surprised that Christopher never reprised the singer/guitarist-only template on later albums, especially given the nature of his live shows then, so if your fondest memories of this project are from concerts, this will be extra notable. His distinctive nasally vocal style works well here in a more forceful, angrier setting, and he gets good mileage out of the acoustic guitar overall, with songs like "Broken Head" and the songs with the F-word in the title showcasing his top flight contributions. Intentionally lo-fi quality aside, my big qualm with the EP as is was the repetitive song structures and lyrics, particularly on the two opening tracks, though this was generally a lesser issue as the songs shrunk, albeit having less time to repeat then.

I think Telephone & Address' last two albums (with full electric instrumentation) were their best, but "The Rotten EP" was a solid release given it's solo and lo-fi nature, and  if you like your punk rock with an outsider folk edge, or enjoyed Chris' mid-2010s solo shows, you should find a lot to like here. Give this EP a listen or buy it at the above links, and I hope you guys liked this month's CD review! I do not yet know what we'll be reviewing next month (ideally a new metal, hard rock, or punk album if released), but if we have to dip into the archives, I'll tie a review in with an artist playing live next month if at all possible. No to Awokest, The Inner City Surfers, or Treble Charger in any event, it's too soon from our last reviews of theirs. Keep in mind the talks that Chase Wigmore would be releasing his true official debut studio album with a release concert on Devil's Night, but we await full confirmation of that event and album release before getting our hopes up. Stay tuned in any event, and for more news next month! Thanks everyone!

Friday, April 4, 2014

LOCAL CONCERT ALERTS (Tym Morrison), Weekend Concert Previews, And Album Updates!!

Let's end the work week strong with a new news post combined with this weekend's hard rock concert previews! Slow weekend for heavier shows (barring any really late notice gigs), but there's some notable ones going down (including SHORT NOTICE LOCAL CONCERT ALERTS), and some info on new local albums at the end, so read on below for what you need to know!

Caveman Morrison frontman Tym Morrison's weekly concert arrangement at The Harp Pub & Grill will continue through this entire month, and for more than just Fridays, as his weekly appearances have doubled to Friday AND Saturday night concerts! He hasn't said why they're expanded, but it has to be a good sign for both how well recieved his Harp gigs are, and for how well his temporary Saturday show two weeks ago went, so congratulations are in order for the continued success! That said, his website's calendar still lists the constant weekly dates through 2028 (yes, including the new Saturday bookings), but whether they're extremely optimistic or accidental is not clear yet. Also, note that while the Friday shows are still the weekly jam nights that Tym hosts and performs at, the Saturday shows appear to be traditional solo concerts a'la his shows at other venues, if the descriptions on his calendar are correct.

Given the immense length of the calendar's apparent bookings, we'll still take them one month at a time, so look for Tym at The Harp TONIGHT & TOMORROW NIGHT, next Friday & Saturday, and on April 18th, 19th, 25th, and 26th! All dates have 10:00 PM start times, no announced cover charges, and 19+ age limits. For more details, click here and visit the above links! If you're up for some entertaining hard rock covers in an acoustic setting, be at the former Madison's Pub this weekend or later this month, and for a preview, here's Tym live at Mill Square!



Moving to previously announced gigs, Toronto's own joint Ramones/Joan Jett tribute band The Merves will return to Sault Ontario for a full weekend at The Rockstar Bar TONIGHT & TOMORROW NIGHT! Featuring prolific local punk musician & ex-Lion Ride frontman Mikey Hawdon on guitar & Ramones cover vocals, you may remember seeing The Merves in January at the same venue (they've played a local date that month for a few years now), but it must have went well for them to come back so soon! Remember, their set has included Joan Jett & Runaways covers since adding singer Amy Zucchetto to their lineup last year, lending a hard rock kick to their entertaining live repertoire, so if you missed their January show, keep that in mind! The Merves will be rocking The Rockstar Bar tonight and tomorrow at 10:30 PM, there are $5 cover charges likely for both nights, and you must be 19 to attend. For more details, visit the official Facebook event page!

It's great to see Mikey back in town with one of his current bands, so if you love The Ramones and/or Joan Jett, don't miss The Merves' return for some punk and rock tribute action! For a preview, here's The Merves covering Joan Jett's "I Hate Myself For Loving You" in Sudbury in January!



Next up, I finally have a recent local hard rock album in my possession, so what should you know? It's the "Rotten EP" released by local musician Chris Shoust's lo-fi/grunge solo project Telephone & Address, that you may remember from it's launch show on December 28th at The Algonquin Pub (when he opened for Tim Day.) Things sadly couldn't work out for me to make the show, and Chris hasn't played a public concert that I'm aware of since, but he was kind enough to mail me a copy this week, so now I can talk about it here! Registered with SOCAN, this was part of a limited pressing of just 50 physical copies (which were on sale for $10), and it's credited to have been released through Harmisntus Productions. Packaged in cardboard, this is the cover art, with the inside just saying "Consume" repeatedly, while liner materials include a business card promoting Chris' book "The Beggar", a card that just says "I Am With You", and track listing information. The included songs (in order) are "Get Ready To Run", "Bought & Sold", "Broken Head", "Fucked From Birth", "Fight", "Drunk & Disorderly", and "We're All Fucked".

Save for "Broken Head" & "Fight", the songs are streamable on Telephone & Address' Soundcloud page, while the total disc runs about 17 minutes. Now that I have the "Rotten EP", when might a review of it be coming? Perhaps this month, but given talks of Jack Spades, Shit Liver, Mike Haggith, and Rotopsy all releasing paid discs this month, there could be quite a glut to manage, but I fully expect Telephone & Address' first album review on the SMS to take place soon! Stay tuned for updates, thanks to Chris again for sending me a copy, and message him above to see if you can get your own!

Also today, here's the latest from local solo hard rock artist Mike Haggith and related projects! For one, his solo Facebook page confirms that the current lineup of his reunited acid jam band Mike Haggith & The Din does indeed feature Rotopsy bassist Tyler "Ringsnaps" Gibson as an official member, after replacing Curtis McKenzie on an interim basis for their January return at The Oddfellows Hall. Nice to see, hopefully The Din play live again soon! As previously covered in Wednesday's "Where Are The New Albums?" post, Mike has also announced plans to release a new compilation album of top songs from his last 4 solo albums, with it's own artwork pictured on your right. The title isn't known yet, but "The Best of Mike Haggith: Volume 3" would make sense, given the similar title of his preceding compilations. You can view the track listing at this link, and it confirms that it will have 14 songs, including 3 from 2011's "Suspended Animation", 4 from 2012's "Neighbourhood Watch", 2 from last year's "The Present Din", and 5 from his latest "Neighbourhood Watch II: Where It Ends".

Also note that he changed the name of his song "The Issue (Resurfaced)" to just "Resurfaced" for unannounced reasons. Mike's hoping to independently release this compilation through Galactic Records in the next few weeks, though it's not clear yet whether it will be on Reverbnation and/or Bandcamp, and he's open to pressing physical copies pending demand. Now, a review of this isn't imminent, as priority on the site goes to albums with new content (not counting vocals he may be re-recording), but Mike's upcoming album "A Place Of Our Own" is definitely likely soon, so stay tuned for updates on both fronts!

That's all for today, but stay tuned for more news and notes over the weekend! Thanks everyone!

Monday, January 4, 2010

Clownsack - "Rotten Candy" Review!

It's another year & another month, and now is time to dip into the local metal archives for a new local metal CD review! And for just the second time since I started monthly reviews, we'll be looking at a release from a band from Sault Michigan! And this month, it's the debut album from inactive local funk/hard rockers Clownsack! Entitled "Rotten Candy", it was recorded at Klusterfunk Studios with producer Paul Stanaway, and was later released in the spring of 2006. If you don't know, Clownsack took on the persona and appearance of clowns, and didn't openly mention their real identities, which fit well for their style! The band's lineup on this album included original members Schloppy on vocals, Butter Cookie on guitar, Slappy on bass, and Scratchy on drums (who didn't return for their last disc, 2011's "Funny Farm".) Another ex-member, Doinky, is credited for "madness", which involved dancing live and providing backing vocals. I think his contributions on the CD are mostly backing vocals & spoken parts, but don't quote me on that.

How can you buy "Rotten Candy"? Well, it's now physically out of print, but you can purchase it online at CD Baby for the low, low price of $6! For a 13 track album, that's a very good deal! Check Grooves Music and other local merchants too to see if they have copies, just in case. The band also lists dozens of sites where the album (and individual songs/ringtones) can be downloaded at their official MySpace page, so give them a look just in case those sites are still actively hosting the songs! And yes, 5 songs from the album can also be streamed there, but check the above links to get a hold of these tracks! (Updated on November 6th, 2012)

Now to the review! 13 songs, let's start with the opening song, "Clown Sauce"! It starts with music you'd hear at a carnival, which sets the mood for their clown atmosphere! Nice funky riff kicks off the band's work on the song, not especially heavy, but it's really catchy! The lyrics on this song are decidedly NOT family friendly (as are scattered others.) Just thought I'd mention that for the benefit of the easily offended. That being said, it's very funny to listen to, & for all it's innuendos about "clown sauce" & "stroking my gun", it is well written, and veils it enough that you might not get it at first! Schloppy has a solid rock voice, not overly aggressive, but rangy enough to handle whatever's thrown at them! Good drumming too from Scratchy, and Slappy has some good bass lines too! I think the guitar is low in the mix though, there isn't a lot of "punch" to the song, though I imagine live, it'd come through better. There are definitely better musical songs on the album, but this is a very good opener to set the mood for the record, just don't take it too seriously, and have a laugh!

Next is "In Your Face", which begins with an intro where a child (presumably Doinky, who was a youth while in the band) asks a man if he's heard of Clownsack. The man said they sound gay, so the kid delivers a priceless reply! I'll let you figure it out yourself when you hear the song! The punch I was searching for in "Clown Sauce" kicks the song off, guitar sounds nice & clear, good to headbang to! The song's seemingly about getting violent revenge on those tormenting you in school, and the song has appropriate tempo changes! Doinky and Schloppy represent the kid in question at different ages, either questioning the bullying or describing the revenge. The choruses are awesome, heavy & "in your face" as the song describes, with funky verses & some great riffing from Butter Cookie! Definitely a better song than "Clown Sauce", and if I see them live, my head will be banging! If I had to criticize, the lyrics are slightly repetitive in the chorus, but that's minor.

Track 3 is "Social Homicide", a very well written song about rising up & being free, with some great metal sounds to back it up! The song has some great guitar work, especially with the funkier breakdowns, though I wish Butter Cookie was higher mixed, or tuned down a bit, either way. Also, the song features the first solo on the album, my only complaint that much of is concurrent with a sample from a John F. Kennedy speech. Aside from that (and I do understand it's meaning for the song, it fits very well), it's a real good solo, Butter Cookie has real skill! Schloppy sings with some real meaning here, shows that the band can be serious where need be! The song also ends kind of abruptly, which kills a bit of momentum though. Great song, better than "Clown Sauce" but just a bit below "In Your Face".

Then we have "Painted Lazy Faces", which is actually a song about killing mimes! Clownsack sure don't like mimes, and I do prefer clowns, so I understand their angle! That being said, the lyrics are repetitive, but aside from that, it's another solid song! Very energetic stuff here, I like how the riffs go higher in the verse, and Slappy's bass chugs along really well through the chorus! Interesting use of "scat" like vocals at parts too, they're not afraid to try different stuff, which is great to see! Another good song, though the choruses could have stood to have been more confrontational, and there should have been more lyrical content.

The fifth song is "Pissing In The Rain", which starts with a tiny drum intro before hitting some solid rock riffing! Schloppy is borderline rapping in the verses, but as an admitted fan of rap/nu metal, I don't mind! The song's essentially, I think, about not being noticed by others, but the song is definitely heavier than that would suggest! The chorus is great to sing along with, very melodic compared to the harsher verses! A really good song, easy to groove along with, but once again, I'd have liked a higher mix on the backing instruments, and like on "Social Homicide", there's another abrupt ending. Still catchy though! After that is "Boozey", which is about a homeless drunk clown with a hangover. The verses are quite reserved compared to the earlier songs, though I like the guitar effects! Luckily, the choruses crank the heaviness dial up! The guitar really stands out here, if Butter Cookie's in any bands out of his Clownsack disguise, they're lucky to have him! Great soloing midway through the song too, I'd have liked to heard it more on the record! Scratchy puts in one of his best drumming performances here too! It's a slightly repetitive song lyrically too, but it's another fun song!

Seventh is "Tradgically Beautiful" (spelling mistake is intentional), which is a really good song itself! The verses are fast paced & heavy, with the bridges & choruses slowing down. The song's lyrics don't fit the music at all, almost as a motivational tale to a person down on their luck. I'd have put these lyrics with a softer song, but no worries, this is one of Clownsack's best songs musically on the CD, I can imagine this being awesome to mosh with live! Bass is odd though on this song, can't quite place how to describe it. The song is fast & heavy, with awesome sing-along bridges & choruses, all it needs is a solo & higher mixed guitars! Definitely one of my favourites on "Rotten Candy"! Eight is "Saudi-A-Ripoff", a critique of Saudi Arabia's oil monopoly. Interesting hearing commentary like this from clowns, but hey, it works! They add a distinct Arab flavour to the song, with the opening & closing in particular fitting the song! The guitarwork here fits the subject matter, Butter Cookie puts a slight Middle Eastern spin on his riffs, which is definitely appropriate! The choruses are great, with gang vocals grouping together to scream "Ripoff!" where needed! Short & to the point, this song works well, though I don't put it above "Tradgically Beautiful".

Next is the album's shortest song, "Sack O'Clown". It clocks in at just 2:10, luckily they cram it full of good stuff! It's essentially about how clowns will kick your ass, and with songs like they play, can you argue? Very funky & heavy song here, as most of their stuff is! Schloppy has some great singing here, equally aggressive & melodic, and the guitar effects are awesome as well! I'd have made it longer though, thrown a solo in, and it also ends abruptly too. Great song for what it is, but it doesn't feel finished, they could have done more with it.

After that is the tenth track, "Stepdog", a very heavy & catchy song about being treated badly but persevering, using a dog as an analogy. I like the bouncy guitar effects in the verses & bridges, Butter Cookie really is the most impressive aspect of the album to me, he plays with a lot of variance & originality! Vocals are nice & heavy here too, Slappy also does really well on bass here too! Also great use of dog barking & dog-related sounds throughout! This might just be my favourite song on the CD, though that could change by tomorrow!

Then we have "The Box", which is also of high quality, though not perfect. I love the drumming, Scratchy especially beat the skins real well early in the song! The chorus almost sounds like it comes from a different song compared to the rest of the track, it's decidedly more melodic & low key compared to the heavy verses. I'm not really feeling the chorus for that reason, cause the rest of the song is heavy as hell & very moshable, it's sort of a buzzkill. Still a great song, but the chorus needs to be cranked up in heaviness, it's really help the song! Song 12 is the title track, "Rotten Candy", which starts almost against type with a very slow ballad-like opening. Definite sexual innuendos about opening the door to a girl's "candy store", which are amusing if you listen close! Honestly, Schloppy isn't bad at this softer singing, I'd like to see what they could do with a full ballad! Luckily for those of us craving heaviness, the song ends extra heavy! The final minute is almost a complete 180 in the sound change, bordering on hardcore! Great ending to the song, it saved it from being out of place into a slow building moshfest! And though I do like ballads when played well, I do prefer the heavy stuff!

And finally, lucky number 13, "Rumplestillskin"! It opens with tolling bells, good mood setter! As you can judge by the name, it's about the fairy tale character Rumpelstiltskin, and I never thought a fairy tale like this could be spun into a song like this! The verses are slower & softer, but that's likely intentional to allow Schloppy to tell the story clearly, and the verses are still funky! Choruses are really catchy, and once again, I love the guitar! This is the only song on the record to exceed 3:30 in length, and around then is when they take a more melodic softer approach once again to close the song, really morphing into a storyteller mode once again! A widely varying song here, not as heavy as some of the other songs, but musically, it's among the best! So that closes the album.....

...but wait, there's more! "Rumplestillskin's" only about 4:33 long, but if you let the track play for about 2:11 past that, you hit the outtake portion of the CD featuring over 4 minutes of joke outtakes from the recording of "Rotten Candy"! The humour level varies, but it's a fun secret addition to the album!

Overall, "Rotten Candy" is a very good CD full of great songs of a style you don't hear much in the Sault area! Especially considering that this was their very first release, they put in a lot of great stuff on it! I'm especially impressed with Butter Cookie on guitar, he's got some real skills! Schloppy has a great voice & used it effectively throughout the album, while Slappy was really good on bass, and Scratchy nailed the drums for the most part! Now admittedly, there are problems. The instruments could really stand to be mixed higher, especially the guitar. A lot of songs end abruptly, and except for "Rumplestillskin", all the songs are really short. Though yes, there is a lot of variance in sound & subject matter, I'd have liked to have seen more longer songs, and more guitar solos too! But that variance I just talked about is a huge plus about Clownsack to me, they can write anything from dirty sex innuendo-filled songs to more serious material, all while shredding some great music! They admittedly won't be everyone's cup of tea, especially if you lump their sound in with nu metal (I don't), but if you go into this to be entertained & rock out with some funk hard rock, or if you just like clowns, this is the CD to get! Here's hoping their next CD is just as good, and they'll be back on stage in the area real soon!

So there's my review for this month, and as I've already announced, February's review WILL be "Brace For Impact", the new album from Sault Ontario's own Detroit! I'm aiming for this to kick off the month on February 1st, in exactly 4 weeks, so stay tuned for that! As for March & beyond, well...I do want to try & review another Sault Michigan band in the spring months, I'm badly behind on them. Syktoyk Rampage's new album "22" will definitely be in the spring as well, just need to organize everything properly! And if there's a new album from a local band in between, it will be slotted in accordingly! But we'll see what's coming in March in about four weeks, so stay tuned! Thanks everyone, we'll get back to local metal news soon!